io, alle ore 19:30 presso la Mediateca MARTE di Cava de’ Tirreni (Sa), la lecture magistralis dell’arch. Walter Nicolino dal titolo “Augmented visions / Responsive spaces”, un viaggio culturale che, attraversando gli studi progettuali a diverse scale condotti tra la sede torinese e il centro ricerca di Boston, mette in luce una attitudine nell’indagare e nel dar forma alle interazioni tra le persone, gli oggetti e gli spazi, al fine di fornire possibili risposte alle nuove istanze poste dalla rivoluzione digitale.
In apertura i saluti istituzionali del sindaco Marco Galdi, mentre a introdurre la lecture l’arch. Amleto Picerno, promotore del Mediterranean FabLab di Cava de’ Tirreni e tutor della Summer School digitalMed, il laboratorio progettuale che da quattro anni a questa parte, indaga temi, pratiche e tecniche dell’attuale panorama architettonico internazionale. È la smart city al centro della IV edizione di Summer School Digitalmed 2013, che si svolge a Salerno dal 22 al 28 luglio con l’obiettivo di creare un sistema di relazioni e di interazioni continue tra la città, le persone e l’ambiente in cui queste si rapportano in un continuo scambio di informazioni.
Ad esprimere la critic ai prototipi di progetto che emergeranno dal workshop digitalMed, sarà proprio Walter Nicolino, architetto di spicco del panorama italiano, coinvolto in numerosi progetti di ricerca al Senseable City Lab del MIT di Boston, insieme all’arch. Carlo Ratti con cui è fondatore e socio dello studio torinese CARLORATTIASSOCIATI.
Il 26 luglio lo space 1.0 della Mediateca MARTE di Cava de’ Tirreni si fa, dunque, arena d’avanguardia per un interessante dibattito durante il quale, a proposito della Summer School digitalMed, si ragionerà anche sul modo in cui le tecnologie digitali influenzano l’architettura.
«Da qualche tempo a questa parte possiamo scegliere se orientarci alla perfezione tramite navigatori GPS o perderci come sognanti flâneur metropolitani; possiamo associare in un batter d'occhio infiniti layers di dati a un luogo, oppure contemplarne in silenzio il paesaggio; possiamo anticipare la realtà con sofisticate rappresentazioni virtuali, oppure esercitarci in giocose autocostruzioni partecipate.
Possiamo avere l'una e l'altra cosa: non si tratta di una scelta tra il mondo reale e quello virtuale, come predetto da parte della letteratura agli albori dell’era digitale, ma si tratta di capire come il nostro ambiente costruito e gli spazi in cui viviamo stiano imparando a parlare un nuovo linguaggio e ad interagire in modo sempre maggiore con le persone - afferma Walter Nicolino che parafrasando Le Corbusier “La civilisation digitale cherche et trouvera son expression architecturale”, sottolinea l’importanza di integrare le nuove tecnologie e radici locali senza perdere la visione e la dimensione umana della città: All’architettura è richiesta una revisione dei propri strumenti per creare spazi flessibili, inclusivi, in grado di adattarsi ai nuovi modi di vivere e lavorare e di rispondere in modo interattivo alle nostre esigenze».
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ppresentazione di modelli per l’architettura ed il design, verso un apprendimento d' alto livello delle tecniche di modellazione parametrica 3D.
Il corso si svolgerà nei seguenti giorni:
Sabato 19/10 dalle 10.00 alle 19.00
Domenica 20/10 dalle 10.00 alle 19.00
Scadenza preiscrizione: 16/10
Contenuti
Durante questo corso, attraverso l' uso di tecniche avanzate di modellazione Nurbs,
si potranno costruire modelli tridimensionali complessi che permetteranno di comprendere le tematiche legate alle forme complesse dell’architettura.
Particolare attenzione verrà data allo studio delle superfici a doppia curvatura, alle superfici rigate e alle superfici sviluppabili, quest’ultime adatte alla creazione di manufatti rivolti alla produzione. Allo studio delle superfici sarà affiancata la logica della loro tassellazione, quindi il passaggio da entità continue ad entità discrete, indagandone il valore attraverso esercitazioni pratiche.
Per comprendere meglio le finalità pratiche della tassellazione verrà adoperata una plug-in integrativa specifica per questo tipo di operazione: Paneling Tools. Le lezioni pratiche saranno arricchite da brevi comunicazioni teoriche utili a perseguire l’obiettivo della costruzione di modelli complessi. Sintesi programma
Costruzione di superfici free-form facilmente editabili attraverso tecniche di sculpting ed una gabbia adeguata di punti di controllo;
Presentazione e spiegazione delle superfici a doppia curvatura, rigate, sviluppabili e loro pannellizzazione attraverso elementi lineari o tasselli piani;
Studio della tassellazione attraverso la plug-in Paneling Tools per lo sviluppo di tasselli tridimensionali complessi;
Modellazione di un'architettura complessa, costruita avvalendosi della anche della tecnica del morphing.
Preparazione della mesh e del file per il rendering.
Alla fine del corso, verrà rilasciato l’attestato di partecipazione ad un corso di Rhinoceros qualificato e certificato dalla casa sviluppatrice McNeel, valido anche per la richiesta di crediti formativi universitari.
Docente del corso
Il corso è tenuto da un docente qualificato, con riconosciuta esperienza universitaria, esperto in disegno e rappresentazione dell' architettura e del design ed istruttore McNeel:
Michele Calvano|_architetto, dottore di ricerca in rappresentazione architettonica specializzato nella modellazione matematica (Nurbs) e modellazione parametrica.
Docente ART (Autorized Rhino Trainer) - [vedi CV]
Info
Per ulteriori informazioni di carattere didattico sono a disposizione i seguenti contatti: Responsabile didattico: arch. Michele Calvano
Info mail: parametricart@gmail.com
cell: 340 3476330
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creating the structural frame, finding the endpoints, linking these endpoints with curves and afterwards lofting the surfaces between the curves.
The results were quite nice, however, the procedure is very time consuming and inefficient. There is just too much copy-pasting involved.
(see attached file: "Old Attempts.zip" )
Mesh relaxation:
I have later on used Daniel Piker's tutorials on Mesh Relaxation and realized that this might be the way to go.
The link to these online tutorials on wewanttolearn.net is:
https://wewanttolearn.wordpress.com/2011/10/22/mesh-relaxation-kangaroo-tutorial/
His tutorials, however, only deal with mesh boxes which are ideal cubes. He then joins them together in various directions, but it is under 90 degrees angle.
( see attached file: "Daniel Pikers Examples" )
What I would like to achieve:
I want my bridges to go in all directions and angles, not just under 90 degree angle.
Ideally I would like to make a square (polygon) follow a curve (which moves in all axis) at certain number of division points. I would then loft these squares into a mesh and use that shape as a mesh box. I would later use this mesh box and relax it the same way as Daniel Piker used the cubes in his tutorial. The anchor points are only the vertices of the squares which create the lofted mesh box.
( see attached file: "New Attempts" )
As you can see below this procedure works even if the curve is moving in all directions not only along xy axis. There are, however, many problems connected to it.
The problem:
Despite all the effort I cannot seem to come up with a design where I would be able to draw a random curve which would be the guideline for my mesh box and then apply this box to one definition in order to relax the mesh and create the shape that I want. Without this I am again forced into a lot of copy pasting as the final mesh box is made out of several sections.
Also is there any way I could make the final resulting mesh a bit smoother? Increasing the number of mesh faces is probably the only way, right?
Thank you guys so much for any potential help.
All best,
Luka
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de geometries, which can easily be adapted to changing design intentions and requirements. The core concept of the software is that the brick unit is the basis for every action performed. Basically, a design is generated through drawing, placing and manipulating individual bricks. BrickDesignoffers different methods to manipulate the individual bricks in order to map patterns on a façade. These methods can be extended ad libitum through an open script interface, which gives access to a number of brick parameters.…
Added by Ayuka Oomura at 3:40am on November 4, 2013
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eaningful. Humans must interact with it. Information arises when humans examine the data. Knowledge is created when information is transformed through human social interactions.”
Richard Gayle via spacecollective
The space in which we live can be monitored in many aspects and appears to be to be a gradient of data in continuous evolution and change. One of the major advantages of parametric tools is to be able to inform the design processes with accurate, specific and variable, in space and time, data streams .
DATA BODIES is a Grasshopper workshop that will focus on how its nature as an information processor and how it can be (ab)used in order to manipulate data, streaming inputs from various sources and use datafeeds to inform geometry or data structures from the very simple up to more complex ones. The aim is to give an understanding of information and data articultion as already a spatial and architectural operation; results may range from pure data communication protocols, dataviz or data-driven geometries depending on the skill levels and aspirations of each participant. The brief is also open to the suggestions and opportunities that may rise during the workflow.
DETAILS: http://www.superbelleville.org/dataworkshop/…
work with color to fit it into this logic (porous structure)?the range of colors: from white to yellow, orange, red. to blackis not so nice, saying, does not match to the design of the house.So there for it should only show the material what carries this pattern.So my question in yours case:i think that the picture of you must be thought as invert, so that it's become functional as well. if you thought this as invert,than you musst icrease the surface division,so that the rays of the sun can be disturbed to penetrate the house.that is a good the example:http://www.detail.de/inspiration/fuenf-hoefe-in-muenchen-100701.htmlin your case, the function of the patterns would get parametric significance. where more sunlight, consequently a denser pattern, and of course vice versa.therefore, the attractor should be the solar/sun system.http://digitalsubstance.wordpress.com/2011/12/07/facade-porosity-ad...What do you mean, i still see a version of you?http://www.youtube.com/watch?v=JoqDYcCDOTgThanks…
roduced the same error.
I tried to run them again with the file already open and I got this (I imagine predictable) error:
Sorry! But the number of available CPUs on your machine is 4.
Honeybee set the number of CPUs to 4.
Grid-based Radiance simulation
The component is checking ad, as, ar and aa values. This is just to make sure that the results are accurate enough.
Good to go!
Current working directory is set to: C:\ladybug\Parametric_Shading_Wall\psw_z0.25_t.025_y.2_r90_m3_lux\gridBasedSimulation\
Failed to remove the old directory.
WindowsError(32, 'The process cannot access the file because it is being used by another process')
Failed to read the results!
rtrace: fatal - (psw_z0.25_t.025_y.2_r90_m3_lux_RAD.oct): truncated octree
rtrace: fatal - (psw_z0.25_t.025_y.2_r90_m3_lux_RAD.oct): truncated octree
rtrace: fatal - (psw_z0.25_t.025_y.2_r90_m3_lux_RAD.oct): truncated octree
rtrace: fatal - (psw_z0.25_t.025_y.2_r90_m3_lux_RAD.oct): truncated octree
Runtime error (PythonException): Failed to read the results!
rtrace: fatal - (psw_z0.25_t.025_y.2_r90_m3_lux_RAD.oct): truncated octree
rtrace: fatal - (psw_z0.25_t.025_y.2_r90_m3_lux_RAD.oct): truncated octree
rtrace: fatal - (psw_z0.25_t.025_y.2_r90_m3_lux_RAD.oct): truncated octree
rtrace: fatal - (psw_z0.25_t.025_y.2_r90_m3_lux_RAD.oct): truncated octree
Traceback:
line 336, in script
@Mostapha, if it is indeed a different issue, what do you think it could be?
Thanks again,
-Nicholas…
uired information, a poor representation of data evolve misreading messages and by turn ambiguous responses especially with complex data. Inforgraphics are graphic visual representations of information, data or knowledge intended to present complex information quickly and clearly. In the nowadays flow of complex information, Infographics is the key for optimized visual communication. The use of infographics is an important step towards developing a pedagogical approach that draws on visuals where 90% of Information is transmitted to the brain so it is crucial to tickle the optic nerves to get people excited about data. The workshop investigates how computational tools can aid in designing and controlling complex information to be easily understood in addition to improve cognition by utilizing graphics to enhance the human visual system’s ability to see patterns and trends and much more likely to be remembered in today’s fast – paced environment. This workshop investigates multiple computational tools and techniques of developing coefficient visualization of data types including; network, statistical and hierarchal data. The workshop objective is to reconsider visual representation a promising design tool for architects, artists and designers. /// Application To apply, please follow this link to fill the application form https://docs.google.com/forms/d/1HOv6c1_LzhHNJU5n_FLvuhC-Yg75HDfbEcq6TN6mulI/viewform /// Fees 1200 EGP for students / 1500 EGP for graduates and young professionals more info on the workshop webpage: http://www.encodestudio.net/#!infographics/cqvl
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