; GH, this one came out and rhinoceros is disappear...like this
it said " Rhinoceros5's working is stopped. because some problems occured so Rhinoceros5 can't work correctly no longer " then I have no choice but terminate Rhinoceros.
There are some discussion about RhinoIronPython installing numpy though, no one has same problem like me. so Please somebody tell me!!
and one more question...just in case, I tried to install numpy into ironPython2.7
C:\Program Files (x86)\IronPython 2.7>ipy "C:\Program Files (x86)\IronPython 2.7\ironpkg-1.0.0..py" --installBootstrapping: c:\users\owner\appdata\local\temp\tmp2nand1\ironpkg-1.0.0-1.egg 118 KB [.................................................................]
C:\Program Files (x86)\IronPython 2.7>ironpkg -hUsage: ironpkg-script.py [options] [name] [version]
.
.
.
C:\Program Files (x86)\IronPython 2.7>ironpkg scipyWrote configuration file: C:\Users\owner\.ironpkg=============================================================================Traceback (most recent call last): File "C:\Program Files (x86)\IronPython 2.7\ironpkg-script.py", line 10, in <module> File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\main.py", line 364, in main File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\indexed_repo\chain.py", line 27, in __init__ File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\indexed_repo\chain.py", line 67, in add_repo File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\utils.py", line 92, in write_data_from_url File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 435, in open File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 407, in _call_chain File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 654, in http_error_302 File "C:\Program Files (x86)\IronPython 2.7\Lib\httplib.py", line 1261, in __init__ File "C:\Program Files (x86)\IronPython 2.7\lib\site-packages\enstaller\utils.py", line 73, in open_url File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 154, in urlopen File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 547, in http_response File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 467, in error File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 429, in open File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 446, in _open File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 407, in _call_chain File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 1240, in https_open File "C:\Program Files (x86)\IronPython 2.7\Lib\urllib2.py", line 1167, in do_openAttributeError: 'module' object has no attribute '_create_default_https_context'
C:\Program Files (x86)\IronPython 2.7>
how can I deal with this error?…
(1) I have been exporting small sections of a larger model into Maya from Rhino as FBX. In Maya I rotate and scale the models (-90 in X, Scale XYZ 0.001). The Named Views are being saved, but do not have a successful import into the Maya model. They do not appear as in Rhino, and the problem is not solved by scaling or rotating the cameras.
(2) If I try going the other direction, the cameras exported from Maya as FBX are also not aligning with the model in Rhino as they are in Maya.. I will do my best to post some images of the problem and hope you can help.
error !!
This is what the named views look like
here I am trying to the other way with a good view from Maya
strange placement..
This is the best result I can achieve, after I scale the camera by 1000
Any Advice???
Thanks, Robert.
…
ysim.ning.com/
When you run the simualtion you will notice on the batch terminal that Daysim is also being called, so you may want to consider how Daysim uses Radiance files & data.
Regarding your current problem, I think you stumbled onto something weird and interesting.
Interior and exterior readings appear to differ by 40 in the best case scenarios. Even setting the transmittance to 1 yields similar results. I tried changing from cummulative sky to climate sky and got similar values. Changing the test points did nothing either.
I think, (yet I'm too lazy to prove this) that the difference in values stems from diffuse radiation over the sky dome.
If you delete everything except the glass you'll notice that interior values are like 80-90% of the exterior values (this seems like the expected behaviour with a transmittance of 1). So, if we consider that a vertical window, part of an opaque box, is receiving radiation from 25% of a sphere, as you start to inset the interior test points the radiation they receive will be a fraction of the 25%.
Let me try to explain this better...The exterior surface receives radiation from a section of a sphere calculated by 180degrees on the xy plane (let’s call this angle theta) and by 90degrees (let’s call this angle phi) in azimuthal elevation. If you integrate this over spherical coordinates (theta from 0 to pi; phi from 0 to pi/2) you will find that it comes to a quarter of a sphere. By comparison, the interior surface will not integrate theta from 0 to 180degrees,nor phi from 0 to 90degrees, instead it will be the subtended angle from the exterior surface as a function of their separation; the farther in you go the smaller the view of the outside.
If my hypothesis is correct there shouldn't be that much difference since the separation is only 10cms...the subtended angle would be like 170 instead of 180 for theta and 85 instead of 90 for phi...overall if you integrate both spherical areas there should only by a difference of 10%.
In conclusion, I believe the unexpected behaviour stems from the previous subtended angle thing. If direct radiation was the only factor the difference would be the aforementioned 10%, which suggests that an additional source of energy is also affected by this. Perhaps indirect and diffuse radiation from other areas of the sky dome.
I’m definitely intrigued on why this is happening. Please post if you figure it out.
Regards,
Mauricio
…
he time to work with it.
the project is about facade strips which turns along height. the top angle is
parallel to the facade and the bottom is max. 90 degrees twisted, but the strips
should turn diffrently to achieve more dinamic look.
first i have tried to achieve this by calculating distance between the rotation angle from points of the grid and a single point.
then i have tried to ad some more effecting points and used the distance to the divided surface (the circles are just to control the area of effection):
i manually lofted it.
the result is a bit annoying becouse the points that effect the angle are always visible:
i have triend to solve this by drawing a line and divided it to recieve points along the bottom of the geometry. the result is not working properly:
Anyway,
there must be a better/smoother way to achieve this. i would like to effect the twist of the surfaces by distance to a spline, but im just lost. can you help me please?
the problems im encountering:
0- distance spline to grid to effect the angle
1- list of x/y coordinates and angle of rotation for each point of the grid
2- export points to excel
3- lofting lines in one direction only (x1, x2, x3...)
4- reduce the list data to 2 decimal (0,00)
5- maybe angle from radian to degrees
thx…
egin working on a design, we first have to systematically examine the resources and restrictions which, on the one hand, make every design project possible and, on the other hand, also define and delimit it. Knowing what we have to work with enables us to explore its boundaries and at the same time to venture beyond those boundaries. This is our studio’s sphere of action; our projects emerge as a critical reflection of the discipline of architecture, in its essence, on fundamental concepts, their general form, and their underlying media and processes. The goal of our work is to master a variety of forms of the architectural repertoire of the 20th century, but especially to develop and expand this repertoire, as has been happening in the past 20 years. The goal of this workshop is to introduce a series of these techniques and expertises and to apply the knowledge transfer on a given site in Timisoara. GUESTS: STUDIO ZAHA HADID VIENNA: http://www1.uni-ak.ac.at/architektur/ https://www.facebook.com/StudioHadidVienna Ass. Dipl.-Ing.MArch. AA Dist. Robert NEUMAYR-BEELITZ - lecturer/critic http://www.unsquare.at/ AProf. Mag.arch. Mag.theol. Johannes TRAUPMANN - critic http://www.pxt.at/ Univ.-Ass. Dipl.-Ing. Jens Erik MEHLAN - critic http://moh-architecture.com/ Univ.Stud.Ass. Daniel BOLOJAN - tutor - Grasshopper http://nonstandardstudio.wordpress.com/ Univ.Stud.Ass. Bogdan ZAHA - tutor - Maya http://bogdanzaha.tumblr.com/ LOCAL: Prof.Dr.Arh.Urb.Conf. Florin MACHEDON - critic (BUC)
more information on https://encodedfields.wordpress.com/…
mp; fabrication and construction into a new era of architecture.
Register HERE
We follow three lines of thought to translate structural design in material fabrication. The first ultra lightweight, rethinking shape and material, the second dealing with same single material components, aggregated within a network, working with directionality of the elements and their connections to perform stability and for the third we will rethink definition of the brick.
Our Translations will be designed, analysed and presented in both digital and physical prototypes; from table top models, to 2m high structures.
The use of Grasshopper, Karamba and Digital Fabrication tools drive our evolutions of design. Structural design allows us to play with the type of forces in elements, orientation, force flow, geometry, restraints and connection. We use this structural behaviour to inform the search for new links between materiality, form and construction, progressing towards a unique relationship of structure, construction and fabrication.
Our Translations will be presented, through digital and physical prototyping showcasing the process of linking digital and physical inputs as a continuous feedback loop, rethinking structural design and material fabrication.
…
e HelloWorld function should need no argument but return the string “Hello World”.
Help on method-descriptor HelloWorld
| HelloWorld(...)
| HelloWorld(self: MyClassLibrary) -> str
Can anybody help?
Sourcecode MyClassLibrary.vb:
Simple Class Library Project in Visual Studio 2015
Function has no parameters and Returns String „Hello World“
Compiled *.dll works fine in other Visual Studio Projects as reference
Project Properties
Checkbox „COM Interop“ has no impact
…
r Material Science and Ligaproduction.
The exhibition started on May 12th and will be presented until August 19th 2012.
What is the meaning of »modular«? Essentially, everything in the world consists of a com- bination of elements, thus, of modules. As the basic building block of the elements, an atom forms the smallest unit in a structure’s totality. It is part of a whole, serving as a model for decoding and making comprehensible complex systems. In many disciplines, for instance in music, the sequence of smallest common units derives from an ordering prin- ciple, a rhythmic spacing, and from an aesthetic whose modular structure has both regular and irregular proportions.
In architecture, the module and modular construction have been governing principles for thousands of years. Primates use twigs as construction components for their dwellings, si- milar to the more familiar birds’ nests. During the course of biological and cultural evolution, refined methods of connecting components have been developed. Increasingly sophisticated construction techniques have evolved parallel to the tools, construction equipment and weapons available, as well as to the construction materials and support systems that were chanced upon or invented.
Ever since the earliest settlements thousands of years ago, the module has defined construction. Its dimensions, production and assembly have developed from preindustrial craft techniques to the construction of buildings, arising with the invention of the steam engine and leading into the Industrial Era. The first computer in the 1930s marked another technological leap. So what possibilities does the computer offer today’s architects for de- sign and construction?
While industrial manufacturing methods still require a critical amount of similar elements for mass production, the use of computers increasingly facilitates construction based on customized production of short-run elements with individual formats and complex geome- tries. At least that’s the theory. Computer-controlled machines and robots cut and stack structural components according to drawings – i.e. data sets – developed by designers and producers. Thanks to these technologies, architecture in the digital age is experiencing an evolution in construction and modules. The pioneers in this area are the projects developed at academic parametric design research units.
This exhibition features various examples from the development of digital technologies, presented in their historical context and categorized according to material: wood, stone, concrete, metal and synthetics. The »Housing Modules« excursion presents a selection of special urban planning systems as a series of space modules.
The historical modules each represent a paradigm shift in the evolution of an individual material. Since modules offer a tremendous wealth of opportunity, this section does not attempt to deliver the full picture: rather it intends to serve as an inspiration for further exploration.
In keeping with the Architectural Particles theme, the exhibition’s architecture consists of a modular system of tetrahedrons and octahedrons. The resulting crystalline shapes high- light the connection to nature while recalling modular construction systems from various architectural eras.…
ariations, but each seems to lack the sophistication to generate a ‘zip’ that retains its general shape over the whole curve.
Basically I’m trying to understand the process behind this: http://www.schindlersalmeron.com/index.php?option=com_content&task=view&id=27&Itemid=29
Here is an image of the latest definition.
1. I draw a curve in Rhino, and then define it in grasshopper. I also define the point as the beginning of the curve.
2. I offset the curve to a specified depth, based on structural member
3. I generate a line from the point at a tangent to the curve, then rotate it a
defined angle.
4. I find the intersection between the rotated line and the offset curve. Then generate a tangential line from this new point
5. Line is rotated at the same angle as before.
6. Process repeated.
The idea is to then generate a circle of defined diameter at each of the intersection points, then find the intersection of the circles with the curves, which are then joined up with straight lines to create the ‘zip’. This would mean a lot of copy-pasting and list management that I’m not really capable of with my limited grasshopper experience.
I had tried generating points at intervals along the curve and then eventually generating lines from one line to another with a shifted listed to form the tooth angle, but it wouldn’t retain its shape over the entirety of the curve.
Does anyone have any advice for how to tighten up this definition? I imagine that I will need to delve into vb.net scripting to address the recursive nature of the process.
I fear that I’m going about this in entirely the wrong way...
Of course the next step is to flatten out the curve for CNC manufacture.
Any help would be greatly appreciated! The potential for using grasshopper in design is amazing, and I would love to gain a deeper understanding of it!…
te some cut sheets, but not to optmize material, rather define some cut lines. Everything that I am cutting is made of planar wood elements, but there are very specific geometries (mostly straight lines) and I have to put tolerances and radiasas at the corners in order to cut on the cnc mill. Spending time to figure out how to automate is necessary, but I am stuck!
One thing the definition is doing is taking my brep modeled components in rhino and makking them into 2d close curves and laying them side by side. It works...not ideal as its not layed out in a sheet, but that is not the most important part.
Another particular problem is that you will see some notches in the curves, which other pieces will slip into, so different slots need different specific offsets (making them larger) as a toelrance to allow for material play. This I don't even know how to set up so maybe it will just have to wait.
THE MAIN QUESTION, and super important would be, LIFESAVER:
At all 'inward' corners...which I think will always mean concave corners (most are 90 degrees, but are within to sides, instead of a corner sticking out). I'm sure its obviousy, but the reason being the outward corners a circular dril bit can cut, but inward ones need an arc profile extended beyond where the corner of the other piece will fit into. The drill bit i am using is 6mm, so 6mm diamters arcs is what i'm working with.
I have managed to put such an arc at every vertices of each cut piece. The problem being some stick outward isntead of cutting into the piece. So each one needs to be orieneted correctly. Ideally they would also only draw into inward corners, but I can always delete them out. I think maybe I am missing a more logical mathematical way of defining?
For these geometries it is not very important which side the half circle arc in on in the inward corners, but I also have some geometries that I will have to control where the circles face according to the rest of the cut piece.
The cutouts in the middle of the pieces that are curves do not need such corners obviously.
The picture is an example drawn
I hope this isn't too specific and long. in general though automating fabrication, and controling pracitcal math and orientation problems like this is itnersting to me!
THANKS…