d object1. Traceback: line 96, in join, "c:\Program Files\Rhinoceros 5 (64-bit)\Plug-ins\IronPython\Lib\ntpath.py" line 102, in openStudioPath, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\config.py" line 247, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\config.py" line 2, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\radiance\command\_commandbase.py" line 2, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\radiance\command\gendaymtx.py" line 3, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\radiance\command\__init__.py" line 7, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\radiance\__init__.py" line 3, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\_hbanalysissurface.py" line 1, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\hbsurface.py" line 1, in <module>, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee_grasshopper\hbsurface.py" line 44, in script line 53, in __init__, "C:\Users\Jurrijn\AppData\Roaming\McNeel\Rhinoceros\5.0\scripts\honeybee\config.py"
It seems a problem with python.. Thanks in advance for any help.…
thing that MicroStation does (or doesn't). The eternal debate between us is that they focus to the so called BIM aspect of things (and obviously on interoperability matters - that said IFC2*4 is" implemented" in certain Bentley verticals like BA and others) whilst I'm after assembly/component puzzles (and on that matter ... MS ...hmm... to put it politely is not exactly CATIA and/or NX, he he).
On the other hand this paranoid obsession with Level/Layer driven CAD (I hate it) defines a red thick line between CAD and MCAD - because the most intelligent importer can't emulate the way that Siemens NX/CATIA classifies objects - and without control power means nothing.
On the other hand Microstation V9 (...soon) has interesting scripting capabilities (think Modo rather Generative Components) ... meaning that Grasshopper could work there in a rather nice way. I think that I must talk for that to Ray (he recently ditched the ancient legacy MS render engine in favor for the Luxology/Nexus engine). Ray still is negative to buy Act3D mind (hope that you know the mother of visual scripting - the Quest3D VR thing).
On the other hand - within the broad AEC aspect - things these days are different (especially in fast developing countries the likes of UAE, Saudi Arabia, certain ex USSR "democracies" etc etc). Studies are outsourced even at Preliminary Design stage to various sub-contractors (they undertake the Study completion per discipline as well). This means that N separate groups doing M aspects of the whole ... meaning entropy^(N*M) - that's chaos in plain English.
With this in mind I'm quite (a lot) skeptical about the practical meaning of the whole exchange thing in AEC - at least with regard the countries mentioned (not to mention that several portions of a modern AEC thing are made via MCAD apps - chaos^chaos.
I'll back with more focused issues on that matter.
But the big question is: Grasshopper of Generative Components? Well...let's talk serious SS bikes instead: think a Ducati 1198 and a BMW S1000RR (I have them both): which is "best"? The thing is that not always the best bunny is the fasted bunny and not always the fasted bunny is the best bunny.
Cheers,
Peter
…
ty to work in a new and exciting space, where design, art, technology and fashion meet.
If you guys are looking for a full- or part-time job, or know an expert who is - we're happy to with meet him/her. We're located in the Lower East Side, New York.
What the person will be doing:
- Provide technical vision for product and infrastructure features
- Work with Marketing/Product Management to enhance the user experience
- Develop (with our team) our e-commerce customization platform
- Manage our real time 3D modeling platform
- Mentor 3D modelers and developers, define and document development methods, and share best practices
- Review and recommend improvements to product architecture
What we require:
- BA/BS/ BARCH degree OR CS/EE/Engineering degree preferred
- EXTENSIVE 3d modeling, rhino and grasshopper experience
- Experience building online computer games
- Experience creating natural and fractal patterns and forms in 3d
- UV Texture Mapping bit mapping (texture mapping)
- Experience managing a development team in projects with tight SCHEDULES
- Architecture, programing, scripting, Media or Fashion industry experience preferred
- Experience implementing web interfaces using XHTML, CSS, Javascript, and AJAX
- Experience in recommendation engines and algorithms
- Interest in working in an early stage fast-paced environment…
al structure that might resemble the shell structure of radiolaria - www.radiolaria.org - and then I want to manufacture it via 3D printing. Do you think mesh will be up to it?
Also, whether the mesh will work or not, could you please explain me the process on how you arrived to the mesh i.e. why you used all these components that you have used in your definition? As I do not want to directly copy and paste it, I want to understand on why you used all the other components to arrive to the resulting mesh. This will be a huge favour.
Knowing that the form that i have created is very important, do you think starting with the curves was the right thing or do you have any other way in mind to achieve this form with XYZ parameters?
regards,
aB…
rsuche deine Befehle später auf mein Modell anzuwenden.
Ja du hast Recht, ich sollte meine Fragen das nächste mal isoliert hochladen. Sorry für die "wirre" Datei.
Dennoch muss ich echt sagen, dass ich es mega schade finde, dass es einige in diesem Forum gibt die einen echt "runtermachen" indem sie ständig auf Fehler hinweisen und einen für komplett bescheuert halten. Es fällt eben nicht jedem leicht ein Programm ohne zusätzliche Hilfe sondern nur durch Ausprobieren zu erlernen. (Musste ich mal kurz loswerden!) Gut, dass es auch solche wie dich gibt, die einen Mut machen.
Gruß und nochmals Danke!…
of Space, 1984) and specified in (Turner A. , “Depthmap: A Program to Perform Visibility Graph Analysis, 2007), intuitively describe the difficulty of getting to other spaces from a certain space. In other words, the higher the entropy value, the more difficult it is to reach other spaces from that space and vice-versa. We compute the spatial entropy of the node as using the point depth set:
(11)
“The term is the maximum depth from vertex and is the frequency of point depth *d* from the vertex” (ibid). Technically, we compute it using the function below, which itself uses some outputs and by-products from previous calculations:
Algorithm 4: Entropy Computation
Given the graph (adjacency lists), Depths as List of List of integer, DepthMap as Dictionary of integer
Initialize Entropies as List(double)
For node as integer in range [0, |V|)
integer How_Many_of_D=0
double S_node=0
For depth as integer in range [1, Depths[node].Max()]
How_Many_of_D=DepthMap.Branch[(node,depth)].Count
double frequency= How_Many_of_D/|V|
S_node = S_node - frequency * Math.Log(frequency, 2)
Next
Entropies [node] = S_node
Next
…
ka Museum of Design, Gothenburg, Sweden. With
perforations that sift the light and with joints that are put together by
hand, it serves as a focus point in the big courtyard while visitors can
relax in the shade.
The pavilion is parametrically designed in Grasshopper and Rhino, and
loads, sun and shade, and material use has been optimized.
Steel sheets of 2 mm have been laser cut and rolled at the factory and
then assembled by hand in situ.
After summer the pavilion will be standing at Chalmers University of
Technology during the autumn, after which it is possible to purchase it.
The pavilion is a collaboration between Röhsska museum of Design, Chalmers
University of Technology and Ribo-verken, and is the result of 33
Architecture students' work during one semester, in the master level class
'Material and Detail'. After selecting one initial design, 33 students
have worked to develop the design, and to turn the project into a pavilion
which is safe and constructable.
The purpose of the course is to explore digital fabrication and to turn it
into a real, built architectural project.
Words on the design:
When talking to the staff at Röhsska at our first site visit, it became
clear that the courtyard, even though at the time covered with snow, could
get extremely hot during summer days. Adding this fact to the briefs'
demand for seating and the size of the empty courtyard, we set out to
create a pavilion that provided shaded seating inside it as well as
creating shaded spaces around it to place existing chairs and tables. The
pavilion therefore creates a network of spaces with the existing furniture
that altogether manages to inhabit the large courtyard, like different
small islands in an archipelago, which together with the technique of
rolling the steel in to arc segments gave it its name.
Well inside the pavilion you can lie comfortably on the smooth surface
that uses the steels excellent possibility to stay cool wheEn shaded.
Inside you find yourself in a space, the pavilion, within a space, the
courtyard, that creates a small but secluded getaway from the hectic city
life of central Gothenburg that is just outside the courtyard. The
perforation in the ceiling spreads out an organic pattern resembling the
one you would see from a tree in the forest. Contrasting the smooth
inside, the outside of the pavilion lets the visitor study in detail how
the 133 pieces are joint together with 1535 joints with a total of 3640
bolts holding it together.
- Marcus Abrahamsson & Benoit Croo, Initial Design
Cooperation partners: Röhsska Museum of Design & Chalmers Arkitektur
Main sponsor: Ribo-verken
Sponsors: Stålbyggnadsinstitutet, COWI, Tengbom, Unit Arkitektur AB,
Swebolt AB…
ka Museum of Design, Gothenburg, Sweden. With
perforations that sift the light and with joints that are put together by
hand, it serves as a focus point in the big courtyard while visitors can
relax in the shade.
The pavilion is parametrically designed in Grasshopper and Rhino, and
loads, sun and shade, and material use has been optimized.
Steel sheets of 2 mm have been laser cut and rolled at the factory and
then assembled by hand in situ.
After summer the pavilion will be standing at Chalmers University of
Technology during the autumn, after which it is possible to purchase it.
The pavilion is a collaboration between Röhsska museum of Design, Chalmers
University of Technology and Ribo-verken, and is the result of 33
Architecture students' work during one semester, in the master level class
'Material and Detail'. After selecting one initial design, 33 students
have worked to develop the design, and to turn the project into a pavilion
which is safe and constructable.
The purpose of the course is to explore digital fabrication and to turn it
into a real, built architectural project.
Words on the design:
When talking to the staff at Röhsska at our first site visit, it became
clear that the courtyard, even though at the time covered with snow, could
get extremely hot during summer days. Adding this fact to the briefs'
demand for seating and the size of the empty courtyard, we set out to
create a pavilion that provided shaded seating inside it as well as
creating shaded spaces around it to place existing chairs and tables. The
pavilion therefore creates a network of spaces with the existing furniture
that altogether manages to inhabit the large courtyard, like different
small islands in an archipelago, which together with the technique of
rolling the steel in to arc segments gave it its name.
Well inside the pavilion you can lie comfortably on the smooth surface
that uses the steels excellent possibility to stay cool wheEn shaded.
Inside you find yourself in a space, the pavilion, within a space, the
courtyard, that creates a small but secluded getaway from the hectic city
life of central Gothenburg that is just outside the courtyard. The
perforation in the ceiling spreads out an organic pattern resembling the
one you would see from a tree in the forest. Contrasting the smooth
inside, the outside of the pavilion lets the visitor study in detail how
the 133 pieces are joint together with 1535 joints with a total of 3640
bolts holding it together.
- Marcus Abrahamsson & Benoit Croo, Initial Design
Cooperation partners: Röhsska Museum of Design & Chalmers Arkitektur
Main sponsor: Ribo-verken
Sponsors: Stålbyggnadsinstitutet, COWI, Tengbom, Unit Arkitektur AB,
Swebolt AB…