p, open to designers worldwide, will explore the parametric mix of new raw materials and the re-use of elements from Carnival floats and costumes, transforming them using generative design processes and new digitally fabricated joint components, to create interventions for micro-venues and urban furniture in the Porto do Rio region.
Taught by AA Staff, recent AA graduates, and computation and fabrication professionals, the studio-based workshop will include extensive instruction in Rhino Grasshopper (including GECO, and Galapagos, to integrate environmental optimization, simulation and parametric control) and digital fabrication processes using laser cutter, CNC-milling and rapid-prototyping machines, sponsored by DS4 and SEACAM, all of which will be used to produce one-to-one design prototypes.
MORE INFORMATION AND APPLICATION: http://rio.aaschool.ac.uk/andhttp://www.aaschool.ac.uk/STUDY/VISITING/rio.php…
ake a modest notice about the two new Ladybug components, one of which creates a 3d terrain shading mask and another one which visualizes and exports horizon angles. A terrain shading mask is essentially a diagram which maps the silhouette of the surrounding terrain (hills, valleys, mountains, tree tops...) around the chosen location, and account for the shading losses from the terrain. It can be used as a context_ input in mountainous or higher latitude regions for any kind of sun related analysis: sunlight hours analysis, solar radiation analysis, view analysis, photovoltaics/solar water heating sunpath shading...
My home town is an example of the shading caused by the terrain. Here is how it looks from the tallest building in the town:
And the created terrain shading mask:
A mask for any land location up to 60 degrees North can be created:
There will also be a support for a few major cities above this limit.
Both Terrain shading mask and Horizon angles components can be downloaded from here. An example .gh file can be found in here.
Component will prompt the user to download and copy certain files in order to be able to run.
It was created with assistance from Dr. Bojan Savric. Support on various issues was further given by: Dr. Graham Dawson, Dr. Alec Bennett, Dr. Ulrich Deuschle, Andrew T. Young, LiMinlu, Jonathan de Ferranti, Michal Migurski, Christopher Crosby, Even Rouault, Tamas Szekeres, Izabela Spasic, Mostapha Sadeghipour Roudsari, Dragan Milenkovic, Chen Weiqing, Menno Deij-van Rijswijk and gis.stackexchange.com community.
I hope somebody might find the components useful.…
simple, there are many symetries in 3 main planes. So I used arcs rotated 45° from the main planes and I generate a pentagon which was mirrored and rotated many times.
At the end there are 24 pentagons and 8 hexagons so 32 faces, 54 points/vertex and 84 edges.
It could generate some others tessalation styles
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ength is applied to particle b, and the same vector multiplied by -2*BendStrength is applied to a and c
Hope that helps. I was thinking of changing this input slightly for the next Kangaroo release, because I realize it can be a pain if you want bending stiffness of a curve to be independent of the number of points used, but I'll make sure to clarify any changes when I do update this.
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an that HashCodes well ... since they are "unique" per item (even if this - for the one reason or the other - is created at the same location with that) I barely can see how one can use them in order to get rid if "equal" items (Lines in this occasion).
On the other hand ... well ... using HashSets sampling the Line center and testing length and direction ... well ... this works but why bother? > if you are not doing business with code (thus you need this "check" internally) > use the Kangaroo1 component.
That said the topic of "equality" is rather huge and most people are confusing a lot of things on that matter: for instance a point not equal to another ... well ... that's rather simple but a brep "not equal" with some else ... this is not that easy (if it's solvable).…
te some cut sheets, but not to optmize material, rather define some cut lines. Everything that I am cutting is made of planar wood elements, but there are very specific geometries (mostly straight lines) and I have to put tolerances and radiasas at the corners in order to cut on the cnc mill. Spending time to figure out how to automate is necessary, but I am stuck!
One thing the definition is doing is taking my brep modeled components in rhino and makking them into 2d close curves and laying them side by side. It works...not ideal as its not layed out in a sheet, but that is not the most important part.
Another particular problem is that you will see some notches in the curves, which other pieces will slip into, so different slots need different specific offsets (making them larger) as a toelrance to allow for material play. This I don't even know how to set up so maybe it will just have to wait.
THE MAIN QUESTION, and super important would be, LIFESAVER:
At all 'inward' corners...which I think will always mean concave corners (most are 90 degrees, but are within to sides, instead of a corner sticking out). I'm sure its obviousy, but the reason being the outward corners a circular dril bit can cut, but inward ones need an arc profile extended beyond where the corner of the other piece will fit into. The drill bit i am using is 6mm, so 6mm diamters arcs is what i'm working with.
I have managed to put such an arc at every vertices of each cut piece. The problem being some stick outward isntead of cutting into the piece. So each one needs to be orieneted correctly. Ideally they would also only draw into inward corners, but I can always delete them out. I think maybe I am missing a more logical mathematical way of defining?
For these geometries it is not very important which side the half circle arc in on in the inward corners, but I also have some geometries that I will have to control where the circles face according to the rest of the cut piece.
The cutouts in the middle of the pieces that are curves do not need such corners obviously.
The picture is an example drawn
I hope this isn't too specific and long. in general though automating fabrication, and controling pracitcal math and orientation problems like this is itnersting to me!
THANKS…
perienced with grasshopper, but so far I've managed to combine the following:
Giulio Piacentino's "Catenary arch from height" script
Pirouz Nourian's "Mobius" script (Obtained from a friend)
End Result:
Here's where I'm stuck: I want the mobius twist to revolve around the midpoint of the arch, but the script uses the input values to determine the endpoints, resulting in a weird sinuous shape when viewed from above. Also, the secondary end points (generated by the mobius script, determining the width of the surface) are generated by default along the z axis, resulting in an arch that only touches the "ground" at two points. I attempted to work around this issue by trying to force the zHeight parameter to correspond with the y axis (thus rotating the arch 90 degrees so it would lay "flat"), but the script interprets the third point as a value and not as an actual point to bisect. I thought this might be an issue with the C# component that I obtained from Giulio Piacentino's script, so I attempted to tinker around with the source code. Unfortunately, I'm not fluent in C# so I only managed to mess everything up (I've since recovered the code from the cache). Anybody got some ideas? -BC …