si à faire le tri avec Grasshopper et l'outil Points in Brep, comme je pensais. Je suis passé d'environ 400 000 points à uniquement 20 000 points autour de mes 3 rails. C'est très efficace (mais un peu dangereux avec tous ces points).
J'ai interdit au composant CircleFit de faire un cercle, s'il n'y a pas au moins 5 points présents sur la section. Car lorsqu'il y a seulement 3 ou 4 points, il suffit qu'il y en ait un pour que le cercle soit faux, alors qu'au delà, le cercle a plus de chance d'être "bon".
J'ai également créé des "Pipe" (créés à partir de portions de l'axe) au lieu des "Box » de sélection des points pour éviter de sélection trop de points que ne serait pas des points du rail.
J'ai ensuite créé des « panel » pour la moyenne des distances en X et en Y et la moyenne des distances centre à centre.
Tout cela fonctionne bien avec un axe et un tuyau. Mais maintenant j'essaie d'appliquer ça à plusieurs rails en même temps. Je crois avoir compris qu'il faut créer des « path » dans l'imput manager, et faire correspondre le « path » de l'axe et celui du Tuyau.
Dans mon exemple j’ai mis 3 courbes et 21 sections. Au moment où j'utilise les boîtes pour créer les portions des axes, il crée 63 « sous-path » de 1 courbe alors qu'il faudrait qu'il crée 3 "paths" de 21 courbes, enfin si j'ai bien compris.
Car une fois qu’il a créé les points à l’intérieur des « Pipe », il doit les projeter sur les plans correspondant. Et c’est là que le problème se voit. Il ne fait pas correspondre les points à projeter et les plans.
Je vous envoie la version à une courbe et un tuyau (c’est la v5 avec un fichier rhino ou la courbe d'axe est "bakée" pour pouvoir faire un zoom sur la zone plus rapidement) et je vous envoie également, celle avec 3 courbes et 3 tuyaux. Sachant qu’il faudra également attribuer un rayon pour un des tuyaux et un autre rayon pour les deux autres.
Tout ça est bien compliqué, j’espère que je ne vous embête pas trop.
Merci d’avance.…
onsider:
Identify the aspect of calculations that consumes the most amount of time and resources: Based on what I have understood till now about the parametric workflow within the Grasshopper environment I don’t think it is Rhino/Grasshopper that consumes the maximum amount of time/resources (unless you are handling complex geometry and using native rendering). So, if you could identify the part of your iterations that consumes the maximum amount of resources we can look into parallelizing/optimizing that. It could be something like (RhinoModelling-15%, E+-40%,Radiance-45%)… If there is no way to keep track of that right now in Grasshopper, let me know, I might be able to write a custom script that records the timestamp for each part of the calculation.
Parallelizing Grasshopper: I have no idea of how to do this so I think the best resource/forum would the Grasshopper/Honeybee discussion board. I think at the very least, to make Grasshopper run on remote computers, you’d have to install Rhino/Grasshopper on those computers as well.
Parallelizing EnergyPlus/Radiance: Based on what I understand from reading Mostapha’s source code and also talking to him on this issue, Honeybee typically creates batch files ie radiance or e+ instructions which are then used to run EnergyPlus and Radiance. Radiance runs can be parallelized to a great extent, however, owing to the modular nature of how calculations are setup for grid point calculations , image rendering and some of the new matrix based calculations, there is no single answer to parallelizing Radiance calculations. One can look into optimizing a certain type of calculation and then code instructions for implementing those. E+, which I have only been using for the past month or so, doesn’t seem to have a native way of setting up parallel runs. One can, however, set up multiple separate runs of E+ and direct them to separate processors. I think there was some discussion E+ in the Honeybee forum so you might get a better answer from there on this issue.
Clustering computers and GPU based calculations: One way of implementing the kind of parallelizing that you are referring to, ie. utilizing unused desktops is to cluster computers. Penn State has a dedicated, text-only, Linux-based cluster system which I have been tinkering with for the past year or so. A single node of this cluster has 60 parallel cores and close to 300GB or RAM. Each node, in turn, was created by linking a bunch of computers together. Implementing such a cluster would require an active participation from IT systems admins in your firm. Another option is to use Accelerad for Radiance which parallelizes Radiance . Radiance doesn’t have a limitation regarding the number of cores you could use. I think the 8 processors that you mentioned is more a function of the currently available desktop computer configurations than Radiance’s ability to handle more processors(i7 for example, has 8 processors). In the past, I have run parallel renderings with up to 20 processors. Radiance code is optimized to run on Linux systems so the performance on Windows systems is likely to be somewhat slower.
Finally, unless there is a pre-existing platform to handle such parallel processing, some scripting effort would be required to direct calculation files outwards into different systems/processors and then fetch and consolidate results from those calculations into a single location and then visualize those results on an interface like Mostapha’s Design Explorer.
Sarith…
ing ways to leverage simulation results from ladybug and inform design of building envelops with benefits that can be modeled. Given 20 percent of the cost of a project typically goes to the facades, and maybe a half of that goes to the openings, there is a good enough reason to question how to materialize that 10 percent, which can result in 10-30 percent difference in total energy comsumption.
I think ideally radiation analysis, natural ventilation and daylight analysis on floors should all inform opening sizes and placements, as well as the building sections at large. However natural ventilation seems to be the most complicated one because it couples airflow and thermo dynamics. I have a definition setup so that I can batch simulations for radiation analysis and daylight analysis, but natural ventilation is the missing link. So for what I am doing now I will select a handful of design that seem to work the best based on the two available analysis and convert all the geometry into CAD files so that I can run them in an evaluation copy of autodesk simulation CFD. So for now I can do this in 2 stages.
But for the future, given the possibility of actually have that as a part of grasshopper feature, which would be lovely, I want to understand the science behind it and share some links.
(http://www.wbdg.org/resources/naturalventilation.php) In this link the author outlines quite a few general principles and variables to consider for natural ventilated buildings.
For example, how stack effect works.
Qstack = Cd*A*[2gh(Ti-To)/Ti]^1/2, where
Qstack = volume of ventilation rate (m³/s)Cd = 0.65, a discharge coefficient.A = free area of inlet opening (m²), which equals area of outlet opening.g =9.8 (m/s²). the acceleration due to gravityh = vertical distance between inlet and outlet midpoints (m)Ti = average temperature of indoor air (K), note that 27°C = 300 K.To = average temperature of outdoor air (K)
The thing about natural ventilation is that not only the sizes and positioning of openings of the facade facing predominant wind matter, but also the openings on the other side matter. The vertical distance between the inlets and outlets also need to be taken into account. The author suggests that naturally ventilated buildings should be no wider than 45 feet.
and in this pdf presentation it discusses CFD for natural ventilation and illustrates why it is not easy
http://isites.harvard.edu/fs/docs/icb.topic882838.files/L17.6205Airflow-Modeling_Ibarra.pdf
and in this pdf briefly outlines the approach taken by designbuilder
http://isites.harvard.edu/fs/docs/icb.topic472869.files/DesignBuilder%20Simulation%20Training_HSD.pdf
Lastly a wide spectrum of environmental analysis works by e3lab
http://www.e3lab.org/research
http://www.e3lab.org/green-buildings
If I make progress on a way to tie the three analysis together (radiation, daylight and natural ventilation), I wont forget to post it on this thread.
Thanks.…
nergy plus silulation and this is the error text:
Current document units is in MetersConversion to Meters will be applied = 1.000Duplicate surface name! Name is changed to: Pelle_Sopra_DupDuplicate surface name! Name is changed to: Pelle_Nord_Dup[1 of 8] Writing simulation parameters...[2 of 8] No context surfaces...[3 of 8] Writing geometry...[4 of 8] Writing Electric Load Center - Generator specifications ...[5 of 8] Writing materials and constructions...[6 of 8] Writing schedules...[7 of 8] Writing loads and ideal air system...[8 of 8] Writing outputs......... idf file is successfully written to : C:\Users\Personal\Desktop\TESI\x006\THOR001\EnergyPlus\THOR001.idf
Analysis is running!...C:\Users\Personal\Desktop\TESI\x006\THOR001\EnergyPlus\eplusout.csv......
Done! Read below for errors and warnings:
Program Version,EnergyPlus, Version 8.3.0-6d97d074ea, YMD=2016.01.05 20:08,IDD_Version 8.3.0
************* IDF Context for following error/warning message:
************* Note -- lines truncated at 300 characters, if necessary...
************* 160 ScheduleTypeLimits,
************* indicated Name=ANY NUMBER
************* Only last 2 lines before error line shown.....
************* 161 ANY NUMBER, !- name
************* 162 ScheduleTypeLimits, !-
** Severe ** IP: IDF line~162 Invalid Number in Numeric Field#1 (Lower Limit Value), value=SCHEDULETYPELIMITS, in SCHEDULETYPELIMITS=ANY NUMBER
************* IDF Context for following error/warning message:
************* Note -- lines truncated at 300 characters, if necessary...
************* 258 ScheduleTypeLimits,
************* indicated Name=ANY NUMBER
************* Only last 2 lines before error line shown.....
************* 259 ANY NUMBER, !- name
************* 260 ScheduleTypeLimits, !-
** Severe ** IP: IDF line~260 Invalid Number in Numeric Field#1 (Lower Limit Value), value=SCHEDULETYPELIMITS, in SCHEDULETYPELIMITS=ANY NUMBER
** Warning ** IP: Note -- Some missing fields have been filled with defaults. See the audit output file for details.
** Severe ** IP: Possible incorrect IDD File
** ~~~ ** IDD Version:"IDD_Version 8.3.0"
** ~~~ ** Version in IDF="8.3.0" not the same as expected="8.3"
** ~~~ ** Possible Invalid Numerics or other problems
** Fatal ** IP: Errors occurred on processing IDF file. Preceding condition(s) cause termination.
...Summary of Errors that led to program termination:
..... Reference severe error count=3
..... Last severe error=IP: Possible incorrect IDD File
************* Warning: Node connection errors not checked - most system input has not been read (see previous warning).
************* Fatal error -- final processing. Program exited before simulations began. See previous error messages.
************* EnergyPlus Warmup Error Summary. During Warmup: 0 Warning; 0 Severe Errors.
************* EnergyPlus Sizing Error Summary. During Sizing: 0 Warning; 0 Severe Errors.
************* EnergyPlus Terminated--Fatal Error Detected. 1 Warning; 3 Severe Errors; Elapsed Time=00hr 00min 0.30sec
thanks for any help
Lhor…
os3D + Grasshopper3D + Maya + Advanced Plugins & Demo Toolkits]
// Level
Basic, Intermediate & Advanced
(Previous parametric design knowledge not obligatory - Studio is adaptive to basic & advanced users)
// Agenda
The workshop aims to provide a detailed insight to ‘parametric design’ and embedded logics behind it through a series of design explorations using Rhinoceros & Grasshopper platforms, along with understanding of data-driven design strategies. An insight to Computational Design and its subsets of Parametric Design, Algorithmic Design, Generative Design and Evolutionary Design will be provided through presentations, technical sessions & studio work. Studio work will be focusing on modulation of geometry and iterative form using Parametric Design methods that will lead to explorations of spatial geometries that can be articulated as architectural constructs or abstract artistic interventions. There will be a demonstration of Fluid Form Modelling using Autodesk Maya on Day03.
The 1st batch of workshop in London took place in January 2020 with an exploratory learning output for ~20+ participants that travelled from different parts of the world to be a part of 3-day workshop titled Parametric Modulations. V2.0 is the evolved workshop with new toolkit add-ons for the 2nd batch and demonstrative tools & examples for future use of participants to get a deeper understanding of Computational & Parametric Design.
// Methodology
The 3-day studio / workshop shall focus on inculcating the following aspects as a part of curriculum:
Computational Design Techniques & Parametric Design
Data, Mathematics & Geometry
Geometry Rationalization
Iterative Form Development
Digital simulation of forces
Environmental Analysis (Tool-kits & Example files for future use)
Collaborative Design Exercises to understand application of the learnt tools
Documentation and Presentation
Hands-on Demonstration of Maya (Polygonal Mesh Modelling)
The workshop is suitable for beginners, intermediate as well as advanced users of these tools and very helpful for anyone planning to start their Masters in UK as this 3-day workshop would serve as a bootcamp to kick-start anyone's journey in Computational Design.
…
ther math and logic. i can usually conceptualise what i want to do and cobble some semi working thing together but don't know which components to use and how to patch it. so i'm super happy to have someone who knows what he's doing to find this interesting.
and i'm glad you mention the fanned frets again, there is one input parameter that's still missing for the multiscale frets to be fully parametric, it's the angle of the nut or which fret should be straight. it depends a bit on personal preferences and playing posture what is more comfortable. so being able to adjust this easily would be cool. again i have no idea how the maths for that work or if you can just rotate each fret the same amount around it's middle point. The input either as fret number (for the straight fret) or as a simple slider from bridge to nut should do as input setting.
Here are the two extremes and the middle ground:
i've been thinkin today while analysing your patches and cleaning up my mess what exactly the monster should do.
Here are the input parameters needed, i think it's the complete list
scale length low E string
scale length high e string
fret angle/straight fret
string width at nut
string width at bridge
number of frets
fretboard overhang at nut (distance from string to fretboard bounds)
fretboard overhang at last fret
string gauges
string tensions
fretboard radius at nut (for compound radius fretboard radius at bridge is calculated with the stewmac formula)
fretwire crown width
fretwire crown height
action height at nut (distance between bottom of string and fretwire crown top)
action height at last fret
pickup 1 neck position
pickup 2 middle position
pickup 3 bridge position
nut width
the pickup positions should be used to draw circles for the magnet poles on each string so they are perfectly aligned and can be used for the pickup flatwork construction. ideally they would need a rotation control aligning the center line of the pickup so it's somewher between the last fret angle and bridge angle. personally i do this visually depending on the design i'm looking for, some people have huge theories on pickup positioning but personally i don't believe in it.
that should result in everything needed to quickly generate all the necessary construction curves or geometry for nut/fingerboard/frets/pickups. this is the core of what makes a guitar work, the more precise this dynamic system is the better the guitar plays and sounds.
i posted another thread trying to understand how i could use datasets form spreadsheets,databse, csv to organize the input parameters. What would make sense for the strings for example is hook into a spreadsheet with the different string sets, i attached one for the d'Addario NYXL string line which basically covers all combos that make sense.
The string tension is an interesting one, and implmenting it would sure be overkill albeit super interesting to try. it should be possible to extrapolate from the scale length of each string what the tension for a given string gauge of that string would be so that you could say 'i want a fully balanced set' or 'heavy top light bottom) and it would calculate which SKU from d'addario would best match the required tension. All the strings listed in the spreadsheet are available as single strings to buy.
i'm trying to reorganize everything which helps me understand it. i just discovered the 'hidden wires' feature which is great since once i understood what a certain block does or have finished one of my own, i can get the wires out of the way to carry on undistracted. a bit risky to hide so many wires but it makes it so much easier not to get completely lost :-)
btw, the 'fanned fret' term is trademarked, some guy tried to patent it in the 80's which is a bit silly since it has been done for centuries. there is a level of sophistication above this as well, check out http://www.truetemperament.com/ and that really is something else. it really is astounding how superior the tuning is on those wigglefrets, the problem is that it's rather awkward for string bending and also you can't easily recrown or level the frets when they are used. …
e matching with a dedicated component which creates combinations of items. You can find the [Cross Reference] component in the Sets.List panel.
When Grasshopper iterates over lists of items, it will match the first item in list A with the first item in list B. Then the second item in list A with the second item in list B and so on and so forth. Sometimes however you want all items in list A to combine with all items in list B, the [Cross Reference] component allows you to do this.
Here we have two input lists {A,B,C} and {X,Y,Z}. Normally Grasshopper would iterate over these lists and only consider the combinations {A,X}, {B,Y} and {C,Z}. There are however six more combinations that are not typically considered, to wit: {A,Y}, {A,Z}, {B,X}, {B,Z}, {C,X} and {C,Y}. As you can see the output of the [Cross Reference] component is such that all nine permutations are indeed present.
We can denote the behaviour of data cross referencing using a table. The rows represent the first list of items, the columns the second. If we create all possible permutations, the table will have a dot in every single cell, as every cell represents a unique combination of two source list indices:
Sometimes however you don't want all possible permutations. Sometimes you wish to exclude certain areas because they would result in meaningless or invalid computations. A common exclusion principle is to ignore all cells that are on the diagonal of the table. The image above shows a 'holistic' matching, whereas the 'diagonal' option (available from the [Cross Reference] component menu) has gaps for {0,0}, {1,1}, {2,2} and {3,3}:
If we apply this to our {A,B,C}, {X,Y,Z} example, we should expect to not see the combinations for {A,X}, {B,Y} and {C,Z}:
The rule that is applied to 'diagonal' matching is: "Skip all permutations where all items have the same list index". 'Coincident' matching is the same as 'diagonal' matching in the case of two input lists which is why I won't show an example of it here (since we are only dealing with 2-list examples), but the rule is subtly different: "Skip all permutations where any two items have the same list index".
The four remaining matching algorithms are all variations on the same theme. 'Lower triangle' matching applies the rule: "Skip all permutations where the index of an item is less than the index of the item in the next list", resulting in an empty triangle but with items on the diagonal.
'Lower triangle (strict)' matching goes one step further and also eliminates the items on the diagonal:
'Upper Triangle' and 'Upper Triangle (strict)' are mirror images of the previous two algorithms, resulting in empty triangles on the other side of the diagonal line:
…
dello spazio. In dipendenza dal proprio modo di interazione ambientale, gli edifici possono essere distrubuiti e/o aggregati in modalità appropriate in modo da accumulare o disperdere gli effetti della loro interazione e il proprio impatto sull'evoluzione delle relazioni future. A livelli più bassi si può, ad esempio, considerare la distribuzione di componenti o caratteristiche lungo un involucro.
Approcci basati su unità funzionali operano una proliferazione basata sulla ripetizione indifferenziata e insensibile all'ambiente, risultando in una discretizzazione di matrice convenzionale e nella separazione tra edifici, edifici e contesto o spazi interni ed esterni; un diverso tipo di approccio, basato sulla condizione (termine usato nella sua doppia accezione di indicatore dinamico della tendenza di sviluppo dell'ecosistema e in quella causale – if a then b), introduce una forma di proliferazione che sfida e scioglie la dicotomia artificiale: molte piante crescono ovunque le condizioni portino ad esse beneficio, senza riguardo per limiti codificati nello spazio in cui si sviluppano. Le implicazioni sulla negoziazione dello spazio e sulla definizione di soglia sono notevoli; il sistema produce un campo armonicamente articolato e differenziato di fenotipi a partire dal genotipo attraverso un processo di "estetica delle forze" guidata attraverso lo strumento digitale.
A livello urbano questo può tradursi nella proliferazione di infrastrutture o di spazi che mettono in discussione la concezione statica di "confine" e "unità" in favore di modelli in grado di generare una gamma più estesa di inflessioni tra livelli di complessità e indirizzarli per abilitare e rendere accessibili potenzialità d'uso a loro volta articolate e complesse.
Il tema sarà dipanato attraverso le giornate del workshop sviluppando aspetti teorici e tecnici dell'approccio parametrico generativo, con particolare attenzione a strategie di design urbano basate su caratteristiche endogene (vincoli interni del sistema) ed esogene (fattori ambientali) allo scopo di stimolare l'esplorazione di soluzioni sistemiche innovative.
Il numero dei partecipanti è stabilito tra le 15 e le 20 persone per offrire un tutoraggio proficuo ed una effettiva esperienza di learning ad ogni iscritto.
[.] Temi
. teoria
. condizione, genotipo/fenotipi, transizione, mappatura, eleganza, sensibilità, spazio
. tecnica
. dati:gestione, manipolazione, visualizzazione
. generazione di geometria da dati
. logiche parametriche applicate al design
. genotipo/fenotipi
. attrattori, mappers, drivers e tecniche di modulazione
[.] Dettagli
Istruttori: Alessio Erioli + Andrea Graziano + Davide Del Giudice – Co-de-iT (GH & design tutors).
Si richiede esperienza di base nella modellazione in Rhino (equivalente a Rhino training Level 1, il Level 2 è gradito – la documentazione per il training è disponibile gratuitamente all'indirizzo: http://download.rhino3d.com/download.asp?id=Rhino4Training&language=it).
Luogo :
presso NETFORM – via Alessandro Cialdi 7, Roma
Orario :
9.00-18.00.
info:
info@a-m-u-r-i.it
Phone:
+39 338 4201162
iscrizioni:
http://www.cesarch.it/…
rested in specializing in the field of Computational design.
The workshop will help understand how Grasshopper facilitates during the design process allowing one to Generate, Automate and Manipulate data.
To Register:
http://goo.gl/forms/gvUTyZihVK
Workshop Structure:
Day 01: 16 August 2018
Introduction to Computational Processes in Architecture
Understanding Grasshopper and its relation to Rhino3D
Working with fields and Grids (Supplementary readings for Architectural theory)
Spatial Concepts using Data
Day 02: 17 August 2018
Understanding Data in Grasshopper - LISTS
Managing Data in Grasshopper (Supplementary reading)
Experimentation on Massing and Architectural Forms
Day 03: 18 August 2018
Understanding Data in Grasshopper – Trees
Surface Logics (Supplementary reading)
Design Exercise and Prototyping
Day 04: 20 August 2018
Architectural Skins
Day 05: 21 August 2018
MasterClass Project
Introduction to various types of Digital Fabrications
Prototyping of works during the Workshops
Basic knowledge of Rhino 5 is required to be able to take this training.
CERTIFICATION: All participants will receive a Workshop certificate from Authorized Rhino Trainer.
3D Printing: Prototyping of works during the Workshops
Workshop Tutor:
Kavitha M, an Architect and Computational Designer, 3D Printing Specialist is also the co-founder of INTO Design Research, will head the Computational Process in Architecture using Grasshopper workshop. Graduated from Stadelschule Architecture class with Masters in Advanced Architecture Design, has been researching on teaching methodologies on digital tools and their influence on Design thinking.…