nowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities. The Call for Clusters is now open to proposals which respond in innovative ways to this year's challenge.
Deadline: September 19 2011
More information can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=129&Itemid=146
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information.Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities.sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org…
te some cut sheets, but not to optmize material, rather define some cut lines. Everything that I am cutting is made of planar wood elements, but there are very specific geometries (mostly straight lines) and I have to put tolerances and radiasas at the corners in order to cut on the cnc mill. Spending time to figure out how to automate is necessary, but I am stuck!
One thing the definition is doing is taking my brep modeled components in rhino and makking them into 2d close curves and laying them side by side. It works...not ideal as its not layed out in a sheet, but that is not the most important part.
Another particular problem is that you will see some notches in the curves, which other pieces will slip into, so different slots need different specific offsets (making them larger) as a toelrance to allow for material play. This I don't even know how to set up so maybe it will just have to wait.
THE MAIN QUESTION, and super important would be, LIFESAVER:
At all 'inward' corners...which I think will always mean concave corners (most are 90 degrees, but are within to sides, instead of a corner sticking out). I'm sure its obviousy, but the reason being the outward corners a circular dril bit can cut, but inward ones need an arc profile extended beyond where the corner of the other piece will fit into. The drill bit i am using is 6mm, so 6mm diamters arcs is what i'm working with.
I have managed to put such an arc at every vertices of each cut piece. The problem being some stick outward isntead of cutting into the piece. So each one needs to be orieneted correctly. Ideally they would also only draw into inward corners, but I can always delete them out. I think maybe I am missing a more logical mathematical way of defining?
For these geometries it is not very important which side the half circle arc in on in the inward corners, but I also have some geometries that I will have to control where the circles face according to the rest of the cut piece.
The cutouts in the middle of the pieces that are curves do not need such corners obviously.
The picture is an example drawn
I hope this isn't too specific and long. in general though automating fabrication, and controling pracitcal math and orientation problems like this is itnersting to me!
THANKS…
th one element which is a list of 10 numbers?
I can flatten it and get (I think) a list of 10 elements (even though when I hover over the output of "Flatten" it says "Tree(T) as tree"). I'm surprised I can flatten at all what would appear to common sense to be a simple list of 10 numbers.
I'm hoping that if I can get this answered it will become obvious why we have trees of lists rather than just lists of lists as you would in most computer languages. That's my real goal - to understand the purpose of adding what seems like an unnecessary complication - trees - to the concept of lists in GH. It seems to me as though a "tree" is just a list of other "trees" until you get to the leaves where you can have "lists" which are identical to trees but can have something other than a tree in them. Whether you can have lists of trees or trees with no lists I'm unclear on. Do the leaves of trees have to be lists? Do lists have to be contained in trees? It would appear from the series example where a tree is produced for no obvious reason to contain the list that this is the case but given that you can flatten it, I guess not - or is the "List" I see in the param viewer just another type of "tree"?
I've found many tutorials that talk about how to manipulate trees and lists and I've managed to get along fairly well with them so far, but nothing seems to explain the reasoning behind the existence of trees and the philosophy for how and when they should be used and when lists should/could be used and precisely what the difference is between them.
Sorry to be long winded but I'm so confused!
Darrell Plank
P.S. I've seen David Rutten's diagram with the colored leaves in Grasshopper Primer 2 and that seems helpful. It would appear that trees can only have lists at their leaves and lists can't have trees although I'm not sure that it comes out and says that directly but at least there are no examples of this shown in his tree diagram. I thought I had it down pretty much so decided to test myself. Apparently I'm as confused as ever:
It certainly appears to me that this tree has two levels - a first level with one limb and a second with 10 limbs - and that I should be able to index it with {0;0} and retrieve a tree with one item in it - the list {0}. The panel data seems to confirm this with indices of {0;0;0}, etc. so I put this path in with quite a bit of confidence that it would work and...bust. The error reads "Path {0;0} does not exist within this tree". Huh? Again, I'm just so confused.…
Added by Darrell Plank at 12:17am on January 20, 2015
elivering their latest workstation and graphics technology.
Intensive computing and exceptional graphics technology will deliver generative modeling and computing to its next level.
Participants will learn the ease of use of Grasshopper within Rhinoceros, so they could start creating their own generative design.
Who should attend:
1. Professionals in design and engineering industry who would like to gain more knowledge and productivity
2. Students who would like to extend their knowledge to the next level
3. Supporting IT who would like to provide even more efficient tools for engineers and designers
4. Engineering and Design Enthusiasts
Participants should send an email to fani@m3kom.co.id, to receive an invitation and its detail.
For further technical information about the event, feel free to ask Rendy (tihe.tihe@gmail.com).
This event will consist of the sneak preview of most anticipated real-time rendering for Rhinoceros: V-Ray RT for Rhino.
Hopefully, this will also initiate the establishment of Indonesia's generative modeling designers community in Indonesia.…
this workshop is to materialize a chair designed with help of generative algorithms via robotic fabrication. To design the form of the chair we will go through an intensive course of generative design techniques, k-means clustering, structural analysis and optimization done with the help of Anemone, Galapagos, Millipede and other plugins. Finally we will employ a 6-axis robot with custom tooling to fabricate the chair via robotic rod bending. No prior experience with Grasshopper or robotic fabrication is required, although basic knowledge in 3d modelling would be an asset. // APPLICATION The deadline for application is 13.03.2017 Apply by sending email titled ‘workshop_chair’ to workshops@aan1.net // INFO If you have any more questions check the www.aan1.net website or contact us with email workshops@aan1.net // FEE We have special pricing for students, as well as an early bird offer. Check the Eventbrite list to get more details. Please bear in mind that a limited amount of seats is available (minimum 8 people, maximum 16). ORGANIZERS: Maria Smigielska, Mateusz Zwierzycki, AAn+1 TUTORS: Maria Smigielska, Mateusz Zwierzycki PRICES: Early Bird Student 280 E Early Bird Pro 320 E Regular Student 300 E Regular Pro 350 E…
p 10 "Scripting Reality – Integrating 3D Point Clouds in parametric design workflows".
This research-based workshop will introduce participants to thegeometrical class of point clouds and ways to handle, manipulate, analyse and script with them. Participants will as well have the chance to get first-hand knowledge in the handling of 3d capturing devices and to link their outputs directly into a design environment.
The workshop poses especially the question of how changes on architectural scale can be tracked over time. Related algorithmic concepts and the Volvox plugin, allow for the first time to directly access and manipulate point clouds in a parametric design environment, will be introduced to the workshop participants. A 1:1 experiment on the ETH campus will provide a testbed. Participants will learn point cloud processing and learn to track objects solely on the base of point cloud analysis, find deviations against the planned and visualise the results.
The workshop is led by Mateusz Zwierzycki, Martin Tamke and Henrik Leander Evers. FARO provides several 3d scanners with helical adapters and acccess to the FARO SDK for the workshop. The workshop is modestly priced with 160CHF.
register now.
http://www.aag2016.ch/workshop-10/
…
d object1. Traceback: line 96, in join, "c:\Program Files\Rhinoceros 5 (64-bit)\Plug-ins\IronPython\Lib\ntpath.py" line 102, in openStudioPath, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\config.py" line 247, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\config.py" line 2, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\radiance\command\_commandbase.py" line 2, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\radiance\command\gendaymtx.py" line 3, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\radiance\command\__init__.py" line 7, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\radiance\__init__.py" line 3, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\_hbanalysissurface.py" line 1, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\hbsurface.py" line 1, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee_grasshopper\hbsurface.py" line 44, in script line 53, in __init__, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\config.py"
It seems a problem with python.. Thanks in advance for any help.…
(twice the amount of lines, it'll take twice as long).
If you nest two loops you're iterating over each line, and then you iterate again over each line. So when you now have twice as many lines, it takes four times as long O(N*N) or O(N²)
With an octree you can reduce the second iteration from O(N) to O(log N). The reason octrees are fast is because they allow you to quickly reject large amounts of lines in your set. Lines are no longer stored in a list, but rather in recursive spatial buckets. If we determine that a certain bucket is too far away to possibly yield any valid results, we can instantly skip all the lines in that buckets and any sub-buckets. If you're lucky, you can reject ~85% of the local data in every iteration, which means even large collections of lines are reduced to only a few potential candidates very quickly.
Thinking about this I'm actually not sure now whether lookup in my Tree3d class is O(log N) or O(sqrt N), but the basic principle holds. The reason the resulting algorithm is O(N * log N) is because the outer loop is still O(N) but the inner loop is now replaced with an O(log N) searcher, so you end up with O(N) * O(log N) = O(N log N)
At least that's how I think it works, computational theory has never been my strong suit.
--
David Rutten
david@mcneel.com
Poprad, Slovakia…
Added by David Rutten at 4:55pm on November 29, 2012
next level.
This Parametric Design course will provide the participants with the necessary knowledge and ability to use Grasshopper, a free visual programming plugin in Rhinoceros; you will be guided through a series of hands-on exercises that highlight NURBS modeling and its concepts. We will introduce Grasshopper as a graphical algorithm editor tightly integrated with Rhino’s 3D modeling tools. You will also learn how Rhino is used to render models for visualization, translate 3D models for prototyping, and export 3D models into 2D CAD or graphics programs.
English is the course main language.
Location: Düsseldorf city center
Registration and buying Tickets
www.digitalparametrics.eventbrite.de
Course Calendar:
4 Days 6 hours each
Total duration 24h
2 weekends
Date:
Sat. 17 - Sun. 18 June
Sat. 24 - Sun. 25 June
10:00 - 17:00
Getting Started in Rhino. 2 days (17 - 18 June)
Getting Started in Grasshopper. 2 days (24 - 25 June)
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Participants will be given a certificate of participation at the end of the course.
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Course fees:
Professionals: 600€ (excl. MwSt.) Students: 500€ (excl. MwSt.) Students need to provide: Copy of current student ID or proof of student enrollment at University/School.
Group discounts:
Group of 3 professionals: 3x500 = 1500€ (excl. MwSt.)
Group of 3 Students: 3x400 = 1200€ (excl. MwSt.)
Participants are kindly asked to bring their own laptops and have pre-installed Rhino + Grasshopper.
Useful Resources:
Rhinoceros Installation (90 days full version trial available): http://www.rhino3d.com/download
Rhinoceros for Mac (includes Grasshopper) http://www.rhino3d.com/download/rhino-for-mac/5/wip
Grasshopper Free Installation: http://www.grasshopper3d.com/page/download-1
Grasshopper Free Plugins: http://www.food4rhino.com/app/lunchbox http://www.giuliopiacentino.com/weaverbird
Main Tutor:
Rihan
M.A. Dipl.Ing. Architect
Architect at RKW Architektur + Düsseldorf
For any questions about the course, please email: info@immersive-studio.com…