cy of design communication and the control of information-flow are as important as the creativity of ideas. In response to the concurrent digital evolution emerging in the architectural industry world-wide, the Faculty of Architecture at The University of Hong Kong will host a two week intensive summer program named Digital Practice.Led by professors from The University of Hong Kong, as well as invited practitioners with expertise in practice of cutting edge digital techniques, the program offers participants opportunities to experience applications of computational tools during different stages of an architectural project, i.e. concept design, form finding and optimization, delivery, management and communication of design information under the team-based working environment. By learning advanced computational techniques through case studies in the context of Hong Kong, participants are expected to go beyond the conventional perception of technology, considering users and tools as a feedback-based entity instead of a dichotomy. The program, which is taught in English, includes a series of evening lectures related delivered by teaching staff and invited local architects.對於高品質的建築專案,創意之外,專案過程中高效的設計資訊管理和交流成為項目設計深化和實施必不可少的環節。今天,數字化技術不但改變了建築師的繪圖工具,影響了設計的過程,而且提供了工程建造和管理實施的更有效、更高效的手段。針對建築的數位化演進,香港大學建築學院將於2011年暑假期間,在香港大學建築學院舉辦“數位化實踐”國際研習班。在香港大學建築學院教授及有著相關豐富經驗的外聘實踐建築師的指導下,學員將有機會體驗在專案的不同階段(如概念設計、設計形式的生成、優化,設計資訊的管理和交流),如何有效地應用各種運算智慧化技術(從設計的數位化生成和建築資訊類比到物理模型),提升設計實施的品質,增加設計團隊對於方案的控制。我們將挑戰對於“技術”的傳統認知,即相對於使用者它不僅是工具,更是與使用者互動的媒介,二者形成一個有機的合體。研習班期間會安排系列講座,展現數位化技術在實踐工程中的廣泛應用。…
f my list.I don't understand why, but I guess I must be too young user ^^In the original list, i have a path {0;0;0;4} with two index and after the random node, {0;0;0;4} has 88 index.Items are not correct?I would have a comparable structure has the right list on my jpg (photomontage...)How I can do that?Thank you in advance
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robablemente las uniones son forzadas/rotadas levemente para que calcen.
Probablemente se puede variar el angulo de 90° entre cada pieza a un angulo que permita crear el octagono perfecto, pero habría dos posibilidades de giro entre cada pieza.
Tal vez el problema hay que repensarlo desde el octagono/poliedro que forman los triangulos en el modelo y luego generar los triangulos.
Bueno aca mi definicion y algunos comentarios:
- Hoopsnake pide una condicion inicial que solo la utiliza en la primera iteracion (input S).
- Luego hay que definir el algoritmo reiterativo/recursivo que es toda la parte de abajo. Como input se utiliza el output S de hoopsnake (en la primera iteracion es la misma informacion que ingresaste en S).
El resultado de este algoritmo/proceso vuelve a ingresar a hoopsnake en el input D para una nueva iteración.
- El output H es el historial de toda la geometria/datos procesados en las iteraciones.
Ahora te explico el algoritmo:
- Se toma el triangulo y se sacan los puntos en las esquinas.
- Se revisa si los puntos estan contenidos en otro triangulo existente y hago cull para dejar los libres (ocupo el output H del hoopsnake para ver los triangulos de las iteraciones anteriores). En la primera iteracion hago un bypass para dejar todos los puntos iniciales libres (ya que no hay historial en el hoopsnake).
- La parte de abajo es para elegir una de las dos opciones max disponibles (tu comentaste arriba que habia tres opciones... en realidad son tres opciones en la inicial, luego son solo dos opciones. No se que va a pasar si se se completa el octagono, teoricamente habría solo 1 opcion disponible, pero no pude reproducirlo por el problema geometrico).
A modo de ejemplo, en la imagen le deje todas las opciones disponibles y conecte directamente (dos para el triangulo) para tratar de generar los octagonos.
- La parte final es simple, desde el centro del triangulo se genera una linea hacia las opciones disponibles para generar un plano perpendicular para la simetria y luego se rota en 90° (que creo debería ser otro angulo). Puedes mover el slider del plano perpendicular para generar la interseccion deseada en los triangulos (0.5 para interseccion completa).
Como ya te indicaron, yo tampoco hice el tema de las areas.. pero deberia ser simple en mi definición: Calculas el area del output H (triangulos), aplicas flatten, mass addition y si el numero resultante es mayor al area de la placa que quieres, debería generar un valor falso que va en el input B de hoopsnake.
Sorry que no haya ocupado tu definicion, pero ocupe un grasshopper antiguo y ademas ya había solucionado un problema similar con un alumno el semestre pasado, asi que realicé lo que me acordaba :D
Saludos y suerte!
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t, you can see 6 (+) signs with what you can add (A,B,C,P,Q,R).
Let's say you add A = 90 and B = 50.
Now you can't add the third angle (cause its 180-(50+90) = C output).
What you can add at the moment is P,Q,R.
You choose to add P = 10.
There is no more a possibility to add Q and R.
All component outputs now give us the data.
2. Triangle with P,Q,R
When you zoom the component, you can see 6 (+) signs with what you can add (A,B,C,P,Q,R).
Let's say you add P = 15, Q = 20.
Now if you add R, the component's outputs all the angles and edge lengths.
If R > P+Q then component throws warning. (> or >= ?)
You cannot add A,B or C anymone.
3.Triangle with P,Q and C
When you zoom the component, you can see 6 (+) signs with what you can add (A,B,C,P,Q,R).
Let's say you add P = 15, Q = 20.
Now if you add C (angle), the component's outputs all the angles and edge lengths.
You cannot add A,B or R anymone.
To make it all easier, disable the possibility to internalize the data.
Tolerance issue... Maybe round the angles always to floor , with 0.1 precision ?
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We are posting a few experiments, created with the work-in-progress RABBIT 0.2. We plan to release it within a week or two…
RABBIT 0.2 has a lot of new features:…
Added by Morphocode at 8:42am on February 23, 2010
being driven by the wii nunchuck... But, here's my issue. I tried it first by having the output from the listener be a 6-digit number... so, I'm using the (CInt(Val(StoredValue))) command and it's writing out 181130... and I can easily split it up selecting the Left(x,3) or Right(x,3)... I first rant that number through a Format("{0:000000}",x) so that even if one of the accx or accy numbers were a 2-digit number (so my overall number would only have 5-digits)... with this Format function... I'm always assured a 6-digit number. And this method works... except...
If the first group of numbers coming in only has 2-digits... So, lets say the accelerometer read out of the first one (accx) is 89. Let's say the accy read out is 119. So, when I run this through the Format function to make it have at least 6 digits, my number now reads 011989. So, if I were to take the first three numbers on the right, my read out would be 989... which is much higher than my expected (60-180 range that is really coming over the Serial Port)... So, I'm back to where I started... in that I need to figure out a better way to split up the data.
Which brings me to your method. I tried it as well... in fact, I added a comma in the serial readout, so the string coming out of the listener reads 89,119. So, I can use your trick to go look for a delimeter and then read to the left and right a certain number of digits... The problem I still have is that the data going into the function is a string, and thus even if I split the 3 digits to the right of the comma out (so, my output says 119)... it's still a string, and my number parameter is still red. In your picture above, was your original 181 130 a number or a string? My guess is that it was understood as a number, because your number parameters at the end are accepting the value. But, in my case... I'm still stuck with the inability to convert a string to a number... Does this make sense? And are their any other workarounds?…
Added by Andy Payne at 9:42am on September 3, 2009
ned' as this is kind of unknown to me, which is why I wanted to look for a tool or script that might generate some geometry between the two. The fundamental principle is that the input meshes must retain 90+% of their original geometry (ie not deformed into an approximated wrapped shape) but be joined together by some sort of mesh geometry which acts as a link between the two shapes. The form for this could be highly abstract and doesn't need to conform to any parameters other than allowing the original meshes to be highly visible. I hope that makes sense, it may only be clear in my mind now that I have pursued it this far!With regards to the geometry wrapper, I found the example file that you sent us and attempted to plug in similar variables with my meshes, however the values returned by the geometry wrapper are constantly zero, no matter what I seem to change. I am currently plugging the mesh into a bounding box, which forms the box for both the geometry wrapper and iso surface and then inputting integers for the remaining parameters, though I'm not quite sure what actions these are performing. Would it help if I could send you my definition? I'm currently trying to internalise my meshes, though my rhino keeps crashing when I try! If you aren't able to follow any of the above let me know and I'll try and put together some simple diagrams that may explain it better.
Thanks,
Tom…
Added by Tom Jelley at 3:28pm on November 12, 2014
unique properties (color, UV map, vertex normal) the vertex is duplicated. So if you weld a mesh using the weld command with an angle tolerance of more than 90 degrees you're left with a box with 6 faces and 8 vertices.
It's quite a common way to describe meshes, Also the way your graphics card consumes meshes, so there's little CPU processing needed to process the meshes and feed them to the graphics card. If it's hard drive space you're worried about, there may be some compression possible. Apart from primitives, I don't know a geometry that do not represent a box by having four faces (including maya's polygons).
A mesh is considered closed when there are no naked edges. So for boxes this does not return false. I assume that internally spatial queries are used (or perhaps a check if the vertices are exactly the same)(see https://github.com/mcneel/rhinocommon/blob/master/dotnet/opennurbs/opennurbs_mesh.c )
Conclusion: If you want faces to show as having a (semi) creased edge, you'll have a vertex direction for each vertex.
However, if your goal is to make gears, I'd skip the whole part of creating meshes, and leverage Breps and extrusions to create the geometry, or using Extrusion (the geometry) might be a solution to create lightweight geometry, and forget about creating meshes yourself.
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nt analysis - benchmarking >> bad condition of a face falsifies, resolution-dependence ...
B) if you use the karamba- or gh-mesher it still gives you bad results as your sphere has its nurbs-edge running through your cap. rotate the sphere 90° around x before and you are getting a nice mesh.
C) your supports are not defined just around its edge which i guess the benchmark would require?
D) you defined wood as the material, and there are some non-benchmark defaults for that i guess. also i am not sure but i think there have been some issues about the computability of shell element's materials with low shear modulus, and therefore the one of wood was raised. but you have to ask clemens for that.
nevertheless you can define your own material-properties with the resp. component
for me now, it calculates the first 5 buckling modes
good luck!
best
rob
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rench "géométrie de raccordement" this geometry is different and unique to each pattern, and is highly dependent on the central geometry of the pattern, some non exhaustive rules imply that:
this geometry is usualy the extension of the central one
follow by the preceding rule the same angularity than the central geometry
the angles are dictated by the parent geometry shape, here you have an octogon, which means that the angles are either or both the ( subdivision usually) and multiplication of the PI/2.rad angle(90°, 45°, 22.5° and so on)
there is the notion of tiling, which also dictactes the axes of symmetry and possible combination of primary shapes , here you've got the (4,8,8) tiling, which goes along with what is called an octocagonal symmetry
What you've got here is the base geometry, that you could fill with a variety of rich ornaments, I suggest You look at Jule's bourgoin book : "Les éléments de l'art arabe : le trait des entrelacs " there you may find your pattern in a higher complexity and diversity, if you come to analyse them, you could figure out the logical relationships between the shapes , or what you're referring to "mathematical formula"
I think finding some patterns of reference is the best way to tacle even more complex shapes
If you want more insights at least about some academic works I will be pleased to share my humble gathering of knowledge
Good luck…