of the point cloud. It is super quick, compared to what you have seen so far in Rhino, to load and display point clouds, as it works on multiple threads. Amongst others you can section the point cloud for referencing your footbridge, decimate it as needed for creating the enviroment, denoise it, clip and save parts of point clouds etc. You can right click the cloud components, giving you access to dynamic preview of the cloud, so that it does not drag in viewport while panning and zooming and at the same time controlling the "thickness" of the points in viewport, in case your camera gets close to the point cloud. It is a matter of visual preference.
I think that even 200mil points can be loaded with volvox.
Some references
12million points
13million points
13million points (right click dynamic settings low thickness)
13million points (right click dynamic settings high thickness)
15 million points (around 20sec!! to l0ad)
My pc (i7 3820, 32gb ram, gtx670 4gb) felt comfortable working with up to 15 mil point clouds. But that has to do with hardware along with your patience while working.
All clouds have been loaded as .txt files where the mask describing the info was x,y,z,r,g,b,u,v,w. Depends on how your data is in-text formatted.
You can check fly through animations all done with gh and Volvox here
(starting @~2:20)
best
alex
…
ly 26-27-28-29 (digital fabrication)
The third edition of digitalMed Workshop is structured as a design laboratory. Participants will learn the challenging process of producing ideas, projects and research analysis that are to be developed through specific software and concepts that emerge through the use of mapping, parametric design and digital fabrication.
The workshop will take place in the city of Salerno (Italy) and it will last 11 days structured into 3 intensive weekends: July 13-14-15 (mapping); July 19-20-21-22 (parametric design); July 26-27-28-29 (digital fabrication).
Goals and Objectives:
We aim to make clear the theoretical and technical knowledge in the approach to parametric and generative design and digital fabrication. (From collection and data management, to the manner in which these inform the geometries, to the fabrication of prototypes.)
Participants will also have the opportunity to practice the new knowledge gained in the design laboratory through project work.
Project Theme:
"Urban Field" Identify, study and analyze the system of public spaces in the urban area of the city of Salerno.
Connection, mutation, generation and evolution are the themes to be followed in project work.
Brief Description of Topics:
- Mapping. Our reality, in all its forms, has studied through concepts of the theory of Complex Systems. The techniques that will be used to study events and places of reality, will work for the management, manipulation and visualization of data and information. These will form the basis for project management and driven geometry, conducted during the second phase of the workshop.
- Parametric Design. Introduction to Rhino* and Grasshopper. Specifically, we will explain the concepts with which to work with the software of parametric design and how they function. Through these tools, we will arrive at the definition of systems of mathematical and / or geometrical relationships that are able to generate and govern patterns, shapes and objects that will inform the final design.
- Digital Fabrication. In this phase, participants of the workshop are organized into working groups. Participants have access to materials and conceptual apparatus that will take them directly to the fabrication of the geometries of the project, with the use of software CAD / CAM interface and the use of machines for the digital fabrication.
The DigitalMed workshop is organized by Nomad AREA (Academy of Research & Training in topics of Contemporary Architecture), in collaboration with the City of Salerno, the Order of Architects Province of Salerno and the National Institute of Architecture In / Arch - Campania.
Interested parties may download the Notice of Competition at the address www.digitalmedworkshop.com and fill the pre-registration no later than July 10th 2012.
PRESS OFFICE
Dr. Francesca Luciano
328 61 20 830
fra_luciano@libero.it
For information or subscriptions:
e-mail: info@digitalmedworkshop.com - tel: 089 463126 - 3391542980 …
etails elements for more understanding of local problems.
The idea is to get information on the angle for each panel for CNC lasercutting machine.
The main problem, I think is to control the angle to assemble all the elements that will be lasercut. I explored the vectors along the panel but I am lost in finding a way to control this.
I tried also to create finger-joints or jigsaw joints on the edge without success.
The issue would be to able to unroll the surface with the complete control on angles.
If I am just unrolling the surface without knowing how to assemble them it will be random asembling and the tolerance will reck the model. Don't you think ?
I also thought about radial nodes
Does thoses issues are making any sense for anyone here ?
Could you possibly help me find out answers for thoses problems ?
Moreover I have saw this project and they have mastered those problem.
Would you be able to tell me more about it ?
http://www.oliverdavid.de/?page_id=36
I am trying to fully comprehend also the offset properties to create thickness on a mesh in order to turn it into a surface for an eventual "unroll surface command"
It will be ideal if you could answer me with some tips on how to solve those various problems. I am lost and I spent more than 20 hours trying to solve those issues without success.
Thank you for your time.…
ne diverse digital design methodologies and the use of different tools such as Autodesk Maya, Rhinoceros and Grasshopper.
Building up technical skills will provide the attendees with a solid platform from which to start rethinking and exploring innovative architectural ideas in collaboration with the team and the tutors.
URBAN FIELDS
Phase I
In the first part of the workshop attendees will be looking at field conditions and how to generate and design such fields that can help structure a possible urban condition in Florence.
We will be exploring dynamic systems, geometric systems and network theories to generate and design an abstract field condi- tion that extends the urban experience of the city onto the vertical dimensions of towers. Simple operations that would span variations from an initial state will give rise to high level of com- plexity.
The goal of this exercise is to create a rich and diversified intel- ligible urban space that can be later on subjected to local inter- ventions and zooming in to locally enhance each design.
AGENT - BODIES POLYMORPHISM
Phase II
The second part of the workshop will build upon first phase; par- ticipants will select one archetype (high rise tower) as a study model for further development.
Besides engaging with multi agent algorithms design strategies, attendees will address strategic utilisation of structurally and environmentally generated morphologies to design coherent and highly differentiated tower exo-skeletons.
Tutors will introduce agent-bodies polymorphism in order to explore the generation of structural aware and capable geom- etries through agent based formation of non-linear hierarchies and emergent patterns. These agent-bodies will operate in a complex spatial manner to form structure, partitions or enclo- sure and will operate across scales, creating a poly-scalar level of detail.
Attendees will speculate how autonomous systems can cre- ate new structures and intelligent distribution of structural elements, about new collaborative strategies of construction and the performativity they will evoke (performance, effects, responsiveness, interaction).
Fees
Early registration (before 1st June)
Students 390€ - Professionals 440€
Late registration (after 1st June)
Students 490€ - Professionals 540€
More info and Applications
https://www.ax-om.com/edu/polymorphism/
…
rtical Sky Component (VSC), and now Sky Exposure Factor (SEF). For everyone else following this post, this discussion has been ongoing in these other threads:
http://www.grasshopper3d.com/forum/topics/sky-view-factor-vs-vertical-sky-component?groupUrl=ladybug&xg_source=msg_com_gr_forum&groupId=2985220%3AGroup%3A658987&id=2985220%3ATopic%3A1377260&page=1#comments
https://github.com/mostaphaRoudsari/ladybug/issues/230
Grasshope, you have gone right to Oke, the grandfather of urban climatology, whose papers I have several times and yet I somehow I always missed the finer details of the sky view calculation. From his definition, I had always thought of Sky View Factor as a purely solid angle or "view factor" calculation in the sense of Mean Radiant Temperature. However, the numbers and formulas that you give here clearly show that Oke meant that this metric for quantifying and understanding urban heat island must refer back to the urban surfaces and their orientation in relation to the sky. It cannot simply be the view from points in space.
To clarify the distinction in simple geometric terms: The key difference is that Sky Exposure refers to the sky seen by a point in space while Sky View refers to that seen by a surface. Both of them involve the calculation of either projected rays or solid angle calculations to the sky (since they both are “view” calculations). However, while Sky Exposure treats each patch of the sky with relatively equal weight, Sky View weights these patches by their area after being projected into the plane of the surface being evaluated. In other words, the sky view calculation for a horizontal surface would give more importance to the sky patches that are directly overhead than those near the horizon because these overhead patch are “in front” of the surface (as opposed to on the side).
To express this difference in the trigonometric terms you cite here:
Wall View = 0.5(sin2 θ + cos θ – 1) / (cos θ)
Wall Exposure = θ/π
I both cases:
θ = tan-1(H / 0.5W) - ** This is the solid angle or ray-tracing calculation
SkyViewOrExposure = (1 - 2 (WallViewOrExposure))
To put this in more simpler terms for the View Analysis component, all that I actually have to do to convert sky exposure to sky view is multiply each of the traced view rays by 2cos(ϕ), where ϕ is the angle between the surface normal and the given view ray being traced.
I have done this by adding this line of code () and I have verified that I get the values from Oke’s paper that you cite above, Grasshope. Accordingly, the View Analysis component now has the option to compute either Sky Exposure or Sky View. You can see this happening in this new example file:
http://hydrashare.github.io/hydra/viewer?owner=chriswmackey&fork=hydra_2&id=Sky_Exposure,_Sky_View,_and_Sky_Component&slide=0&scale=1&offset=0,0
To (once and for all!) clearly define the difference between the three metrics at the top of my reply and to explain how to calculate each with Ladybug Honeybee:
Sky Exposure Factor - The percentage of the overlying hemispherical sky that is directly visible from a given POINT or set of POINTS. This is equivalent to a geometric solid angle calculation or ray-tracing calculation from points. It is useful for evaluating one's general visual connection to the sky at a given point and should be applied to cases where direct views to the sky are the parameter in question.
Sky exposure is calculated with the Ladybug_View Analysis component like so:
Sky View Factor – The percentage of the overlying hemispherical sky that is directly visible from a given SURFACE or set of SURFACES. While Sky Exposure treats each patch of the sky with relatively equal weight, Sky View weights these patches by their area projected into the plane of the surface being evaluated. In other words, Sky View for a horizontal surface would give more importance to the sky patches that are overhead and less to those near the horizon. Sky View is an important factor in for modelling urban heat island since the inability of warm urban surfaces to radiate heat to a cool night sky is one of the largest contributors of the heat island effect.
Sky View is calculates with either the Ladybug_View Analysis component like so:
Or with the Honeybee_Vertical Sky Component Recipe like so:
Sky Component - The portion of the daylight factor (at a surface indoors) contributed by luminance from the sky, excluding direct sunlight. This is essentially the same as Sky View Factor but it often incorporates a sky condition that is not uniform, such as a cloudy sky or sky that is more indicative of diffuse sky light. Another way of conceiving of this metric is a Daylight Factor calculation without any light bounces. It is useful for understanding the direct daylight contribution of diffuse skylight and, although many consider it an older (and perhaps outdated) daylight metric, it is still required by some codes and standards.
Sky Component can be calculated with the Honeybee_Vertical Sky Component Recipe like so:
In addition to the added capability in the view analysis component, I have revised the component description to include the definitions above. I have also corrected the Hydra example file in which I cite sky view as an urban heat island metric to use the new formula:
http://hydrashare.github.io/hydra/viewer?owner=chriswmackey&fork=hydra_2&id=Sky_View_in_an_Urban_Canyon&slide=1&scale=1&offset=0,0
Finally, all of this discussion has made me realize that the Vertical Sky Component recipe for Honeybee might not always be evaluating VERTICAL sky. The sky component might be vertical, horizontal, or in any direction that the input test surface is placed and pts vectors are oriented. Accordingly, Mostapha, I think that we should change the name of the component to simply be “Sky Component” instead of “Vertical Sky Component”. Please let me know if you agree.
Thanks again, Grasshope, for all of the great work! All of this never would have made sense without your research.
-Chris…
22 (parametric design)
July 26-27-28-29 (digital fabrication)
The third edition of digitalMed Workshop is structured as a design laboratory. Participants will learn the challenging process of producing ideas, projects and research analysis that are to be developed through specific software and concepts that emerge through the use of mapping, parametric design and digital fabrication.
Goals and Objectives:
We aim to make clear the theoretical and technical knowledge in the approach to parametric and generative design and digital fabrication. (From collection and data management, to the manner in which these inform the geometries, to the fabrication of prototypes.)
Participants will also have the opportunity to practice the new knowledge gained in the design laboratory through project work.
Project Theme:
"Urban Field" Identify, study and analyze the system of public spaces in the urban area of the city of Salerno.
Connection, mutation, generation and evolution are the themes to be followed in project work.
Brief Description of Topics:
- Mapping. Our reality, in all its forms, has studied through concepts of the theory of Complex Systems. The techniques that will be used to study events and places of reality, will work for the management, manipulation and visualization of data and information. These will form the basis for project management and driven geometry, conducted during the second phase of the workshop.
- Parametric Design. Introduction to Rhino* and Grasshopper. Specifically, we will explain the concepts with which to work with the software of parametric design and how they function. Through these tools, we will arrive at the definition of systems of mathematical and / or geometrical relationships that are able to generate and govern patterns, shapes and objects that will inform the final design.
- Digital Fabrication. In this phase, participants of the workshop are organized into working groups. Participants have access to materials and conceptual apparatus that will take them directly to the fabrication of the geometries of the project, with the use of software CAD / CAM interface and the use of machines for the digital fabrication.
The DigitalMed workshop is organized by Nomad AREA (Academy of Research & Training in topics of Contemporary Architecture), in collaboration with the City of Salerno, the Order of Architects Province of Salerno and the National Institute of Architecture In / Arch - Campania.
Interested parties may download the Notice of Competition at the address www.digitalmedworkshop.com and fill the pre-registration no later than July 10th 2012.
PRESS OFFICE
Dr. Francesca Luciano
328 61 20 830
fra_luciano@libero.it
For information or subscriptions:
e-mail: info@digitalmedworkshop.com - tel: 089 463126 - 3391542980…
termedio a avanzado.
2013 | mayo 22, 23, 24 y 25. 20 Hrs.
Horario: 18:00 – 22.00 Jueves, Viernes y Sábado de 8:00 a 15:00 Hrs. Instructor_ Arch. David Hernández Melgarejo.
http://bioarchitecturestudio.wordpress.com
Objetivos:
El curso está dirigido a cada diseñador, ingeniero o arquitecto que quiere obtener una sólida base en modelado generativo y paramétrico dentro del flujo de trabajo en Rhinoceros.
En el curso se explorarán y construirán estructuras en el espacio paramétrico, incorporando entidades geométricas (Curvas, Superficies, Puntos, etc…) y usando patrones algorítmicos para la generación de estructuras con metabolismos contextualizados.
Cada paso será soportado con ejercicios que gradualmente incrementarán su complejidad.
El alumno aprenderá cómo trabajar con asociación geométrica y parámetros. Para perfeccionar asociación geométrica – asociación entre partes, asociación dinámica – las formas geométricas son generadas al seguir la conexión lógica entre la parte geométrica y sus restricciones, dimensión paramétrica y él proceso dinámico del diseño: Estimulamos el pensamiento relacional para la construcción de Diseño y Arquitectura de alto desempeño.
Resultados:
Los participantes con éste entrenamiento obtendrán las siguientes fundamentos.
· Generar aplicaciones orientadas al análisis, la optimización, documentación del diseño y fabricación.
Palabras clave:
Diseño Computacional, Scripting, Rhinoceros 5.0 + Grasshopper, Parametrización, Análisis, Galapagos, Genetic Solver, Optimización, Fabricación Digital.
Para mayor información:
MArch. Kathrin Schröter. E-mail: kschroter@itesm.mx
Dirección de Arquitectura. Oficinas de Aulas 1, segundo piso.…
the use of digital technologies as architectural design tools. The workshop " Computer Aided Design: parametric design and digital fabrication " aims to do some introductory teaching in the use of some of these tools.
The workshop will focus on the use of computational models of parametric behavior for generating architectural forms. The generative capacity of these models it will be tested in the development of designs defined by repetitive non-standard components, based on the parametric control of its variations and series differentiations. This process will be developed by the use of a three-dimensional modeling software - Rhinoceros, associated with an application for visual programming - Grasshopper.
The last day of the workshop is dedicated to the use of digital manufacturing tools in architecture. Part of the work will take place at the facilities of the Institute of Design of Guimarães (IDEGUI) providing for the use of their laboratories and manufacturing CNC machines (computer numerically controlled).
At the end of the workshop, it is intended the students to understand that the use of digital technologies in architecture can overcome representational functions, and their integration in the design conception, analysis and construction enriches the methodology of project development.
Terms & Participants
The workshop will take place at the School of Architecture of the University of Minho (Campus Azurém, Guimarães) and the Institute of Design of Guimarães (Couros, Guimarães).
The workshop is pointed at students who attend the 3rd year and 4th year from MiArq, EAUM.
The maximum acceptance is 20 students and a minimum of 10 students.
Deadline for entries is April 11 and must be performed by eaum.pac@gmail.com.
Program summary :
Day 23 April 14 -20h
Introduction to 3D modeling in Rhinoceros. Regular geometries, ruled surfaces and NURBS surfaces.
Day 30 April 14 -20h
Parametric design in architecture. Introduction to methods of visual programming.
May 1, 9 -13h 14 -18h
Development of a design idea by the use visual programming processes in Grasshopper.
May 2, 9 -13h 14 -18h
Introduction to methods of digital fabrication. Manufacture physical models of the proposals made.
It is expected that this meeting will take place in the IDEGUI labs.
team:
Bruno Figueiredo ( Lecturer, EAUM )
Paulo Sousa ( PhD candidate , EAUM )
Nuno Cruz ( Invited Lecturer , EAUM )
Cláudia Alvares ( 5th year MiArq student , EAUM )
Javier Bono ( 4th year MiArq student, EAUM )
João Amaro ( 5th year MiArq student, EAUM )…
ature. By investigating the process of decay across various scales, we will formulate rules of generating decomposition as our design research area. These rules will evolve into design strategies for the creation and fabrication of a large-scale prototype. The design and fabrication process will be informed by the use of robotic fabrication techniques.
The three-week long programme is formulated as a two-phase process. During the two-week initial phase, participants benefit from the unique atmosphere and facilities of AA’s London home. The second phase, lasting for a week, shifts to AA’s woodland site in Hooke Park and revolves around the fabrication and assembly of a full-scale architectural intervention.
Prominent Features of the programme:
• Teaching team: Participants engage in an active learning environment where the large tutor to student ratio (5:1) allows for personalized tutorials and debates.
• Facilities: AA Digital Prototyping Lab (DPL) offers laser cutting, CNC milling, and 3d printing facilities. The facilities at AA Hooke Park allow for the fabrication of one-to-one scale prototypes with a 3-axis CNC router, various woodworking power tools, and robotic fabrication.
• Computational skills: The toolset of Summer DLAB includes but is not limited to Rhinoceros, Processing, Grasshopper, and various analysis tools.
• Theoretical understanding: The dissemination of fundamental design techniques and relevant critical thinking methodologies through theoretical sessions and seminars forms one of the major goals of Summer DLAB.
• Professional awareness: Participants ranging from 2nd year students to PhD candidates and full-time professionals experience a highly-focused collaborative educational model which promotes research-based design and making.
• Fabrication: According to the specific agenda of each year, a one-to-one scale prototype is fabricated and assembled by design teams.
• Lecture series: Taking advantage of its unique location, London, Summer DLAB creates a vibrant atmosphere with its intense lecture programme.
Eligibility: The workshop is open to architecture and design students and professionals worldwide.
Accreditation: Participants receive the AA Visiting School Certificate with the completion of the Programme.
Applications: The AA Visiting School requires a fee of £1964 per participant, which includes a £60 Visiting Membership fee. A deposit of £381 is required when registering with the online form. The deadline for applications is 20 July 2015. No portfolio or CV is required. Online application link:
https://www.aaschool.ac.uk/STUDY/ONLINEAPPLICATION/visitingApplication.php?schoolID=325
Return train tickets between London-Hooke Park, accommodation & food in Hooke Park, and materials from Digital Prototyping Lab (DPL) are included in the fees.
Programme Directors:
Elif Erdine (AA Summer DLAB Director): elif.erdine@aaschool.ac.uk
Alexandros Kallegias (AA Summer DLAB Director): alexandros.Kallegias@aaschool.ac.uk
…