it seems that was this. Now all is working fine !
Glad that it worked! But I am still a bit worried. Gismo components only modify the gdal-data/osmconf.ini file and no other MapWinGIS file. So your MapWinGIS installation files should not be compromised. The fact that you did not get the "COM CLSID" error message when running the "Gismo Gismo" component suggests that MapWinGIS has been properly installed. So I wonder if the cause for the permanent "invalid shapes" warning has again something with the fact that your system is again not allowing the MapWinGIS to properly edit the osmconf.ini. Maybe this problem will appear again, and again, and reinstallation of MapWinGIS every time can be somewhat bothersome.
- About the terrain generation, is it possible to have the texture from google or other provider mapped onto the terrain surface from gismo component ? (Same as using the ladybug terrain generator in fact). I try to used the image extracted by ladybug component and then applied it to the gismo terrain but the texture is rotated by 90°.
The issue with the rotation can be solved by swapping/reversing the U,V directions of the terrain surface. A slightly more important issue is that terrain surface generated with Gismo "Terrain Generator" component might have a bit smaller radius than what the radius_ input required. This stems from the fact that the terrain data first needs to be downloaded in geographic coordinate system, and then projected. Some projecting issues may occur at the very edges of the projected terrain, so I had to slightly cut out the very edges of the terrain which results in the actual terrain diameters being slightly shorted in both directions. This means that if you apply the same satellite image from Ladybug "Terrain Generator" component to Gismo "Terrain Generator" component the results may not be the same.I attached below a python component which tries to solve this issue by extending the edges of Gismo "Terrain Generator" terrain, and then cutting them with the cuboid of the exact dimensions as the radius_ input. Have in mind that this extension of the original terrain at its edges is not a correct representation of the actual terrain in that location. But rather just an extension of the isoparameteric curve of the terrain surface. So basically: some 0 to 10% (0 to 10 percent of the width and length) of the terrain around all four edges is not the actual terrain for that location, but rather just its extension.The python component is located at the very right of the definition attached below.
Also, if you would like to use the satellite images from Ladybug "Terrain Generator" component along with "OSM shapes", sometimes you may find slight differences in position of the shapes. This is due to openstreetmap data not being based on Google Maps (that's what Ladybug "Terrain Generator" component is using), but rather on Bing, MapQuest and a few others.
- About the requiredKeys_ input of OSM shapes, I understand what you mean and your advice, but in most cases I use it, the component was working fine even without input. I think it's better to extract all tags, values and keys of the selected area, instead of searching for specific ones as I try to find all data related to what I want after, isn't it ? To check what keys are present on the area also.
Ineed, you are correct.I though you were trying to only create a terrain, 3d buildings and maybe find some school or similar 3d building, for these two locations. The recommendation I mentioned previously is due to shapefiles having a limit (2044) to how many keys it can contain. This requires further testing of some big cities locations with maybe larger radii, which I haven't performed due to my poor PC configuration. But in theory, I imagine that it may happen that a downloaded .osm file may have more than 2044 keys. In that case shapefile will only record 2044 of them, and disregard the others. That was my point.But again 2044 is a lot of keys, and I haven't been checking much this in practice. For example, when I set the radius_ to 1000 meters, and use your "3 Rue de Bretonvilliers Paris" location I get around 350 something keys, which is way below the 2044.Another reason why one should use the requiredKeys_ input is to make the Gismo OSM components run quicker: for example, the upper mentioned 350 something keys will result in 350 values for each branch of the "OSM shapes" component's "values" output.Which means if you have 10 000 shapes, the "OSM shapes" component will have 10 000 branches with 350 items on each branch (values). This can make all Gismo OSM components very heavy, and significantly elongate the calculation process.With requiredKeys_ input you may end up with only a couple of tens of items per each branch.Sorry for the long reply.…
Added by djordje to Gismo at 8:57am on June 11, 2017
and export the geometry out to VVVV to render it LIVE! RawRRRR. In this case, a digital audio workstation Ableton Live, a leading industrial standard in contemporary music production.
the good news is that VVVV and ableton live lite is both free.
https://www.ableton.com/en/products/live-lite/
i am not trying to use ipad as a controller for grasshoppper. I wanted to work with a timeline (similar to MAYA or Ableton or any other DAW(digital audio workstation)) inside grasshopper in an intuitive way. Currently there is no way of SEQUENCING your definition the way you want to see that i know of.
no more combersome export import workflows... i dont need hyperrealistic renderings most of the time. so much time invested in googling the right way to import, export ... mesh settings...this workflow works for some, for some not ...that workflow works if ... and still you cannot render it live nor change sequence of instruction WHILE THE VIDEO is played. and I think no one wants to present rhinoceros viewport. BUT vvvv veiwport is different. it is used for VJing and many custom audio visual installation for events, done professionally. you can see an example of how sound and visuals come together from this post, using only VVVV and ableton. http://vvvv.org/documentation/meso-amstel-pulse
I propose a NEW method. make a definition, wire it to ableton, draw in some midi notes, and see it thru VVVV LIVE while you sequence the animation the WAY YOU WANT TO BE SEEN DURING YOUR PRESENTATION FROM THE BEGINNING, make a whole set of sequences in ableton, go back change some notes in ableton and the whole sequence will change RIGHT INFRONT of you. yes, you can just add some sound anywhere in the process. or take the sound waves (sqaure, saw, whateve) or take the audio and influence geometric parameters using custom patches via vvvv. I cannot even begin to tell you how sophisticated digital audio sound design technology got last ten year.. this is just one example which isn't even that advanced in todays standard in sound design ( and the famous producers would say its not about the tools at all.) http://www.youtube.com/watch?v=Iwz32bEgV8o
I just want to point out that grasshopper shares the same interface with VVVV (1998) and maxforlive, a plug in inside ableton. audio mulch is yet another one that shares this interface of plugging components to each other and allows users to create their own sound instruments. vvvv is built based on vb, i believe.
so current wish list is ...
1) grasshopper recieves a sequence of commands from ableton DONE
thanks to sebastian's OSCglue vvvv patch and this one http://vvvv.org/contribution/vvvv-and-grasshopper-demo-with-ghowl-udp
after this is done, its a matter of trimming and splitting the incoming string.
2) translate numeric oscillation from ableton to change GH values
video below shows what the controll interface of both values (numbers) and the midi notes look like.
https://vimeo.com/19743303
3) midi note in = toggle GH component (this one could be tricky)
for this... i am thinking it would be great if ...it is possible to make "midi learn" function in grasshopper where one can DROP IN A COMPONENT LIKE GALAPAGOS OR TIMER and assign the component to a signal in, in this case a midi note. there are total 128 midi notes (http://www.midimountain.com/midi/midi_note_numbers.html) and this is only for one channel. there are infinite channels in ableton. I usually use 16.
I have already figured out a way to send string into grasshopper from ableton live. but problem is, how for grasshopper to listen, not just take it in, and interpret midi and cc value changes ( usually runs from 0 to 128) and perform certain actions.
Basically what I am trying to achieve is this : some time passes then a parameter is set to change from value 0 to 50, for example. then some time passes again, then another parameter becomes "previewed", then baked. I have seen some examples of hoopsnake but I couldn't tell that you can really control the values in a clear x and y graph where x is time and y is the value. but this woud be considered a basic feature of modulation and automation in music production. NVM, its been DONE by Mr Heumann. https://vimeo.com/39730831
4) send points, lines, surfaces and meshes back out to VVVV
5) render it using VVVV and play with enormous collection of components in VVVV..its been around since 1998 for the sake of awesomeness.
this kind of a digital operation-hardware connection is usually whats done in digital music production solutions. I did look into midi controller - grasshopper work, and I know its been done, but that has obvious limitations of not being precise. and it only takes 0 o 128. I am thinking that midi can be useful for this because then I can program very precise and complex sequence with ease from music production software like ableton live.
This is an ongoing design research for a performative exhibition due in Bochum, Germany, this January. I will post definition if I get somewhere. A good place to start for me is the nesting sliders by Monique . http://www.grasshopper3d.com/forum/topics/nesting-sliders
…
t. So here we go!
1. Honeybee is brown and not yellow [stupid!]...
As you probably remember Honeybee logo was initially yellow because of my ignorance about Honeybees. With the help of our Honeybee expert, Michalina, now the color is corrected. I promised her to update everyone about this. Below are photos of her working on the honeybee logo and the results of her study.
If you think I'm exaggerating by calling her a honeybee expert you better watch this video:
Thank you Michalina for the great work! :). I corrected the colors. No yellow anymore. The only yellow arrows represent sun rays and not the honeybee!
2. Yellow or brown, W[here]TH Honeybee is?
I know. It has been a long time after I posted the initial video and it is not fun at all to wait for a long time. Here is the good news. If you are following the Facebook page you probably now that the Daylighting components are almost ready.
Couple of friends from Grasshopper community and RADIANCE community has been helping me with testing/debugging the components. I still think/hope to release the daylighting components at some point in January before Ladybug gets one year old.
There have been multiple changes. I finally feel that the current version of Honeybee is simple enough for non-expert users to start running initial studies and flexible enough for advanced users to run advanced studies. I will post a video soon and walk you through different components.
I think I still need more time to modify the energy simulation components so they are not going to be part of the next release. Unfortunately, there are so many ways to set up and run a wrong energy simulation and I really don’t want to add one new GIGO app to the world of simulation. We already have enough of that. Moreover I’m still not quite happy with the workflow. Please bear with me for few more months and then we can all celebrate!
I recently tested the idea of connecting Grasshopper to OpenStudio by using OpenStudio API successfully. If nothing else, I really want to release the EnergyPlus components so I can concentrate on Grasshopper > OpenStudio development which I personally think is the best approach.
3. What about wind analysis?
I have been asked multiple times that if Ladybug will have a component for wind study. The short answer is YES! I have been working with EFRI-PULSE project during the last year to develop a free and open source web-based CFD simulation platform for outdoor analysis.
We had a very good progress so far and our rockstar Stefan recently presented the results of the work at the American Physical Society’s 66th annual DFD meeting and the results looks pretty convincing in comparison to measured data. Here is an image from the presentation. All the credits go to Stefan Gracik and EFRI-PULSE project.
The project will go live at some point next year and after that I will release the Butterfly which will let you prepare the model for the CFD simulation and send it to EFRI-PULSE project. I haven’t tried to run the simulations locally yet but I’m considering that as a further development. Here is how the component and the logo looks like right now.
4. Teaching resources
It has been almost 11 months from the first public release of Ladybug. I know that I didn't do a good job in providing enough tutorials/teaching materials and I know that I won’t be able to put something comprehensive together soon.
Fortunately, ladybug has been flying in multiple schools during the last year. Several design, engineering and consultant firms are using it and it has been thought in several workshops. As I checked with multiple of you, almost everyone told me that they will be happy to share their teaching materials; hence I started the teaching resources page. Please share your materials on the page. They can be in any format and any language. Thanks in advance!
I hope you enjoyed/are enjoying/will enjoy the longest night of the year. Happy Yalda!
Cheers,
-Mostapha
…
t. This was a reasonably effective workflow for the purposes of solving the initial problem. (in reviewing this post, it seems a bit lengthy, but hopefully it's of use to others).
Link to Illustrator Script example:https://forums.adobe.com/thread/508138
Portion I used: This applies to entire illustrator document. I am using Illustrator CC 64 bit and this worked okay. Tested a few times and it failed once, but a restart of Illustrator fixed it.
var v_selection = app.activeDocument.pathItems;SwapFillStroke(v_selection); function SwapFillStroke(objSel) { for(k = 0; k < objSel.length; k++){ var subSel = objSel[k]; var c_fill = subSel.fillColor; var c_stroke = subSel.strokeColor; subSel.fillColor = c_stroke; if(!subSel.stroked) subSel.stroked = true; subSel.strokeColor = c_fill; }} redraw();
My goal was to export colored geometry, (analysis meshes for example), from Rhino and get it into illustrator with solid fills.
If you want to know how meshes are colored in rhino...there are many explanations here on the forum, a quick search will get you more detailed information.
Short version: export your lines from rhino to illustrator and run the script listed above to make the stroke color the fill color. (in illustrator, shift+X will swap the fill and stroke colors on individual objects, but does not work on multiple objects..hence the need for the script).
Detailed Version:
In my case, I had 2 case studies I was working with.1 - wind rose meshes generated from Ladybug/honeybee2 - A mesh terrain that was colored by pre-set slope values.
NOTE: There are a few plugins to bake objects with color. I used Human tools, (Bake Geometry and JustifiedText3D).http://www.grasshopper3d.com/group/human (lots of other great stuff in there too!)
I had two types of geometry. (2 different definitions)
1- An analysis mesh, (HoneyBee/LadyBug),
2 - Lines generated from mesh faces. (mesh terrain/slope values).
Export results as a DXF, and choose "do not explode". (these were my settings)
DXF seemed to produce the most consistent results.
(you could export/save as an AI file and just open them in illustrator, but that seemed to give inconsistent results with the script).
Open DXF in Illustrator:
Apply Script in illustrator:
In the terrain example, there are only 5 colors, so selection in illustrator, by color, is very easy. In the results from honeybee/ladybug, (or any analysis process I imagine), the default colors are created with a much wider range of values. I presume the legend is then created by an average of those values within a range. My point is that, with the analysis results, selecting objects by color in Illustrator is probably not a very effective workflow.
I only tested this on my instance of rhino and Illustrator. mileage may vary.
In summation, at this point, it seems that the best way to get colored mesh faces, into illustrator, is to export the meshes, (which really ends up being the mesh face edges...curves), and bringing them into illustrator and running a quick script to swap the colors. Once that is complete, you can then select ALL the objects, and change the stroke color/weight at once.…
ting at multiple geometries in the same location. I simply sorted the list of values and used the Delete Consecutive component. This potentially rearranges the order of values but I don't think that matters in your case. I also threw in an Int component which actually seems to make a difference (try sidestepping it and you will see!).
2-I flattened the output of the mesh component before sending it to union. This ensures that the original mesh is booleaned once with all the components rather than individually with each of the 86 components.
Is this what the result should look like?
One suggestion for future postings: when referencing geometry in rhino, it often helps if you attach your rhino file as well so people don't have to guess where you are starting from.
If you have further questions, just ask ;-)
cbass…
This blog post is a rough approximation of the lecture I gave at the AAG10 conference in Vienna on September 21st 2010. Naturally it will be quite a different experience as the medium is quite…
Added by David Rutten at 3:27pm on September 24, 2010