) In the Rhino view port it is not possible to modify it until is backed (and I don't want!) I need to place several images each one in a different place.
2) Is it possible to use another component THAT DO NOT CONVERT INTO BLACK AND WHITE, the pictures??. I need to set COLOR images in a 3D model, using grasshopper. thanks!
Any comment or suggestion would be welcome!!!
Thanks a lot!
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p across to Kangaroo 2, but I am still trying to wrap my head around it. I understand that it allows you to incorporate multiple forces dependent on one another a bit better, which is what my question pertains to...
We are currently developing a project around creating a tensile lattice structure within an inflatable. In mocking things up, I have been able to simply inflate forms with static anchor points. I was wondering if it would be possible to link the anchor points for the inflatable shell to tensioned cables or nets pulling on the interior that find equilibrium when the tension is changed?
Below are some illustrations of what I am trying to achieve that I did with a tetrahedron in Kangaroo 1. To get both the inflated form and the tensioned form I had to run two simulations and bake each. I am looking for a way to have to forces of both dependent on one another.
I'm isolating the interior tension member to cables for now, but I would eventually like to expand to suspending 3d netted volumes within the inflatable.
I have also attached my attempted gh file with Kangaroo 2. It kind of works but not as drastically as I would like, and it breaks down very easily. Any help/advice would be greatly appreciated!:)
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Singapore
DESCRIPTION : Two seemingly contrasting ideas combined will turn into something remarkably new. This resulted in the idea of Digital Craftsmanship – connecting the digital technology with artisans’ craftsmanship. Singapore is uniquely positioned to benefit from both – the latest technology in digital fabrication, as well as the beautiful and rich culture of ASEAN craftsmanship in countries like Indonesia, Thailand and Vietnam. The NUS digital fabrication in architecture studio introduces advanced design to fabrication flow, such as 3D modeling, simulation, digital fabrication and physical assembly and testing. We discover existence of data flow distinguishes digital and conventional craftsmanship, prolonging the interface between human and object. The result is very encouraging –the Digital Craftsmanship approach could lead innovative yet regionally relevant contemporary architectural design, complex yet controlled functional geometry and aesthetics. We hope this exhibition could raise our awareness about preserving the precious wisdom of traditional craftsmanship alongside with advanced fabrication technologies in architecture.
OPENING : 24 August 2012, 7pm – 9pm, RSVP to Yi Hui (dfabstudio@gmail.com) EXHIBITION : 25 – 28 August 2012 (10 am – 9 pm, daily, free admission) VENUE : Promenade, Level 8, National Library Building, 100 Victoria Street, Singapore
PROJECT TEAM : Shinya Okuda (Studio Tutor), Liane Ee Rulian, Hiral Ashvin Desai, Lee Teng Teng Cheryl, Ian Wong Hengjie, Teo Lin Lin, Xu Xiaoqi, Liu Zhichao, Diptarshi Dev, Tan Zi Hua, Teh Yi Hui, Joshua Loh.
Organized by Digital Fabrication in Architecture Studio, NUS.…
we're actually using PET sheets for our flexures. We try to design so that the flexures don't go through more than +/- 30 degrees of deflection. If the angular deflection is kept small, the lifetime can definitely be on the order of 1000000 cycles.
As for the design process (item 2), ideally the designer would be able to use a simple 3D CAD tool to design a model of a robot, and the geometry would be represented by dimensioning the individual parts in the model. Maybe there should be some parametric primitive kinematic building blocks like four bar linkages, box frames, etc. that a user could build up a robot from. But, the key functionality the tool needs to provide is for the designer to be able to visualize how the robot will move when it's fabricated. This could mean observing (or plotting) the motion of a leg, a wing, or a series of body segments. Ideally, then, the tool would generate an unfolding of the design. How this would work is still very vague - maybe the user would assist in the unfolding, maybe there would be an optimization routine that computes optimal unfoldings based on criteria like minimal waste, or fewest pieces (I would *not* constrain the problem to construction from a single monolithic piece as in origami). The biggest problem we have right now, is that our design process is totally divorced from fabrication. Even if we went through the trouble of extruding individual thin plates in Solidworks and creating an assembly for visualizing the kinematics of a mechanism, that particular representation doesn't transfer easily to the fabrication process because it's essentially monolithic.
Item 3: The 2D drawing is simple a drawing done manually in Solidworks. There are different layers for flexure cuts, outline cuts, and potentially any cuts to be made in the plastic flexure layer. Depending on the robot, there may be many separate pieces for different parts and linkages in a single robot. For example, the drawing for a robot containing a fourbar linkage may have the linkage laid out as a physically separate piece consisting of five rigid links connected by four flexure hinges. During assembly, the designer would then fold up that linkage and insert it into the robot wherever it's supposed to go. If you're curious you can see some sample 2D drawings for older designs here: http://robotics.eecs.berkeley.edu/~ronf/Prototype/ under the "Example Structures" heading.
I noticed Kangaroo seems to be a popular choice for physical simulations. I don't really even need to include forces like bending resistance - I'm happy to allow the design tool to approximate flexures as pin joint-type hinges. Once the design is unfolded, the details of how to cut the flexures could be worked out in a post-processing step. I wouldn't expect the tool to be able to realistically simulate the bending of the hinges.
I'm going to have to dig a lot deeper into understanding Grasshopper and Kangaroo. I only just got started with Grasshopper today by following the folding plate tutorial on wa11ace.com.au today. …
to run at full screen. I've gone as far as using an iPad to use as the second monitor via AirDisplay (which actually works really well) but have never been satisfied with any setup that required you to look back and forth as if at a tennis match all day long.
Not long after first using Grasshopper 3+ years ago I've had the desire for a "Live Viewport" component that would allow a live image of the 3d geometry being generated directly in the canvas. Every once in a while I search the forums with the hope of finding a solution, but always come up empty handed. Someday this might exist although for now I have found what might be the next best thing to a native "Live Viewport" component and its enabled with a small app named Sticky Previews. This app uses the task bar preview feature within Windows 7's aero interface to create custom, floating preview windows from any open window currently running. I've only just discovered the app, but it seems to do the trick and has been stable and problem free so far. -- I will post an update if I find out that I might have spoken too soon. The install allows for a 30 day trial and is $15 bucks to purchase. I just found the app and don't know anything about this group that created the app. If you happen to know of them, Id be curious to find out more.
divided windows, cramped and slow;
unified window with floating rhino model preview;
link to the apps webpage;
http://www.ntwind.com/software/sticky-previews.html
Also works with other apps;
and the about me page screen shot;
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Added by Tyler Selby at 11:25pm on November 26, 2012
noceros 3D, en caso de aprobar satisfactoriamente el examen, se les otorga un reconocimiento avalado por el CMJ y la Secretaría del Trabajo. Este workshop va dirigido principalmente a estudiantes de arquitectura; sin embargo, ya que la parametrización es una herramienta que abarca diferentes ámbitos del diseño, se pueden integrar estudiantes de diseño industrial, artistas o estudiantes que tengan relación con lo gráfico y lo formal. Al finalizar el curso, los asistentes serán capaces de manejar Rhinoceros y Grasshopper en un nivel medio, con el objetivo de que el alumno pueda continuar aprendiendo con alguno de nuestros workshops subsiguientes o de manera autodidacta.
Las personas inscritas deben tener conocimientos básicos de geometría y de preferencia utilizar algún programa de dibujo en 2D o modelación en 3d. Rhino.GetMe Rigid // Enfocado a construir un objeto de diseño parametrizado a cualquier escala, el workshop se divide en tres módulos: Módulo 1 // Rhinoceros 3D // Una sesión de cinco horas. Módulo 2 //Grasshopper // Una sesión de cinco horas. Módulo 3 // Ejercicios prácticos /Tres sesiones de diez horas c/u. Es necesario traer el equipo necesario para trabajar, se cuenta con equipos en caso de que algún alumno no cuente con laptop pero son limitados, por favor avísanos a la brevedad si lo requieres. Se les recomienda que traigan dispositivos de almacenamiento en caso de que necesitemos compartir información.
El costo del Workshop es de $6500.00 para profesionales y $5000 pesos para estudiantes.
Pre-venta únicamente para estudiantes, hasta el día viernes 29 de junio, con un costo de $3500.00 pesos.
El cupo del evento es limitado puedes apartar tu lugar y terminar de liquidar antes del 29 de junio en pre-venta, antes del 6 de junio en admisión general.
Para hacer tu registro al workshop por favor envía un correo a workshop@transformalab.com incluyendo:
Nombre
Universidad u oficina de procedencia
Teléfono móvil
En el caso de estudiantes por favor incluyan una copia escaneada de su Constancia de Estudios para hacer válido su descuento.
Una vez recibida su información se les enviará un correo con la información necesaria para realizar su pago mediante depósito bancario, y posteriormente un mail de confirmación de su participación en el Workshop.
www.transformalab.com…
tors: R.G.D.E tutors Mostafa R. A. Khalifa, Architect (PhD - UNICAM - Italy)
Assistants: Nagham Baitawy - Architect - Jordan
Ahmed Hassan - Architect & TA - Egypt
deadline registration August, 25th , 2013
http://grasshopperworkshopamman.blogspot.com/ introduction: This workshop will introduce basic and advanced notions of Grasshopper and the methodology of parametric design and algorithmic modeling and its usage in Architecture, design, landscape, and urban scale. It is intended for professionals and students with a minimum experience in 3D Modeling.
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make sure I add this information to groundTerrain_ inputs in the next few days.
So if you are using "Gismo Terrain Generator" component (former "Ladybug Terrain Generator 2" component), only the following types are allowed for groundTerrain_ input: type_ = 2 (surface with rectangular edges)
type_ = 3 (surface with circular edges)If you are using "Ladybug Terrain Generator" component, then only the:
type_ = 1 (surface with rectangular edges)
is allowed.
As for terrain not being colored when it is created as a surface, you can analyse it additionally with "Terrain Analysis" component for Elevation analysis type. It can even be colored for rendering afterwards by using the "OSM Render Mesh" component. Check the attached file below.Have in mind that in urban areas "Ladybug Terrain Generator" component produces much more precise terrain than "Gismo Terrain Generator" component. On the other hand, the latter component can generate much larger terrain areas (up to 10 000 sq km2, at least in theory).
The reason why component might still work even though a terrain mesh has been added to the groundTerrain_ input is probably because once groundTerrain_ input fails to convert a mesh to a brep, this results in it being equal to None. Component then considers as if groundTerrain_ input is empty and runs as if nothing has been added to it (the buildings are laid down on a flat plane with 0,0,0 as the plane origin).
Thank you once again for all the testing you are doing!!! It really makes Gismo a better plugin!!…
Added by djordje to Gismo at 12:45pm on February 8, 2017
tric configuration, for example another coplanar configuration (no matter what order it takes the segments) but rotated in the space (so it takes other segments of course).
Simple stated, among all the possible combinations there are identical shapes, both coincident or not. In any case all the combinations shares the central point. I'm aiming to obtain a list of different shapes (actually a sort of pipe joints to 3d print).
When I've red my own words I've realized that the concept can be stated in a more simple way.
I've tried to move on to produce the different shapes to compare, so I've played around a little bit with the definition.
I've used Anemone with two data strams, one for the geometries so every istance can be visualized properly and not overlapped, and one for the index to cycle through the slider that sets the path_index input of the cluster adding 0.001 for each cycle.
I must admit that I'm not expert with data trees and branches so I barely understand what goes on in the cluster; intuitively I'd connect the index counter to the path_index input but it doesn't work.
Another thing I've noticed is that nothing comes out from the D1 data strem while I'd expect a series of crescent values. Maybe I could try a sort of hard coding with a grafted series from 0 to 1 with 0.001 steps.
Attached you can find the last version.Thank you in advance for the support.…