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algorithmic modeling for Rhino

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Search Results - 📍能量/trx闪兑📍自动trx兑换机器人👉【TG:@trxHomeBot】,usdt转账20万多.o

Topic: Cull Pattern
ll these 12500 points. Group 1 would represent the point located at 0, 5, 10, 15, 20 etc. Group 2 - 1, 6, 11, 16, 21 etc. Group 3 - 2, 7, 12, 17, 22 etc. Group 4 - 3, 8, 13, 18, 23 etc. Group 5 - 4, 9, 14, 19, 24 etc. I can create the pattern but the selection of points are all the points in row 0 and then all the points in row 5 and so on. I would like the selection of points to start at the bottom left, and sequentially continue to the right and then continue on the 2nd row (left to right & bottom to top). i am hoping the pattern i am trying to achieve is more understood with the quick screen capture I uploaded. the end goal is to be able to select all the points in the grid that are in each pattern. Thanks in advance for any guidance with this.  …
Added by Alyne Rankin at 6:53am on October 11, 2017
Topic: Time series forecasting
ied images (in the form of a time series). At first, the idea was to take time series of satellite imagery and label them accordingly into urban and non-urban. Since this step alone seemed too time consuming for now, we took a different approach. We photographically documented the growth of the slime mold Physarum Polycephalum in a Petri dish (about 2000 images in 2-min increments) and then labeled them into fungal and non-fungal. We would now like to use this labeled data (in the form of a list of black levels for each pixel) to make a prediction using Crow. Our first consideration is to use as input the pixel values of time step n and as output those of time step n+X and to train the network in this way (X could be 1, i.e. 2 min in the future, or 10, i.e. 20 min in the future). We would then use a later time step as a test, which is not included in the training set. So we could then compare the real output with the generated one. Now the questions: How realistic is it to perform such a prediction using the backpropagation approach in Crow? Especially also with regard to the structure of input and output (both times long lists of pixel values)? Will this detect the patterns of the temporal component, even if they are not explicitly stored in the inputs and outputs? Or in general, is it realistic to do this kind of time prediction with Crow?Thank you to anyone in advance who might be able to help!…
Added by Sebastian Clark Koth to Crow at 9:04am on January 18, 2021
Topic: Having trouble triming srf with Brep Intersection.
m arises when I try to trim my surface using a brep intersection. I have tried a few ways of trimming my surface (such as srf split) but nothing actually gets trimmed. Since I'm new to this language I cant seem to point out where my problem occurs. If some kind soul can point out where my problem arises and give me a hint of how to continue then I hope I can figure out my issue. The operation is fairly simple and I feel like I almost got it, but am still at the point where I need extra help. THANK YOU, btw I'm having allot of fun learning this awesome plug. Toyo%20Ito%20%28National%20Taichung%20Theater%29.gh …
Added by Daniel Smaranda at 10:57am on August 2, 2016
Event: Rhino.GetMe en el Centro Mexicano de Joyería
noceros 3D, en caso de aprobar satisfactoriamente el examen, se les otorga un reconocimiento avalado por el CMJ y la Secretaría del Trabajo. Este workshop va dirigido principalmente a estudiantes de arquitectura; sin embargo, ya que la parametrización es una herramienta que abarca diferentes ámbitos del diseño, se pueden integrar estudiantes de diseño industrial, artistas o estudiantes que tengan relación con lo gráfico y lo formal. Al finalizar el curso, los asistentes serán capaces de manejar Rhinoceros y Grasshopper en un nivel medio, con el objetivo de que el alumno pueda continuar aprendiendo con alguno de nuestros workshops subsiguientes o de manera autodidacta. Las personas inscritas deben tener conocimientos básicos de geometría y de preferencia utilizar algún programa de dibujo en 2D o modelación en 3d. Rhino.GetMe Rigid // Enfocado a construir un objeto de diseño parametrizado a cualquier escala, el workshop se divide en tres módulos: Módulo 1 // Rhinoceros 3D // Una sesión de cinco horas. Módulo 2 //Grasshopper // Una sesión de cinco horas. Módulo 3 // Ejercicios prácticos /Tres sesiones de diez horas c/u. Es necesario traer el equipo necesario para trabajar, se cuenta con equipos en caso de que algún alumno no cuente con laptop pero son limitados, por favor avísanos a la brevedad si lo requieres. Se les recomienda que traigan dispositivos de almacenamiento en caso de que necesitemos compartir información. El costo del Workshop es de $6500.00 para profesionales y $5000 pesos para estudiantes.   Pre-venta únicamente para estudiantes, hasta el día viernes 29 de junio, con un costo de $3500.00 pesos.   El cupo del evento es limitado puedes apartar tu lugar y terminar de liquidar antes del 29 de junio en pre-venta, antes del 6 de junio en admisión general.   Para hacer tu registro al workshop por favor envía un correo a workshop@transformalab.com incluyendo:   Nombre Universidad u oficina de procedencia Teléfono móvil En el caso de estudiantes por favor incluyan una copia escaneada de su Constancia de Estudios para hacer válido su descuento. Una vez recibida su información se les enviará un correo con la información necesaria para realizar su pago mediante depósito bancario, y posteriormente un mail de confirmación de su participación en el Workshop. www.transformalab.com…
Added by Bernardo Filiberto Rivera López at 4:17pm on June 11, 2012
Event: Formation Grasshopper / Atelier d’Architecture Paramétrique / #gh3D #Paris
ceros. Public concerné / Architectes et designers, utilisateurs de Rhino souhaitant paramétrer Rhinocéros à l’aide de Grasshopper, programme associant des composants et une structure de graphe interagissants avec le modèle Rhino. Une bonne connaissance de Rhinocéros est nécessaire. La langue de la formation est le français. Structure et Objectif de la formation / La formation se déroule sur 3 jours : les 2 premières journées sont consacrées aux « fondamentaux » de Grasshopper avec en préambule une introduction au design et à l’architecture paramétrique et leurs impacts dans la conception, la création et la construction. La troisième journée sous forme d’atelier est dédiée à l’étude de cas concrets proposés par les stagiaires, qui, quelques jours avant la formation, pourront envoyer leurs projets par mail à info AT rhinoforyou DOT com Les stagiaires, après la formation, pourront rester en contact avec les formateurs de HDA par le biais du blog complexitys.com et le twitter @HDA_Paris. La durée de cette formation permettra d’atteindre une autonomie et une bonne compréhension basée sur des exemples concrets. 3 Formules possibles / 3 jours ( Initiation+Atelier ) : du lundi 20 septembre au mercredi 22 septembre 2 jours ( Initiation ) : lundi 20 et mardi 21 septembre 1 jour ( Atelier ) : mercredi 22 septembre Programme ind icatif des notions traitéES pendan t la formation / Introduction à la conception Paramétrique . Rhinoscript, Grasshopper: différences et similarités . Interface graphique de Grasshopper . Objets, Données, Listes . Opérateurs scalaires : La mathématique de Grasshopper . Gestions des données : la logique de Grasshopper . Vecteurs, Points, Lignes, Surfaces : La géométrie de Grasshopper . Listes, Arbres, Branches . Le dessin paramétrique: exercices divers et exemples . Références, Bibliographie, Support de cours . Ateliers d’architecture et design paramétrique (3ème jour) . Moda lité de la formation / Venir avec un PC portable équipé de Rhinocéros version 4.0 SR 7 et de la dernière version du plug-in Grasshopper (téléchargeable sur www.grasshopper3d.com). Le coût du stage est de 350 € HT/jour par personne. Réserver votre place dès que possible car les places sont limitées à 10 participants maximum. Inscriptions et renseignements: Jacques Hababou, info AT rhinoforyou DOT com Pour en savoir plus sur l’architecture paramétrique: www.complexitys.com…
Added by HDA_paris at 8:38am on July 16, 2010
Blog Post: Digital Fabrication at Escola Massana, Barcelona 105h 765€

Curs Fabricació Digital al programa Massana…

Added by Pep Tornabell at 3:16am on December 20, 2012
Blog Post: Oooglow





Oooglow is a lampshade made from phosphorescent polyester resin.

It's shape is generatively designed based on the same principles as the…

Added by responsive design studio at 11:05am on January 12, 2014
Event: Metabolic Structures
termedio a avanzado. 2013 | mayo 22, 23, 24 y 25. 20 Hrs. Horario: 18:00 – 22.00 Jueves, Viernes y Sábado de 8:00 a 15:00 Hrs. Instructor_ Arch. David Hernández Melgarejo. http://bioarchitecturestudio.wordpress.com Objetivos: El curso está dirigido a cada diseñador, ingeniero o arquitecto que quiere obtener una sólida base en modelado generativo y paramétrico dentro del flujo de trabajo en Rhinoceros. En el curso se explorarán y construirán estructuras en el espacio paramétrico, incorporando entidades geométricas (Curvas, Superficies, Puntos, etc…) y usando patrones algorítmicos para la generación de estructuras con metabolismos contextualizados. Cada paso será soportado con ejercicios que gradualmente incrementarán su complejidad. El alumno aprenderá cómo trabajar con asociación geométrica y parámetros. Para perfeccionar asociación geométrica – asociación entre partes, asociación dinámica – las formas geométricas son generadas al seguir la conexión lógica entre la parte geométrica y sus restricciones, dimensión paramétrica y él proceso dinámico del diseño: Estimulamos el pensamiento relacional para la construcción de Diseño y Arquitectura de alto desempeño. Resultados: Los participantes con éste entrenamiento obtendrán las siguientes fundamentos. ·         Generar aplicaciones orientadas al análisis, la optimización, documentación del diseño y fabricación.  Palabras clave: Diseño Computacional, Scripting, Rhinoceros 5.0 + Grasshopper, Parametrización, Análisis, Galapagos, Genetic Solver, Optimización, Fabricación Digital. Para mayor información: MArch. Kathrin Schröter. E-mail: kschroter@itesm.mx Dirección de Arquitectura. Oficinas de Aulas 1, segundo piso.…
Added by David Hernández at 2:39pm on April 26, 2013
Topic: DataTree selection rules
will work slightly different from before. Sorry about breaking this, but it proved impossible to improve the selection logic with the fairly ambiguous notation that was implemented already. Not every change is breaking though and I hope that most simple matching rules will work as before. There will be a McNeel webinar on Wednesday the 6th of November where I discuss the new selection rules (as well as path mapping syntax and relative offsets within one or more data trees). This will be a pretty hard-core webinar aimed at expert users. The event will be recorded so you can always go and watch it later. I figured I'd briefly explain the new selection rules on Ning before I release the update though. ------------------------------------------------------------------------------- Imagine we have the following data tree, containing a bunch of textual characters: {0;0} = [a,e,i,o,u,y] {0;1} = [ä,ë,ê,ï,î,ö,ô,õ,ü,û,ÿ,ý] {1;0} = [b,c,d,f,g,h,j,k,l,m,n,p,q,r,s,t,v,w,x,z] {1;1} = [ç,ĉ,č,ĝ,ř,š,ş,ž] There are a total of four branches {0;0}, {0;1}, {1;0} and {1;1}. The first branch contains all the vowels that are part of the standard English alphabet. The second branch contains all non-standard vowels and branches three and four contain the standard and non-standard consonants respectively. So what if we want to select from this tree only the standard vowels? Basically include everything in the first branch and disregard everything else. We can use the [Tree Split] component with a selection rule to achieve this: {0;0} This selection rule hard-codes the number zero in both tree path locations. It doesn't define an item index rule, so all items in {0;0} will be selected. If we want all the vowels (both standard and non-standard), then we have several options: {0;?}         = select all branches that start with 0 {0;(0,1)}    = select all branches that start with 0 and end in either 0 or 1 {0;(0 to 1)} =    ......................................... and end in the range 0 to 1. Conversely, selecting all standard vowels and consonants while disregarding all non-standard character can be achieved with rules as follows: {?;0} {(0,1);0} {(0 to 1);0} It is also possible to select items from each branch in addition to limiting the selection to specific branches. In this case another rule stated in square brackets needs to be appended: {0;?}[0 to 2] The above rule will select the first three vowels from the standard and the non-standard lists. Basically, rules work in a very consistent way, but there are some syntax conventions you need to know. The first thing to realize is that every individual piece of data in a data-tree can be uniquely and unambiguously identified by a collection of integers. One integer describes its index within the branch and the others are used to identify the branch within the tree. As a result a rule for selection items always looks the same: {A;B;C;...;Z}[i]              where A, B, C, Z and i represent rules. It's very similar to the Path Mapper syntax except it uses square brackets instead of parenthesis for the index (the Path Mapper will follow suit soon, but that won't be a breaking change). You always have to define the path selector rule in between curly brackets. You can supply any number of rules as long as you separate them with semi-colons. The index rule is optional, but -when provided- it has to be encased in square brackets after the path selection rule(s). The following rule notations are allowed: *  Any number of integers in a path ?  Any single integer 6  Any specific integer !6  Anything except a specific integer (2,6,7)  Any one of the specific integers in this group. !(2,6,7)  Anything except one of the integers in this group. (2 to 20)  Any integer in this range (including both 2 and 20). !(2 to 20) Any integer outside this range. (0,2,...)  Any integer part of this infinite sequence. Sequences have to be at least two integers long, and every subsequent integer has to be bigger than the previous one (sorry, that may be a temporary limitation, don't know yet). (0,2,...,48)  Any integer part of this finite sequence. You can optionally provide a single sequence limit after the three dots. !(3,5,...)  Any integer not part of this infinite sequence. The sequence doesn't extend to the left, only towards the right. So this rule would select the numbers 0, 1, 2, 4, 6, 8, 10, 12 and all remaining even numbers. !(7,10,21,...,425)  Any integer not part of this finite sequence. Furthermore, it is possible to combine two or more rules using the boolean and/or operators. If you want to select the first five items in every list of a datatree and also the items 7, 12 and 42, then the selection rule would look as follows: {*}[(0 to 4) or (6,11,41)] The asterisk allows you to include all branches, no matter what their paths looks like. It is at present not possible to use the parenthesis to define rule precedence, rules are always evaluated from left to right. It is at present also not possible to use negative integers to identify items from the end of a list. If you want to know more, join the Webinar on Wednesday! -- David Rutten david@mcneel.com Seattle, WA…
Added by David Rutten at 8:57pm on November 3, 2013
Album: Reserva Genética de Vegetación (tesis de grado Ha.11)
, Arq. Daniel Gelardi Año: 2013 Memoria Descriptiva La primera etapa del proyecto final se enfocó en la participación del concurso International Velux Award 2012: Concurso que anima y desafía a los estudiantes de arquitectura a ‘explorar el tema de la luz del día en su sentido más amplio’. Se adoptó una postura centrada en el manejo de la luz natural en el espacio interior, pero aplicada específicamente para el contexto natural y cultural de la provincia de Mendoza - Argentina. El proyecto enviado al concurso se enfoca en tomar la luz natural del medio, como elemento protagonista dentro del espacio de uso múltiple y social diseñado y configurado para el desierto de Mendoza. En la cubierta se desarrolla una ‘piel responsiva’ que varía según los cambios climáticos de temperatura: la cubierta se divide en diversas piezas que evocan a la piel porosa de un cactus: cuando la radiación solar es alta o baja, estas piezas empiezan a adquirir movimiento, tamizando o dejando pasar la luz del sol. La idea del proyecto, después de un extenso proceso de investigación, evolucionó para convertirse en una ‘Reserva Genética de Vegetación’ que toma como inspiración los factores naturales del medio local: el desierto; sustentados por la identidad cultural de nuestra ciudad oasis. En la Reserva Genética de Vegetación se pretende realizar dos actividades principales que tienen el fin de aportar a nuestra provincia aquello que la destaca culturalmente como un Oasis : 1. Centro especializado de cultivo, donde se producen una cantidad ilimitada de especies vegetales (técnica de Cultivo In-Vitro) para forestar lugares de la provincia donde se necesite urbanizar. 2. Centro de investigación y experimentación de la flora autóctona xerófila, que pretende incorporarla como potenciales especies para forestación y uso público: Como ya sabemos, estas plantas son las que más se adaptan a nuestro medio. La reserva genética pretende ser el exponente de una arquitectura que toma parámetros concretos del medio y su cultura, para así prestar un servicio que forma parte de la escencia de nuestra ciudad de Mendoza: el cultivo vinculado con la forestación.…
Added by matías adrian casciotta at 11:03am on May 6, 2013
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