e ghx file to grasshopper canvas
07 change the FLoc
08 save rhino-geometry to your FLoc
09 toggle the boolean switch to get the maya file in your FLoc
10 open maya 2012
11 import testCamera in maya
12 AND IT DOES NOT WORK!
HEEEEEELLLLLPPPPP (-;
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ion, extract structural data, produce 2d drawings, and exchange data with other external software. Nemo also includes free tools to create parametric shapes, such as Naca profiles, hydrofoils, keels, rudders, blade propellers, and sail plans.
Born in 2018 as an academic research project at ENSTA Bretagne, Nemo grew up since, immersed in professional naval architecture practice with L2Onaval.
From 2021, Nemo is now available for purchase with commercial or educational licenses. Following license levels are provided to fit every needs depending of user activity :
Free (Designer)
Level 1 (Section + Hydrostatics + Visualization)
Level 1 + 2 (Section + Hydrostatics + Visualization + Resistance + Structure)
We can also help you make best use of our software, provide project guidance, establish specific workflow and create custom tools.
Requirements
Microsoft Windows 10 or Apple Mac OS 12 Monterey :
McNeel Rhinoceros 7 SR26
(Other Rhinoceros, Windows and Mac OS versions have not been tested but may work)
Additional info
Food4Rhino Download
Discourse Forum
Facebook Page
Linkedin Page
Nemo Website
Credits
Authors : Mathieu VENOT
Contributors : Paul POINET, Laurent DELRIEU
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ation production and consumption that represent our physical world in numbers and complex networks. The advent of computational systems has not only helped in developing data production but also in transmitting data between different disciplines including architecture through fields of numbers/codes. Historically, numbers and proportions played a vital role in architectural production, now; the complex flow of data is opening unexpected territories for architects. Data Flow is an advanced computational design workshop that focuses on capturing, processing and utilizing real time data from the surrounding environment by means of physical computing and parametric design tools, enabling the participants to develop informed design solutions that adapt to the environment. The workshop knowledge objective is to reconsider abstract data as a design opportunity by developing the quantitative flow of data as a qualitative design approach. /// Application To apply, please follow this link to fill the application form https://docs.google.com/forms/d/1xzKn-cZzfvu24ktTNP1ElGBAufdryfLNCXvpheucrS8/viewform /// Fees* 1700 EGP for students / 2000 EGP for graduates and young professionals * 20 % discount for early registration and payment before 22 nd of August 2014 more info on the workshop webpage: http://www.encodestudio.net/#!dataflow/cslb…
closer". 2 ends means a kind of "terminal" (massif east/ hollow west) SS 316/304 stuff that east has the threads and west is pressed around the cable. Classic structural analysis dictates the forces AND then (if the things are NOT commercially available) comes FEA that validates the nuts and the bits of any bespoke/custom system (if bits they can't sustain the forces > change country ASAP > Brazil + plastic surgery is highly recommended).
Spam on:
Wait a minute: WHAT are you after? Design some WOW truss or computing the forces of it? Because these 2 are different animals that are treated by different kind of disciplines: The Architect designs something and the Structural Engineer (in parallel) evaluates that something ... whilst the idiot (the Architect) does some other variant (since the first was crap).
In the old days that "I design" + "you compute" combo was a bit of a token ... since the "I-re-design" part was out of question. But these days it's not nuclear science provided that you can mastermind a fully parametric system that is adaptable enough to what the structural department could possibly dictate (that does this ^@$%$@ thing provided as an "indication" of these freaky systems).
Spam off.
2. That thing shown is not tensegrity in the classic sense (i.e. simplex, W, Xtruss etc etc) where the out boundaries of a given module they DON'T carry any member (cable or "thin" massif extrusion) that is NOT under tension. For instance a simplex module IS "pure" tensegrity since ... blah, blah. But on your thing the upper members are under pressure ... blah, blah.
3. That brings us to the 1M question: pure tensegrity (in the Name of Science) or a "bastardized" one? (in the Name of Something). If the latter ... why bother and not using a classic MERO KK system that costs 10 times less? (or carbon MERO [almost thin air] or a membrane or synthetic goat skin or solidified air (C)(tm)). …
th (60° max in Paris), but the problem stil arises for the angle theta (for the south but also for the others orientations). For the diffuse radiation, this difference should be 10% as you noticed.
2) I have done some simulations and tried to analyse the weather file used. You can find my results in the Excel File attached. Some simulations take into account the glazing and others just determine the "occultation factor" of the shading device, to which I apply then the solar factor of the window. I found there is a noticeable difference between "_shading_1" and "_Focc_1" for exemple, we should have found similar values ... ? It seems to happen something strange when the rays passe through the glass to reach the analysis points. Facing those results, I still have trouble to draw conclusions. I also determined the diffuse part of radiations for each day from the weather file used, it may help to understand ... If you have any suggestion to explain those results, please let me know.
3) Another point attracts my attention :
The horizontal infrared radiation intensity of the weather file is quite high and constant. I'm wondering if HB take into account this solar radiation's component which represent about 50% of the solar energy ?!
http://bigladdersoftware.com/epx/docs/8-3/auxiliary-programs/energyplus-weather-file-epw-data-dictionary.html#field-horizontal-infrared-radiation-intensity
I continue my research about what is going under the hood (reading documents on Radiance and Daysim calculations) and let you know about the progress of my searches.
Thank you again for your support !
Regards,
Severine
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r availability on each orientation.
But to make thinks (hopefuly! :-) ) clearer, I attach a simplified version of my analysis using the same one surface to run the three different cases. I assume that the direction of the surface is now the same, still results are different. The top case in rhino correspond to the top case in the GH canvas, the lower in Rhino to the lower in GH..
I expected a difference in each run.. but the cases differ of 100% not 10% that would be reasonable..
Case 1 158 W/m2 for the "only test point" option
Case 2 314 W/m2 for the "test point + pts Vectors" case
Case 3 282 W/m2 for the ladybug option
The analysis is made the day 1 , hour 12h and the the solar radiation condition are:
Direct 125 W/m2
Diffuse 164 W/m2
Global Horiz 207 W/m2
The interesting thing is that the three cases made for the orizontal surface give the same results.
moreover if the materials reflectance is changed to 1, the results are very similar but the values are higher than the sum of direct + diffuse as for case 2
125+164 = 289 results give 314
(diffuse radiation is obviously calculated on horizontal surface in the weather file and the surface analysis is vertical so the percentage of diffuse radiation that the surface will receive will be even less).
Hope that I've been clearer and sorry if you already have answered my question, but I'm not understanding the results. (i'm not a GH pro-user but I'm quite familiar with analysis and these stuff)
Thank you again
filippo
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have some spare time please fill in my 3D Printing Open Survey - If you could make almost anything, what would it be ? Updated results are publicly available after completing questionnaire (Please press "Wyślij" - Send button and "Wyniki ankiety" - Results button at the end). This survey will be used to evaluate demand for 3d printing services globally. It consist of 30 questions about: - open-source 3d printers - future of additive manufacturing - 3d printing services - ecology in 3d printing - copyright issues and 3d printing Three example questions: 2. Which of the following 3d printing applications is the most interesting? * - Things personalization - Printing food - Attempts to print structures resembles in functioning living tissues or blood vessels - Creating impossible or difficult to create by using conventional technology things - Printing rooms or buildings on earth/moon - Printing chemical compounds (for example drugs) - Using in renewable energy sources - Printing parts and/or mechanical vehicles 3 . Have you ever heard about cheap DIY 3D Printers (for example RepRap, PrintrBot, MakiBox A6) ? * DIY - Do It Yourself - Yes - No 4 . When 3D Printers will become one of the typical household appliances ? * - After 5 years - After 10 years - After 15 years - After 20 years or later - Never - I don't know Feel free to ask questions!…
ino al suo utilizzo per la risoluzione di tematiche di modellazione complessa di ARCHITETTURA e DESIGN.Durante le lezioni si insegneranno i comandi avanzati del software Rhinoceros ed inoltre i discenti, alla fine del percorso formativo saranno anche in grado di creare modelli attraverso il linguaggio della Plug-in avanzata Grasshopper(http://www.grasshopper3d.com/photo).
Il workshop si divide in due moduli che possono essere frequentati anche separatamente:
STRUTTURA
mod.1 _MODELLAZIONE BASE con Rhinoceros | Venerdì 14 Dicembre e Sabato 15 Dicembre | dalle 10,00 alle 19,00
Scadenza iscrizione: Lunedì 10 Dicembre
mod.2 _MODELLAZIONE AVANZATA con Rhinoceros e Grasshopper | Domenica 16 Dicembre e Lunedì 17 Dicembre | dalle 10,00 alle 19,00
Scadenza iscrizione: Mercoledì 12 Dicembre
SINTESI
mod.1 _MODELLAZIONE BASE con Rhinoceros
L’obbiettivo del corso è quello di insegnare in tempi brevi, gli strumenti base della modellazione 2D e 3D e la renderizzazione dei modelli creati. Le ore saranno dedicate allo studio dell’interfaccia del software Rhinoceros e all’apprendimento dei comandi base per la gestione del documento di progetto; si approfondiranno i comandi più utilizzati per l’editing e la costruzione del disegno per arrivare alle operazioni booleane semplici e complesse. Inoltre si imparerà a costruire e trasformare curve e superfici free-form. Le nozioni ed i metodi verranno trasmessi trattando temi e problematiche reali di design ed architettura.
mod.2 _MODELLAZIONE AVANZATA con Rhinoceros e Grasshopper
Il secondo modulo tratterà forme complesse implementando la modellazione avanzata di Rhinoceros con le potenzialità espresse dalla plug-in Grasshopper. La plug-in di Rhinoceros permette di disegnare abbandonando l’usuale interfaccia dei software di rappresentazione, consentendo un rapporto più diretto con il linguaggio proprio del computer: la programmazione. Questo cambiamento porta ad una radicale variazione del rapporto che il progettista ha con lo strumento di rappresentazione digitale. I partecipanti saranno orientati verso un nuovo rapporto con le forme create che oltre ad essere frutto di trasformazioni delle entità primitive che Rhinoceros propone, si costruiranno anche in relazione a parametri variabili.
Nel corso si imparerà a comporre algoritmi semplici, di carattere principalmente geometrico, in grado di generare forme e gestire i comportamenti delle stesse se sottoposte a variabili esterne.
In fine si imparerà a confrontarsi con un contesto evolutivo, che influenza i parametri della rappresentazione portando a dei modelli dinamici.
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value=WINTERDESIGNDAY, in SIZINGPERIOD:DESIGNDAY=SINGAPORE ANN HTG 99.6% CONDNS DB ************* IDF Context for following error/warning message: ************* Note -- lines truncated at 300 characters, if necessary... ************* 53 SizingPeriod:DesignDay, ************* indicated Name=SINGAPORE Ann Htg 99% Condns DB ************* Only last 10 lines before error line shown..... ************* 57 23.5, !- Humidity Indicating Conditions at Maximum Dry-Bulb ************* 58 101133., !- Barometric Pressure {Pa} ************* 59 2, !- Wind Speed {m/s} design conditions vs. traditional 6.71 m/s (15 mph) ************* 60 320, !- Wind Direction {Degrees; N=0, S=180} ************* 61 0.00, !- Clearness {0.0 to 1.1} ************* 62 0, !- Rain {0-no,1-yes} ************* 63 0, !- Snow on ground {0-no,1-yes} ************* 64 21, !- Day of Month ************* 65 12, !- Month ************* 66 WinterDesignDay,!- Day Type
The relevant lines in the IDF file is shown below:
SizingPeriod:DesignDay, SINGAPORE Ann Htg 99.6% Condns DB, !- Name 23, !- Maximum Dry-Bulb Temperature {C} 0.0, !- Daily Temp Range {C} 23, !- Humidity Indicating Conditions at Maximum Dry-Bulb 101133., !- Barometric Pressure {Pa} 2, !- Wind Speed {m/s} design conditions vs. traditional 6.71 m/s (15 mph) 320, !- Wind Direction {Degrees; N=0, S=180} 0.00, !- Clearness {0.0 to 1.1} 0, !- Rain {0-no,1-yes} 0, !- Snow on ground {0-no,1-yes} 21, !- Day of Month 12, !- Month WinterDesignDay,!- Day Type 0, !- Daylight Savings Time Indicator WetBulb; !- Humidity Indicating Type ! SINGAPORE_SGP Annual Heating 99%, MaxDB=23.5°C SizingPeriod:DesignDay, SINGAPORE Ann Htg 99% Condns DB, !- Name 23.5, !- Maximum Dry-Bulb Temperature {C} 0.0, !- Daily Temp Range {C} 23.5, !- Humidity Indicating Conditions at Maximum Dry-Bulb 101133., !- Barometric Pressure {Pa} 2, !- Wind Speed {m/s} design conditions vs. traditional 6.71 m/s (15 mph) 320, !- Wind Direction {Degrees; N=0, S=180} 0.00, !- Clearness {0.0 to 1.1} 0, !- Rain {0-no,1-yes} 0, !- Snow on ground {0-no,1-yes} 21, !- Day of Month 12, !- Month WinterDesignDay,!- Day Type 0, !- Daylight Savings Time Indicator WetBulb; !- Humidity Indicating Type
It seems that there is an empty line after the line for "!- Humidity Indicating Type" field, and nothing is specified for "! SINGAPORE_SGP Annual Heating 99%, MaxDB=23.5°C" field.
May I ask why this happens and how to correct the error?
Thank you very much!…
t know if it's common knowledge but in the PD of jewelry, for large scale production, the options are in the dozens if not in the hundreds as in a 3 stone ring (that's my next quest and believe me it is extremely complex and elaborated) which, if you do not draw the line somewhere, you could end up with a definition 10 times as big. I could make a list of the preliminary factors and you could begin to understand at least this one presented here, that looks simple but is not.
If you are a real jeweler and know how many details (interdependent with each others) are needed in order to cover unpredictable factors and lousy tolerances then you'll begin to cover an overextended territory.
For example: if you get to certain stone size then the prongs need to change, but not the bezels, and the bite for setting can go for technical integrity up to a point, because then the look is not appropriate.
If the metal it's platinum you can leave some things as they are but interconnections for metal flow has to change in some area but not if it is in gold.
Some stone count may not fit a particular finger size without going too high or too low, so the bezels need to compensate for this in thickness and visual relationship between them so that when I input a different finger size GH knows what to do based on many more factors etc. etc.
The fact that all geometry is in GH accounts for so many more components.
All this needs to work across the definition, so that if I say this is the stone size I want, all the prongs will need to move apart to have the right bite but with a diameter that is not out of proportions otherwise the stones need automatically to move slightly apart. It's endless.
For this reason we needed to define the market expectations (and have all controls for those ones in GH) and leave the eccentric to a manual manipulation.
Grasshopper it's a hell of a tool to transfer my 40 years of jewelry making (since a little boy :)
but I think I am using maybe 20% of its power.
We used SolidThinking because of the construction tree but there is nothing like Rhino and GH combined!
I wish I was free to share this definition in order to learn from advanced minds here but this time I can't. The next one will be mine (intellectual and technical property) and I can't wait to see how other will take it to the next level.
That's the best way to learn.…