nter the programming world and tinker more complex, interactive solutions. We will also explore advanced programming paradigms. There is no class official programming language, as both C# and Vb.Net are possible on the participant’s side, and all examples will be provided in both C# and Vb.Net. Additionally, we will see how to get started writing full .Net plug-ins. Finally, we will have time to explore user’s own proposals on the third day.
Day 1 Morning: programming introduction in .Net
• The Grasshopper scripting components. Choosing a .Net language. Language developments
• Variables declaration, assignment and utilization. Operators. Methods [functions]. Calls
• Classes: declaration and instancing. Constructors. Importing a namespace. On3dPoints, OnLines
• Arrays declaration and usage. Lists. Adding to arrays and lists, advantages and opportunities.
Afternoon: patterns
• About OOP (object oriented programming) as opposed to procedural programming. Discussion
• Example of OOP good code reuse: sorting points by coordinates using the .Net SDK classes
• Lists as input parameters. Trees as input parameters. Usage and limitations
• Finding resources: on the net with website that can help getting started and troubleshoot. And books
Day 2 Morning: extending Grasshopper functionality with our definitions
• Store data between updates. The use of fields [globals, or static locals]
• Examples on how to use stored data between updates: a simple agents simulation
• Baking geometry with scripting directly into the Rhino document. Baking with names
• Passing custom types from a scripted component to another one. Our own code reusability
• Rendering an animation from Grasshopper. How to get started and final results
Afternoon: customizing our tools
• Our Rhino plug-in with Visual Studio C# [Vb.Net] Express Edition & wizard. Parametric mesher
• Writing a custom Grasshopper component: hacking an exporter for our data to Excel
Day 3 All day: personal project
• Rehearsal on any example from the first two days. A project that you want to start on your own, being it a Rhinoceros plug-in, a Grasshopper assembly or a script. Example might be to send data through network with UDP to Processing
MINIMUM REQUIREMENTS
A good foundation of Grasshopper visual programming is mandatory. You will need a level which corresponds to the Grasshopper 101 course outline. Examples of things that will not be covered in this course are: sorting document spheres by diameter, paneling of a surface with grasshopper components. You are expected to already know these from the Grasshopper course.…
Introduzione a Grasshopper", il primo manuale su Grasshopper.
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I corsi PLUG IT nascono dalla volontà di promuovere le nuove tecnologie digitali di supporto alla progettazione e condividere il know-how maturato attraverso ricerca, collaborazione con i più importanti studi di architettura e pubblicazioni internazionali.
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Verranno introdotte le nozioni base di Grasshopper approfondendo le metodologie della progettazione parametrica e le tecniche di modellazione algoritmica per la generazione di forme complesse. Il corso è rivolto a studenti e professionisti con esperienza minima nella modellazione 3D e si articolerà in lezioni teoriche ed esercitazioni.
. Argomenti trattati:
- Introduzione alla progettazione parametrica: teoria, esempi, casi studio - Grasshopper: concetti base, logica algoritmica, interfaccia grafica - Nozioni fondamentali: componenti, connessioni, data flow
- Funzioni matematiche e logiche, serie, gestione dei dati - Analisi e definizione di curve e superfici
- Definizione di griglie e pattern complessi - Trasformazioni geometriche, paneling - Attrattori, image sampler
- Data tree: gestione di dati complessi - Digital fabrication: teoria ed esempi - Nesting: scomposizione di oggetti tridimensionali in sezioni piane per macchine CNC
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Verrà rilasciato un attestato finale.
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Ulteriori info e programma completo su: www.arturotedeschi.com e su www.samilolab.it…
connected hyperspace where architecture can be fluid, flexible and vivid, yet the aspect of materiality requires more attention.
Action-designed structures begin to move beyond the utopian proposals of the 20th century’s manifestos and hold a place in the world of realized designs. The AA Athens Visiting School aims to bring users closer to the built environment while revisiting habits of designing, building and experiencing space through materiality. Understanding materiality and form as a ‘unified whole’, the programme integrates manufacturing techniques through the experimentation fabrication of prototypes at a 1:1 scale.
Prominent Features of the workshop/ skills developed
Participants become part of an active learning environment where the large tutor to student ratio allows for personalized tutorials and debates.
The toolset of the Athens VS includes but is not limited to Processing and Grasshopper for Rhinoceros, as well as design analysis software.
Participants gain hands-on experience on digital fabrication.
Design seminars and a series of lectures support the key objectives of the programme, disseminating fundamental computational techniques, relevant critical thinking, theoretical understanding and professional awareness.
Applications
1) You can make an application by completing the online application found under ‘Links and Downloads’ on the AA Visiting School page. If you are not able to make an online application, email visitingschool@aaschool.ac.uk for instructions to pay by bank transfer. 2) Once you complete the online application and make a full payment, you are registered to the programme. A CV or a portfolio is NOT required.
The deadline for applications is 28 June.
Location AKTO College – Athens Campus 11Α Evelpidon Street (Pedion Areos) Athens, 113 62, Greece
Fees
The AA Visiting School requires a fee of £695 per participant, which includes a £60 Visiting membership fee. Fees do not include flights or accommodation, but accommodation options can be advised.
Eligibility The workshop is open to current Undergrad and Graduate architecture and design students, PhD candidates and young professionals. Software Requirements: Adobe Creative Suite, Rhino 5.
For more information, please visit:
http://www.aaschool.ac.uk/STUDY/VISITING/athens
http://ai.aaschool.ac.uk/athens/
For inquiries, please contact:
alexandros.kallegias@aaschool.ac.uk…
ceros.
Public concerné /
Architectes et designers, utilisateurs de Rhino souhaitant paramétrer Rhinocéros à l’aide de Grasshopper, programme
associant des composants et une structure de graphe interagissants avec le modèle Rhino.
Une bonne connaissance de Rhinocéros est nécessaire. La langue de la formation est le français.
Structure et Objectif de la formation /
La formation se déroule sur 3 jours : les 2 premières journées sont consacrées aux « fondamentaux » de Grasshopper
avec en préambule une introduction au design et à l’architecture paramétrique et leurs impacts dans la conception, la
création et la construction.
La troisième journée sous forme d’atelier est dédiée à l’étude de cas concrets proposés par les stagiaires, qui, quelques
jours avant la formation, pourront envoyer leurs projets par mail à info AT rhinoforyou DOT com
Les stagiaires, après la formation, pourront rester en contact avec les formateurs de HDA par le biais du blog
complexitys.com et le twitter @HDA_Paris. La durée de cette formation permettra d’atteindre une autonomie et une
bonne compréhension basée sur des exemples concrets.
3 Formules possibles /
3 jours ( Initiation+Atelier ) : du lundi 20 septembre au mercredi 22 septembre
2 jours ( Initiation ) : lundi 20 et mardi 21 septembre
1 jour ( Atelier ) : mercredi 22 septembre
Programme ind icatif des notions traitéES pendan t la formation /
Introduction à la conception Paramétrique . Rhinoscript, Grasshopper: différences et similarités . Interface
graphique de Grasshopper . Objets, Données, Listes . Opérateurs scalaires : La mathématique de
Grasshopper . Gestions des données : la logique de Grasshopper . Vecteurs, Points, Lignes, Surfaces : La
géométrie de Grasshopper . Listes, Arbres, Branches . Le dessin paramétrique: exercices divers et exemples
. Références, Bibliographie, Support de cours . Ateliers d’architecture et design paramétrique (3ème jour) .
Moda lité de la formation /
Venir avec un PC portable équipé de Rhinocéros version 4.0 SR 7 et de la dernière version du plug-in
Grasshopper (téléchargeable sur www.grasshopper3d.com).
Le coût du stage est de 350 € HT/jour par personne.
Réserver votre place dès que possible car les places sont limitées à 10 participants maximum.
Inscriptions et renseignements: Jacques Hababou, info AT rhinoforyou DOT com
Pour en savoir plus sur l’architecture paramétrique: www.complexitys.com…
s levels of detail by subdividing a 6 sided cube mesh and projecting its vertices according to a referenced height map. This is one of the standard conventions for building full sizes planets. At the lowest level (0) the mesh planet is made of 6 pieces(each 32x32 resolution). The next level down (1) is made of 24 pieces... 6 divided by 4 = 24. Level (2) is 96 quads etc etc. The script will generate each quad at its sub-division level and compare edge vertices to neighboring quads. It will then make sure any shared vertices are in fact at the same projected vector. This ensures a planet quad with edge vertices that match.
The problems comes in texturing each quad.
If I build the quad as a nurb surface from points I can place the texture easily because each surface UV maps squarely to my texture map (which is also square).
If I build the quad as a mesh I cannot just apply the square texture to the mesh UVs. This is because when you unwrap the UVs from a mesh they will not unwrap like a nurb surface's UVs. Therefore to get the correct mapping I would have to manipulate each UV back to an evenly aligned array (which is 1024 points in a 32x32 resolution UV). Maya and blender have 'relax uv' and 'align UV' functions but they don't do the trick and manual corrections are out of the question. So why not skip the mesh method and use the nurb method?
I did this and there is a trade off. The nurb will accept the material texture I want with no other work on my end but when I export the object as an .obj rhino creates its own mesh to describe the nurb(with various unsatisfactory setting options). This works great up to a point because at some level the interpreted mesh will have vertices that do no match at the edges, ie .. creating visible seams in the mesh. The picture below is the nearly seamless planet at LOD(1) made of 24 quads, each with 32x32 vertice resolution and a 512x512 jpg texture running in Unity3d 5. It works but at close level there are seams. This will be resolved simply by having the next LOD(x) instantiate before getting close enough to see the seam but at core nerd level I want the seamless mesh.
So, I can make the seamless mesh but I can not realistically texture map it. I can also make the nurb surface from points and texture it at the expense of the edge vertices matching. I am at the split in the road but I want to have my cake and eat it too. Thoughts, comments, trolls...?
Thanks for reading =)
Footnote: For you pros I am not using seamless noise across the map I am using grasshopper to sew up my otherwise non perfect edges.
Other programs in the pipeline:
-WorldMachine 2
-Wilbur
-Photoshop
-Unity3d…
ive collaborative environment.
TYPE : Course module and Workshop
The event is open for anybody interested from all the fields of design, including: architecture, interior design, furniture design, product design, fashion design, scenography, and engineering.
1. COURSE MODULE (20-23 April 2014) - optional
+ type: 3 days intensive course regarding basic knowledge in parametric design (LEVEL 1)
+ software: Rhinoceros & Grasshopper
+ plugins: Kangaroo, Weaver Bird, Lunch box, Ghowl, Geco
+ achievements:
- acquainting to the components & the concept of Generative Design
- understanding the strategies in Algorithmic Design
- how to easily insert simple mathematical equation into the project to gain more control
- how to utilize proper plugins with respect to their nature of the project
- interacting with different analysis platforms such as Ecotect & remote controller
- solving several exercises with different scales( 2D- 3D ) during each phase of the workshop
2. WORKSHOP (23-27 April 2014)
A 5 day Design-Based Research Workshop exploring new techniques in Digital Architecture/Fabrication, with a specific focus on the use of generative systems and parametric modeling as tools for creative expression.
Our ultimate goal is to increasing the efficiency of utilizing digital tools in parallel with geometric performance of the primitive design agent.
+ + CONCEPT
Fashion and Architecture are both based on basic life necessities – clothing and shelter.
However, they are also forms of self-expression – for both creators and consumers.
Both fashion and architecture affect our emotional being in many ways.
The agenda of this workshop is to investigate on the overlap between these two areas of design, art & fashion.
Fashion and architecture express ideas of personal, social and cultural identity, reflecting the concerns of the user and the ambition of the age. Their relationship is a symbiotic one and throughout history, clothing and buildings have echoed each other in form and appearance. This only seems natural as they not only share the primary function of providing shelter and protection for the body, but also because they both create space and volume out of flat, two-dimensional materials.
While they have much in common, they are also intrinsically different – address the human scale, but the proportions, sizes and shapes differ enormously.
+ + + OBJECTIVES
So far, Architects have been using techniques such as folding, bending etc. to create space, structural roofs or different other structural shapes.
The agenda of this workshop goes further with the investigation of algorithmic thinking through generative tools Integrated in design.
The challenge is creating a bridge that connects these two areas of design, architecture and fashion that perform at two opposite scales.
+ + + + TECHNICAL BRIEF
In the early stages physical models and low-tech strategies will be used, allowing the participants to gain a greater understanding of materials, fabrication and assembly methods as well as simple, yet pragmatic structural solutions.
Later in the workshop these strategies will be digitalized and elaborated using software visualizing tools such as Rhinoceros and the algorithmic plug-in Grasshopper.…
rves/holes. However, the Kangaroo script itself is prone to locking up so it seems like it might take forever. You can even double click stop the timer from the Windows task bar, I hadn't noticed that before:
You have to use that or right click disable the timer since even with the Reset toggle button input set to True the timer itself locks up the script a bit when you are changing things around.
Just setting the min/max numbers both to a desired mesh size gives a uniform mesh:
Oh weird, it's about if the timer is right click set to so small an interval that it gets ahead of Kangaroo! When you see how long each cycle is taking with the Display > Canvas Widgets > Profiler you just set the timer for above that and the interface comes back into being responsive. It only takes a few Kangaroo cycles to do the inflation, so a full second timer interval is even workable.
A finer mesh:
It's funny running it so slow since it overinflates at first, bulging out, before it equilibrates.
You have control over inflation pressure and mesh stiffness, for a variety of effects.
This is a good system once I realized the timer needed to be mellowed out.
What made it work was the fast custom meshing since a normal mesh is awful and MeshMachine wouldn't work with sharp corner holes at all, breaking out of the boundary even if I fixed curves or vertices or did the equivalent with NURBS surfaces instead of a starting mesh.
There is an initiation time for Kangaroo that doesn't show up on its Profiler time that happens even with the timer off.
There are some fine areas that can't inflate with a reasonable mesh setting:
Worth playing with but no match for ArtCAM since it suffers odd delays in between working fast. If I could get better 2D meshes, that were more adaptive it would be better, but MeshMachine is one of the only re-meshers I know and it's broken for even mildly sharp hole features.
Ah, how about a crude mesh that is then subdivided, guaranteeing inner vertices everywhere? Sort of works, but is still too dense. Way too dense to even do anything. The subdivision triangulates the quads, vastly increasing the mesh wire density. Better just to make a finer initial mesh with plenty of quads.…
Added by Nik Willmore at 12:57am on February 21, 2016
ed file and code below:
Color ColorAt(Mesh mesh, int faceIndex, double t0, double t1, double t2, double t3) { // int rc = -1; var color = Rhino.Display.Color4f.Black;
if( mesh.VertexColors.Count != 0) { // test to see if face exists if( faceIndex >= 0 && faceIndex < mesh.Faces.Count ) { /// Barycentric quad coordinates for the point on the mesh /// face mesh.Faces[FaceIndex].
/// If the face is a triangle /// disregard T[3] (it should be set to 0.0).
/// If the face is /// a quad and is split between vertexes 0 and 2, then T[3] /// will be 0.0 when point is on the triangle defined by vi[0], /// vi[1], vi[2]
/// T[1] will be 0.0 when point is on the /// triangle defined by vi[0], vi[2], vi[3].
/// If the face is a /// quad and is split between vertexes 1 and 3, then T[2] will /// be -1 when point is on the triangle defined by vi[0], /// vi[1], vi[3]
/// and m_t[0] will be -1 when point is on the /// triangle defined by vi[1], vi[2], vi[3].
MeshFace face = mesh.Faces[faceIndex];
// Collect data for barycentric evaluation. Color p0, p1, p2;
if(face.IsTriangle) { p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.B]; p2 = mesh.VertexColors[face.C]; } else { if( t3 == 0 ) { // point is on subtriangle {0,1,2} p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.B]; p2 = mesh.VertexColors[face.C]; } else if( t1 == 0 ) { // point is on subtriangle {0,2,3} p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.C]; p2 = mesh.VertexColors[face.D]; //t0 = t0; t1 = t2; t2 = t3; } else if( t2 == -1 ) { // point is on subtriangle {0,1,3} p0 = mesh.VertexColors[face.A]; p1 = mesh.VertexColors[face.B]; p2 = mesh.VertexColors[face.D]; //t0 = t0; //t1 = t1; t2 = t3; } else { // point must be on remaining subtriangle {1,2,3} p0 = mesh.VertexColors[face.B]; p1 = mesh.VertexColors[face.C]; p2 = mesh.VertexColors[face.D]; t0 = t1; t1 = t2; t2 = t3; } }
/** double r = t0 * p0.FractionRed() + t1 * p1.FractionRed() + t2 * p2.FractionRed(); double g = t0 * p0.FractionGreen() + t1 * p1.FractionGreen() + t2 * p2.FractionGreen(); double b = t0 * p0.FractionBlue() + t1 * p1.FractionBlue() + t2 * p2.FractionBlue();
ON_Color color; color.SetFractionalRGB(r, g, b);
unsigned int abgr = (unsigned int)color; rc = (int) ABGR_to_ARGB(abgr); **/ var c0 = new Rhino.Display.Color4f(p0); var c1 = new Rhino.Display.Color4f(p1); var c2 = new Rhino.Display.Color4f(p2); float s0 = (float) t0; float s1 = (float) t1; float s2 = (float) t2;
float R = s0 * c0.R + s1 * c1.R + s2 * c2.R; float G = s0 * c0.G + s1 * c1.G + s2 * c2.G; float B = s0 * c0.B + s1 * c1.B + s2 * c2.B; color = new Rhino.Display.Color4f(R, G, B, 1); } } return color.AsSystemColor(); }
…
ort and export from the images below and also from the HELP file of DB in attachments (Page 71: Importing Geometric Data; Page 78-80: Import 3 - D CAD Data). In their HELP file, they mention about "import geometric data".
However, regarding the input of schedules, loads, constructions and etc., DB normally uses "Component " and "Template" (Page 29: Templates And Components; Page 591: Templates; Page 533: Components). "Templates" are databases of typical generic data, including Activity templates, Construction templates, Glazing templates, Facade templates, HVAC templates, Location Templates, and etc. "Component " are databases of individual data items (e.g. a construction type, material, window pane).
Both "Component " and "Template" are allowed to be imported and exported by using "Import / Export library data" command (.ddf format - DB Database File; Page 734: Import Components/Templates, Export Components/Templates). DB also allows us to build up our own libraries of templates and components (Page 731: Library Management; Page 733: Template Library Management).
In order to import both geometric information and other information related to schedules, loads, constructions and etc. from GH to BD, we supposed the following two ways:
1. GH(HB+GB) --> gbXML (both geometric and "Component " and "Template" information) --> DB
This is the way we most prefer. We did see information related to schedules, loads, constructions encoded in the gbXML file generated by GB, but still do not know the reason why DB did not take this information (I also mentioned this in Q6 within the gh file). We assume this might because the gbXML file we create encodes the schedules based on a different template / schema than the one DB expects. We also post this question to the DB forum for help.
(http://www.designbuilder.co.uk/component/option,com_forum/Itemid,25/page,viewtopic/p,13755/#13755)
2. GH(HB+GB) --> gbXML (geometric information only) + .ddf ("Component " and "Template" information only) --> DB
If the first way doesn't work and DB only takes geometric information from the gbXML, then we might think of the other way - generating the .ddf files from GH(HB+GB) to pass the schedule, load and construction information to DB.
I was wondering if it is feasible for HB and GB to have this function? And what is your suggestion to achieve this?
In addition, we notice that DB can export XML files (not gbXML), so we are trying to figure out if DB also accepts / reads the XML file. If so, we might be able to convert the gbXML (with both geometric and schedule information) to XML. What do you think about that?
Thank you again for all your help!
Best,
Ding
DB import
DB export
Template libraries
Component libraries
…
ss lots of questions,Hope guys show me some more different ways to figure out thoes kinds of problems,Thanks.
That is a construction project,the balconies should be overhang between 1 to 3 meters.
Program A is a patten consist of increasing balconies as the floors get upper.(In the picture is 29 at the first floor and ended with 2 more balconies for each floor, )Each part for a different floor,the twelfth floor have 29+(12-1)*2=51 balconies.
Questions From A,
A1:How to use the {(series)} to creat this atrium,As the floors increase the number of the balconies change by arithmetic progression.
A2:How to control the angle of the balconies,both the angle with floor and the balconies ending part.
Program B is use line to shape the commercial atrium,program A is more small pieces of rectangles.The {(TweenCrv)} command.
Questions From B,
B1:How to draw random points between the 1 to 3 meters region of the balcony,And those point form a shape also belongs to that region.
B2:Use a curve or other ways to control the changing speed of each floors' balcony.Right now the balcony is a Linear change.
Thanks for your Help.
Q1:Is there a way in Grasshopper to control the model to Modulus,less different unit parts to build such a Atrium.(For Exanple,only use 900mm and 600mm two different width of the Glass railings to bulid the model A OR B)…