case for sure (started by Giorgio a couple of days before). Ive got involved because I exploit ways to "relax" shapes on nurbs (say patterns created by Lunchbox or "manually) without using any kind of mesh (more explanations soon).
Here's 5 test cases (SDK appears that doesn't have some "thicken surface" thing ... thus the algo that finds the "whole" shapes is rather naive) VS 2 Kangaroo "methods" and the why bother (he he) option as well.
If the goal is to "fit" these shapes within the nurbs ... does it work so far? No I'm afraid (appears that "springs" used are not the proper ones - or [Kangaroo1 option] the lines that pull should been originated from valance 2 points only)
Tricky points:
1. Internalize appears having a variety of serious issues (see Input inside definition) - Load Rhino file first (but even so ...).
2. Pull to surface is deactivated - this is not the issue here (and it's very slow).
3. Since Starling/WB alter the "curves - points" related order
the issue here (Pull points to curves) is to correspond apples to apples:
and that's what Anemone does:
From chaos :
to order:
this means that prior activating Kangaroo you should double click to the Anemone start component in order to "sort" properly the curves.
But .. fact is that results are pathetic:
more soon
best, Peter…
bsp;
-Vehicle elements (3D objects and a component for custom vehicles; models from Google Warehouse)
-Traffic Velocity Graphs, drawn on every trajectory curve (allow custom graphs drawn)
-Traffic regulation elements (such as Traffic Lights and Stop Signals) and traffic density
-Particle Systems on trajectory curves, just to manage the traffic regulations and avoid collisions based on security distances
-Traffic Vehicle Animation Modes (Dots, Bounding Boxes or complex Meshes with attributes for final rendering (Giulio Piacentino´s Render Animation)
-Vehicle Lights and Vehicle Sights, to make visual studies
Team:
-Sergio del Castillo Tello (Doctor No, lead programmer)
-Everyone that wants to be involved, support.. these tools
The development of Roadrunner is planned to take part within a Research Group Program at ETSAM (University of Architecture in Madrid); This forum group is created just to test the interest of the community, while we keep on developing (it is still being tested), probably we will share the whole thing in the future. Cheers!
Traffic Cluster Scheme
Traffic Elements
Traffic Urban Systems
Vehicle Elements
Roadrunner - overview
Roadrunner 0 Basics
Roadrunner 1 Modes
Roadrunner 2 Elements
Roadrunner 3 Urban Systems…
lass BrepDeform Inherits GH_Component Public Reslist As New List(Of String) Public Sub New() MyBase.New("BrepDeform", "Deform", _ "移动物件的控制点" & vbCrLf & "(Move the control Point to change a object)", "SEG", "Modify")
End Sub Public Overrides ReadOnly Property ComponentGuid As System.Guid Get Return New Guid("8226e0ea-ed6b-47c2-8a24-244f044152d8") End Get End Property Protected Overrides ReadOnly Property Internal_Icon_24x24() As System.Drawing.Bitmap Get Return My.Resources.SEG_BrepDeform End Get End Property Protected Overrides Sub RegisterInputParams(ByVal pManager As GH_Component.GH_InputParamManager) ' pManager.AddTextParameter("Guid", "Id", "将要被替换的犀牛物件" & vbCrLf & "(RhinoObjects that will be replaced)", GH_ParamAccess.item) 'Dim guidParam As New Param_Guid pManager.AddParameter(New Param_Guid, "Guid", "Id", "将要被替换的犀牛物件" & vbCrLf & "(RhinoObjects that will be replaced)", GH_ParamAccess.item) pManager.AddPointParameter("ControlPoint3d", "C", "控制点的位置" & vbCrLf & "(Control Point's location)", GH_ParamAccess.item) pManager.AddPointParameter("NewPoint3d", "P", "新控制点的位置" & vbCrLf & "(New Control Point's location)", GH_ParamAccess.item) pManager.AddNumberParameter("Tolerace", "T", "输入点与物件实际控制点对比的精度" & vbCrLf & "(Tolerace for the Control Point match)", GH_ParamAccess.item, 0.1)
pManager.AddBooleanParameter("BlMove", "M", "如果是True则进行移动" & vbCrLf & "(If true Perform the Move)", GH_ParamAccess.item, False)
End Sub Protected Overrides Sub RegisterOutputParams(ByVal pManager As Kernel.GH_Component.GH_OutputParamManager) pManager.AddTextParameter("Result", "RG", "结果列表" & vbCrLf & "(Result)", GH_ParamAccess.list) End Sub Public Overrides ReadOnly Property Exposure As GH_Exposure Get Return GH_Exposure.primary End Get End Property
Protected Overrides Sub SolveInstance(ByVal DA As Kernel.IGH_DataAccess) If Banner.astrict.showmessage Then Return Dim Ids As Guid = Guid.Empty 'Dim Ids As String = String.Empty Dim tpt As Point3d = Point3d.Unset, opt As Point3d = Point3d.Unset Dim tolar As Double = 0.1 Dim blMove As Boolean = False If Not DA.GetData(0, Ids) Then Return If Not DA.GetData(1, opt) Then Return If Not DA.GetData(2, tpt) Then Return If Not DA.GetData(3, tolar) Then Return If Not DA.GetData(4, blMove) Then Return If Not blMove Then GoTo line1 Reslist.Add(Now & "_未替换!(Replace failed!)") Else Reslist.Clear() ' Grasshopper.Instances.ActiveCanvas.ModifiersEnabled = False End If
' rt.AddRange(docobjlist.Select(Function(geoobj As RhinoObject) GH_Convert.ObjRefToGeometry(New ObjRef(geoobj.Id)))) 'Private Checked(5) As Boolean, Namestr() As String = {"Point", "Curve", "Brep", "Mesh", "TextDot", "TextEntity"}
Try
Dim rh As RhinoDoc = Rhino.RhinoDoc.ActiveDoc Dim rhobj As RhinoObject = rh.Objects.Find(Ids) ' Dim rhobj As RhinoObject = rh.Objects.Find(New Guid(Ids))
Dim bobj As BrepObject = CType(rhobj, BrepObject) RhinoApp.RunScript("Cancel", False) RhinoApp.RunScript("Cancel", False) bobj.Select(True)
RhinoApp.RunScript("_SolidPtOn", False) Dim gobjs As GripObject() = bobj.GetGrips ' rh.Views.RedrawEnabled = False For Each grpobj As GripObject In gobjs
If grpobj.CurrentLocation.DistanceTo(opt) < tolar Then grpobj.Select(True) Dim CurrentPln As Plane = RhinoDoc.ActiveDoc.Views.ActiveView.ActiveViewport.ConstructionPlane Dim tropt As New Point3d(opt), trtpt As New Point3d(tpt) tropt.Transform(Transform.PlaneToPlane(Plane.WorldXY, CurrentPln)) trtpt.Transform(Transform.PlaneToPlane(Plane.WorldXY, CurrentPln))
Dim movestr As String = "_move " + String.Format("{0},{1},{2} ", tropt.X, tropt.Y, tropt.Z) + String.Format("{0},{1},{2} _Cancel _Cancel", trtpt.X, trtpt.Y, trtpt.Z) RhinoApp.RunScript(movestr, True) grpobj.Select(False) End If
Next
'RhinoApp.RunScript("Cancel", False) 'RhinoApp.RunScript("Cancel", False) '' rh.Views.RedrawEnabled = True Reslist.Add(Now & "_替换成功!(Replace Success!)") Catch ex As Exception Reslist.Add(Now & "_替换失败!(Replace failed!)" & vbCrLf & ex.Message)
End Try ' Grasshopper.Instances.ActiveCanvas.ModifiersEnabled = True
line1: DA.SetDataList(0, Reslist) End Sub
'Private Sub Testt_PingDocument(sender As IGH_DocumentObject, e As GH_PingDocumentEventArgs) Handles Me.PingDocument ' Dim Mbool = Aggregate bcbool In Checked Into cb = Any(bcbool)
' If Not Mbool Then ' Checked(0) = True ' Message = Namestr(0) ' Order = 0 ' End If 'End Sub
End Class
The picture below shows the two question.
Question One I must use data dam, or the component can't batch deal the brep. I don't know why, I have You can give me a solution to make it working normal not using the data dam
Question Two I can not uset the Button component, If I use it, the gh canvas will die with some mouse event--. I have see this problem before in this forum,but there is no solution and explain. I want to know why and How to solve it.
I don't know if I have made my question clear,if not give a message. Thank you! Thank you all.
The gh test file and 3dm test file in the upload files.
…
teraction for its Correlations cycle, AA Athens Visiting School scales up its design intentions in order to investigate links among discrete individual architectural systems in its 2013 version, Recharged.
Recharged with interconnectivity on different levels, the theme of investigation will revolve around the design of semi-independent design prototypes acting together to form elaborate unified results. The driving force in Cipher City: Recharged is the synergistic effect behind complex form-making systems where interactive design patterns arise out of a multiplicity of relatively simple rules.
In collaboration with the National Technical University of Athens, Cipher City: Recharged will explore participatory design and active engagement modeling and will continue building novel prototypes upon horizontal planes.
As in 2012, the design agendas of AA Athens and AA Istanbul Visiting Schools will directly create feedback on one another, allowing participation in either one or both Programmes.
Discounts
The AA offers several discount options for participants wishing to apply as a group or participants wishing to apply for both AA Istanbul and AA Athens Visiting Schools:
1. Standard application
The AA Visiting School requires a fee of £695 per participant, which includes a £60 Visiting Membership. If you are already a member, the total fee will be reduced automatically by £60 by the online payment system. Fees are non refundable.
2. Group registration
For group applications, there will be a range of discounts depending on the number of people in the group. The discounted fee will be applied to each individual in the group.
Type A. 3-6 people group: £60 (AA Membership fee) + 635*0.75 = £536.25 (25 %) Type B. 6-15 people group: £60 + 635*0.70 = £504.5 (30%) Type C. more than 15 people group: £60 + 635*0.65 = £472.75 (35%)
3. Participants attending both AA Istanbul and AA Athens | 40% discount
For people wishing to attend both AA Istanbul 2013 and AA Athens 2013, a discount of 40% will be made for each participant. (The participant will pay the £60 membership fee only once.)
£60 (AA Membership fee) + (635*0.60)*2 = £822
For more information in discounts, please visit:
http://ai.aaschool.ac.uk/athens/portfolio/discounts-2013/
Applications
The deadline for applications is 11 March 2013. A portfolio or CV is not required, only the online application form and payment. The online application can be reached from:
http://www.aaschool.ac.uk/STUDY/VISITING/athens…
Added by elif erdine at 12:33pm on December 13, 2012
y (movement, protection, temperature regulation) but also the evolution of cultural expression precisely by exceeding the purely indexical performative relations. Designing not only for the needs but for the desires.
Computational couture looks at the creation of exclusive custom-fitted clothing (typical of haute couture) through the lens of a systemic approach, extending the sartorial techniques with 3D modeling and computation-based approaches developed in Rhinoceros and the visual programming environment Grasshopper.
Aim of the workshop is to exert, infuse and expand the sartorial sensibilities to body proportions and dress making into an algorithmic approach that loops through design and fabrication by means of laser cutting and 3d printing for the design and production of a garment. Participants will be divided in teams focusing on specific aspects of the garment related to the production technique (laser cutting or 3D printing).
////////////////////////////////////
WORKSHOP | calendar
Day 1
Introduction to algorithms and computational design for creative disciplines Basics of 3D modeling in Rhinoceros Basics of Grasshopper Introduction to basic sartorial techniques
Day 2 Testing design options for the dress in Grasshopper (tutored work)
Day 3 Fabrication session . file preparation . parts testing and pre-assembly
Day 4 dress fabrication and assembly
Day 05 finalization of dress final presentation
////////////////////////////////////
WORKSHOP | registration
FEE FOR PARTICIPANTS
Early bird (until 4/5): 250 € Full fee (from 5/5 until 15/5): 350 €
The fee includes materials and fabrication. Plane tickets and accommodation are not included in the fee.
////////////////////////////////////
REGISTRATION (until 15/5/2015)
For registration please write at :
beyond@iaac.net
for more info visit:
http://beyond.iaac.net/?page_id=1620
…
umbers behave differently from the reals, in that when they are squared they give a negative result. They are written as multiples of the imaginary unit i, which is defined so that:
i*i=-1
Complex numbers are numbers which have two parts (hence the name complex) - a real part and an imaginary part.
For example:
3+4i,
or more generally:
a+bi, where a and b are some real numbers.
Well that's a definition, but I guess you might be wondering what is the point of them - I've not said anything yet about why they are interesting and useful...
Solving cubic equations was one of their first uses, but I doubt that is what most of you are interested in.
Where they really get fun is when you start looking at them geometrically.
The Argand plane is a setting that allows us to treat complex numbers a bit like vectors.
Each complex number a+bi defines a point relative to an origin (0,0), much the same as a vector with an x and y component.
Like vectors we can add and subtract them to get a new point.
But when we multiply them, unlike vectors, we add the angles (measured anti-clockwise from the positive real axis, also called the argument) and multiply the lengths (or the modulus of each number).
This all follows naturally as a consequence of the definition of i as the square root of minus one.
........
That is just dipping a toe into the great depths.
Complex number math, and in particular complex Analysis (calculus with complex numbers) is a vast subject that I obviously can't cover much of here.
If you are interested in learning more :
The Math department at Cal State Fullerton has some very nice Complex Analysis pages.
Chapters 5 and 6 of the film Dimensions covers complex numbers very visually. You can watch it online here, or read the description here.
Complex numbers on Wikipedia
on MathWorld
Hans Lundmark's complex analysis pages
The book Indra's Pearls is about making certain types of fractals with complex numbers, and includes a good introduction, along with lots of pseudocode.
To really engage with some of the true depth and power of complex numbers I particularly recommend the beautiful Visual Complex Analysis. This was the book that made me love this subject.
I'm really looking forward to seeing more designers make use of complex numbers. I think it is a wonderful tool. It is an advanced branch of mathematics, requiring some serious study to understand, but because of its strong geometric connections, I think relatively accessible to those who tend to think more visually. Now that David has included them in Grasshopper, starting to explore them should be easier than ever.…
Added by Daniel Piker at 4:38am on November 25, 2009
can work in any node of a given hierarchy tree (loaded in your work session) by making the node "active". "Nodes" can be other things as well (like workplane, clip definitions etc).
Why to do that weird thing? Well, think any design being "flat" > meaning that all objects are placed in a single file (and in a single layer). Not that good > although the items are present you barely can handle them (because power is nothing without control, he he).
Let's go one step further: we can start classifying objects in "groups" (like a directories/files organization in any O/S). This means, in MCAD speak, creating assemblies (a void thing kinda like a directory) that contain components/entities (kinda like files).
Several steps further we end up with severely nested "arrangements" of entities (an assembly could be parent of something and child of something else).
For instance, it could be rather obvious the logical classification of a "geodetic" (so to speak) structure like this : a 40000m2 "hangar" defining some thematic park.
I mean : a void master that owns 4 equal void segment sets that own 4 "legs" that own various geodesic structural members + cables + membranes + you name it etc etc.
Each "leg" owns the concrete base (Shared) and a rather complex set of objects.
Notice that some tensile membrane "fixture" combos (see above)...act as perimeter light fixtures as well...meaning that the membrane tension plate may could be a child of a void "light" parent...or may could be a "stand alone" assembly etc etc.
These arrangements can be internal (belonging in, say, a x node within the current active file) or external (belonging in a y node within another file). If they deal with the same (topologically speaking) object they define clusters of Shared entities (or variations)- where only the view transformation matrix changes (in the simple scenario, he he). For instance the disk shown above is a Shared Assembly that owns the bolts, the plates, the tension member etc etc. Selective Instancing allows modifying some attributes without affecting the topology (i.e. the geometry).
The whole (terrible) mess is controlled by some tree like "dialog" (in Catia is "transparent") that is called Structure Browser. By controlled I mean (1) display/display mode with regard any tree member combo/selection set (assembly and/or component) in any View (2) clip state control (3) active status (for modifications/variations) (4) workplane control (5) drag and drop ownership control (6) ....
Now...what if I would chan…
this occasion, but it could be converted for DT in no time). Requires some minutes more as regards ... some things, but the usual update is due to some days.
Bad news: it's C#
Good news: User's Manual :
1. That thing (the C#, not me) after sorting (in a "sequential way", so tho speak) the panels (their order was chaotic) allows you to start the massacre by locating a focus of interest (and the user controllable +/- Range derived from it).2. The Range is variable (obviously) and takes care not to exceed the indices of the panel list (OK, that's elementary).
3. If you click the right button (Sadistic Q: where is it? he he) things are deleted and a new constantly self-updating list is your new List. Thus the massacre of panels is totally controllable. An autoZoom thing is also included (free of charge, but it's a bit nerve braking). Zoom factor is variable as well.
4. Then you move over (via the index slider) and start the massacre again. Notice the change of Range.
5. If you turn begin to false (initialization) and then begin to true > start all over again.
6. The other C# thing allows you to increment the index slider in a rather more convenient way. It's a bit weird: it uses delegates (A delegate is an object that knows how to call a method) and events (An event is a construct that exposes just the subset of delegate features required for the broadcaster/subscriber model - but don't ask what this means, he he) in order to talk with your slider (with a defined NickName) and perform the required value control.
NOTE: without realizing it you've just (indirectly) asked one of the most important questions even exposed in this Noble Forum. I hear you : what question? Well ... wait some days for the mother of all threads: "Total control in collections on a per Item basis"
may the Force (the dark option) be with you (and me)
best, Peter…
Rubicon (ii.e. some programming language [I would strongly recommend C#] > the Dark Side > years of pain + tears > hell or heaven?).
Back to that pile or worms of yours (I hate "simple" cases, he he).
0. if you want rounded lips ... Styrofoam is the only solution (+ sanding [buy a mask and some decent cigars ... path is long and hilly]). if not > goto 5/6.
1. by what means you think that you can shape Styrofoam? Do you have access to some CNC foam cutter? Or the only tools that you have are ... 2 hands and a knife? (or a thermal cutter). Accuracy is a BIG issue here: chances are that panels won't "fit". Solution is available in the forthcoming V3.
2. male "protrusions" on Styrofoam is kinda 3rd marriage > AVOID at any cost > this would end up in tears.
3. female ones are safe ... thus we need a proper "insert stripe" that must be compatible with the Styrofoam adhesive and strong enough to hold the pieces until the glue cures (it takes time, there's no instant Styrofoam adhesives around). Maybe aluminum (hard to cut by hand) or balsa (very expensive) or plywood (best option).
4. Some CNC foam cutters they can't shape the female "crevices" > be prepared (a thermal tool may(?) cut the mustard).
Note: panels made with Styrofoam look miserable because reality and theory differ. They also look miserable as well (and kitsch and miserable).
5. making the panels with (marine) plywood ... well this yields far superior accuracy and therefor aesthetics but (a) yields max panel thickness constrains, (b) introduces max panel dimensions constrains (c) yields packing issues [waste material] and (d) requires a totally different "connection" approach: it doesn't make sense to do some female crevice ... unless the plywood is very thick (expensive + heavy).
Note: Designing (pro option) self supporting "rib" reinforced sandwich composite panels ... well this is a bit far and away from what you can handle at present time.
So ... I've suspended the male/female thingy until you decide the final policy: it's the material/detailing that should dictate the method(s) AND the whole design and not the other way.
This is what we call bottom-top design approach (dinosaur Architects follow the top-bottom: disastrous + naive + naive + naive + avoid).
6. Plan ZZTop: make a stand alone autonomous perimeter frame per panel (marine plywood: imagine "thickening" these abstract beams shown inwards per panel) then join these frames by means of bolts (easy) and fill the "gaps" with Styrofoam (hmm). Note: you can reinforce the frames by a variety of means (say: a secondary "beam" sub-structure) achieving a rather elegant all overall solution.
This is the best solution by roughly 666 miles.
…