akes the linear regression of the Schroeder integral over 30 dB worth of decay. Whether it is T-15 or T-30, they all seek to estimate the RT, which is always always the time it takes for sound to decay 60 decibels.
The website has benchmarks, for your reference. You can find them under the 'Pachyderm' drop down menu, under 'Benchmarks'.
Your model may well require millions of rays to be accurate. It sounds like a very large space. I'm sorry if that is an unpleasant answer. Sometimes it does help to have a computer with more cores to help with this. I have gotten up to 90% processor usage on a 12 core machine before.
Arthur…
hat differ in shapes, sizes and height the facade would be a mess. Some spaces need some light while other can't have any. I would like to have full freedom of creation inside the building, to make it as functional as possible. Thats why i decided the parametric "skin" solution would be best. Since the location has industrial past (factories made of brick) i decided that brick would give interesting result.
I tried creating the definition on my own but since i lack skill in GH i got some problems (especially multiplication of bricks and the diffrence between each "level" (half a brick on y axis) caused problems for me.
I post my simple sketch explaining the idea of definition i would like to create (sorry about quality):
1 - Brep - I would like to use 25x12x6cm (classic brick) but as well experiment with diffrent shapes - like the one on the right with hole inside - that would give more light. Thats why i think the best solution would be using brep for this definition.
2- Multiplication - biggest problem for me - I don't know how tall the wall would be, what will be the final shape of Brep (brick) and that's why i would like to manipulate this with sliders as well. All the walls are flat (maybe it would be easier to use surface?). As i managed to multiply the bricks easy way i don't know how to gain control over height of the wall - for example that it is 30 bricks high, but has each second row moved on x axis by the distance of 1/2 brick. I tried using Series but with no success. Could you help me with that please?
3 - Rotation - i would like to use image sampler for that so i can "paint" where i want more sun and where i dont need it at all (black and white). The rotation has to be limited to 180 degrees as well. Obviously i didn't get here yet, but i never used image sampler so if you could give me some advice how to use component and how to create such images i would be really grateful.
4 - More of a concept thing - since the connection angles differ from 90 degrees i will have to figure out how to connect the parts of the wall at sides ;).
I would like to ask you for help with the defintion, since i am totally stuck at step 2. I post what i came up with so far. Thank you for your time and help!
PS. I post an image that is pretty similar to one of options i would like to check for my building.
…
m
-Area of blue line: min. 80% of the rectangel a x b
-Max. hight h of the top point: h,max = a
-Min. Volume between rectangel a x b and membrane: 500 m3
Can anyone help me?…
es has guided me in a - what I once thought - specific path within architecture, but recent discoveries (like the Grasshopper-community etc.) have learned me that the field of digital and parametric architecture is so-to-speak alive and kicking. This is also the main subject I would like to write my thesis about. It is however mainly the subject and defining its boundaries – what do I really want to explore and research? – which is the most difficult factor at this time.
A concrete idea is non-existant, and my current visions will probably be redirected when I have a first meeting with the promotors in February. Moreover there is the knowledge that it is impossible to make a thesis at the institute in Antwerp on no matter what subject in the world of digital architecture. Understandably too, it’s a small world and does not always result in realised projects, but in impressive imagery. At this moment however, I am thinking of two possible research fields to focus on.
In a first option the focus might lie on how digital design tools can be used to bring a certain aspect of interactivity to building facades. Such interactivity can occur both in the design phase and throughout the use of the building. The first scenario, in which the interactivity occurs when designing, I would focus on how the designer can shape a building’s outer perspective in function of environmental parameters: obstacles, elements that block sunlight from entering the building, visually important landmarks, etc. It should be noted however that focus will mostly lie on the design element, and less on the energy-efficiency and sustainability. Tools that will be researched would include Grasshopper, Rhino Scripting, Processing and ParaCloud.
A second possible approach could be categorized under both Swarm Intelligence and Generative Design and might study how the aforementioned digital techniques might be implemented in the new urbanism. We notably see more (innovative) interventions in which the design and planning is heavily influenced by movement patterns and morphogenetic parameters and functions. Based on the outcome of these scripted techniques, designers tend to work towards a proposal which answers a certain urbanistic issue.
All additional insights, guidelines, tips, comments are more than welcome in order to help me define the scope of my thesis subject. I must admit I am pretty new to this digital design world (it is not actively promoted at my home university, but it is promoted at the university where I am studying for one year now) and thus have limited experience at the time of writing.
Please also feel free to check out the blog post concerning this topic, which is a little more elaborate: http://nielswouters.be/thesis-digital-design-english/
Thanks for all your help!
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ou will see all of the available components on a ribbon at once so there is no need to keep clicking drop down menus.
It's all about discoverability with GH. What if you're a beginner and don't know about the Create Facility (dbl click canvas) how can you find Extr?
Even if you hover over every component or use the drop down lists you will not see the name Extr appear anywhere.
Sure it makes sense that Extr is short for Extrude but it's also the Nick Name of Extrude to Point component
So you can easily miss the fact that one has a Distance Input verses a Point Input.
I think I made the move to Icons around about the move from version 0.5 to 0.6, possibly before. I initially thought that I would go back to text because I loved the mono chromatic look of the text but I soon realised that Icons were the way forward. The greatest benefit is speed. You don't need to digest and decipher every component (which is written 90 degrees to the norm).
I'm not saying you should move to Icons forthwith but at least consider that once you have a better knowledge and understanding of GH, Icons will set you free.
My top ten tips that I would highly recommend to anyone wanting to better themselves with GH.
1) Turn on Draw Icons
2) Turn on Draw Fancy Wires
3) Turn on Obscure Components
4) Use the Create Facility like a Command Line eg "Slider=-1<0.75<2" or "Shiftlist=-1"
5) Use Component Aliases to customise your use of the Create Facility eg giving the Point XYZ component an alias of XYZ will bring it up as the first option on the Create Facility as opposed to the other possibilities.
6) Try to answer other people's questions even if it's not relevant to your own area. By looking into solving a problem outside of your comfort zone and then posting your results it is very rewarding but it also lets you see the other approaches that get posted in a new light.
7) Take the time to understand Data/Path structures.
8) Buy a second monitor - There is nothing that can compare to real estate when working in Grasshopper.
9) Read Rajaa Issa's Essential Mathematics
10) Pick a panel in a tab on the ribbon and get to know every component inside and out and then move on. Start with the Sets Tab > List Panel…
y in English. ○Presenter
Robert (Bob) McNeel (McNeel & Associates founder) Robert (Bob) McNeel is the founder and president of Robert McNeel & Associates (RMA). Founded in 1978, RMA originally focused on developing accounting software for accounting, architecture, engineering, and other personal services firms. Within a few years, RMA expanded its services to include selling and supporting microprocessor-based engineering and design software including AutoCAD. By 1985, the main focus of the business had shifted to AutoCAD sales, service, training, and software development. Bob McNeel grew up in the mountains of southern Washington State on a subsistence dairy farm. To pay for college, he worked in construction as a carpenter, welder, and cement finisher. Bob has a BA in Accounting from Washington State University. Prior to founding McNeel & Associates, he was a practicing Certified Public Accountant and the comptroller for a large construction company in Spokane. Andrés González (Rhino Fablab director) Andrés is a software trainer and developer since the 1980s. He has developed applications for diverse design markets as well as training materials for different CAD and Design software including the community of training materialswww.Rhino3D.TV Andrés has been working with the Rhino Team since the very early stages. He is now the head of the McNeel Southeast US & Latin American Division. He is the worldwide director of the digital fabrication community called RhinoFabLabwww.RhinoFabLab.com as well as the Generative Jewelry & Fashion Design community GJD3D www.GJD3d.com and Generative Furniture Design community GFD3D www.GFD3d.com 1981 -1985 University of North Carolina at Charlotte N.C. - EE.UU. B.S., Bachelor of Science in Engineering
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Added by Yusuke Oono at 9:28pm on October 16, 2013
onents (radiation, sunlight-hours and view analysis) which let you study the effect of the orientation of your building and the analysis result. When you come to a question similar to "what is the orientation that the building receives the most/least amount of radiation?" is probably the right time to use this component.
HOW?
I'll try to explain the steps using a simple example. Here is my design geometries. The building in the center is the building to be designed and the rest of the buildings are context. I want to see the effect of orientation on the amount of the radiation on the test building surfaces from the start of Oct. to the end of Feb. for Chicago.
First I need to set up the normal radiation analysis and run it for the building as it is right now. [I'm not going to explain how you can set up this since you can find it in the sample file (Download the sample file from here)]
Now I need to set up the parameters for orientation study using orientationStudyPar component. You can find it under the Extra tab:
At minimum I need to input the divisionAngle, and the totalAngle and set runTheStudy to True. In this case I put 45 for divisionAngle and 180 for the totalAngle which means I want the study to be run for angles 0, 45, 90, 135 and 180.
[Note1: The divisionAngle should be divisible by totalAngle.]
[Note 2: If you don't provide any point for the basePoint, the component will use the center of the geometry as the center of the rotation.]
[Note 3: You can also rotate the context with the geometry! Normally you don't have the chance to change the context to make your design work but if you got lucky the rotateContext input is for you! Set it to True. The default is set to False.]
You're all set for the orientation study, just connect the orientationStudyPar output to OrientationStudyP input in the component and wait for the result!
The component will run the study for all the orientations and preview the latest geometry. To see the result just grab a quick graph and connect it to totalRadiation. As you can see in the graph 135 is the orientation that I receive the maximum radiation. Dang!
If you want to see all the result geometries set bakeIt to True, and the result will be baked under LadyBug> RadaitionStudy>[projectname]> . The layer name starts with a number which is the totalRadiation.
Mostapha…
her people) a tremendous amount of time creating them by hand. Dog Treat was far from perfect, however it was good enough to use almost daily.
Three years is a long time. Since 2016 my Gh knowledge has expanded and I’ve seen how dodgy some of the scripting is. With this in mind I started work on a new build. Many things have been tweaked and some things have been rebuilt from the ground up.
Everything has been designed to be leaner and be a general solution to the problem of creating dog bone corners on geometry for quick, efficient and safe CNC fabrication.
Some of these things are:
Adding prompts about user geometry to make them aware about open curves, varying curve heights and if their geometry had been altered (mostly removing unnecessary points on curves).
Smooth Transfers. If you’re in a rush and need to speed through cutting, smooth transfers mean that a lead in geometry is now created alongside the actual dog bone arc. This means the router bit doesn’t have to come to a minute stop at every corner. This is turned on by default.
Acute Angle Condition If the angle between the two curves adjacent to a dog bone point is acute, previously the dog bone corner was useless. This was because the distance between the end points of the dog bone arc were less than the diameter of the router bit. There are many ways this condition could be addressed. I chose to circumscribe a larger arc based on the original angle between the adjacent curves. While it removes more material from the corner, it minimises tool wear and any potential for material to burn.
Single Curve A single curve can now be input into Dog Treat. It will be output with both internal and external treatments.
I’ll continue to update Dog Treat as the need arises, it’s become somewhat of a hobby now. Maybe one day it will become part of a Plug-in… once I learn to code it though!
Happy Treating!
Hi Everyone,
Here's a tool I've been working on for the past 4 months or so in my free time. It's a dog bone corner generator, however it's a little different to some of the existing ones. It's designed to be used for large amounts of geometry and as such, it avoids using any curve boolean operations that are computationally taxing. You don't have to split your curves up into internal and external lots either, it works it all out so you can be lazy. I've also incorporated Lunch Box's Object Bake Component for a one click operation that bakes geometry back out to Internal and External profile layers.
Let me know how it goes, will update where necessary.
Best,
Darcy
Change Log
06/11/19 - Version 2.0 SECOND DINNER - Rebuild
29/09/17 - Version 1.3 - Now with smooth corners option, True for smooth default/False for original
18/05/17 - Version 1.2 - Now includes variable angle domain input (defaults at 90°) for angled corners
13/11/16 - slight change to enable acceptance of very large interior curves
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Added by Darcy Zelenko at 8:44pm on November 9, 2016
ld be the best UI.
I think difference is made by 'Slider = 10' vs 'Slider = 10.000' more than by simple input/component initialization so, why to stop when it could be even more powerful?
Slider = 0 To 5 --- Slider in [0, 5]
Slider = {3; 0 To 5}
Slider = {3;0;5}
Slider = 3;0;5
Slider = 3 0:5
Slider = 3,0,5
Slider = 3 0 5 --- Value and range (min max)
3 0.0 5 --- 3.0 0.0 5.0
3 0 5.0 --- 3.0 0.0 5.0
3.0 0 5 --- 3.0 0.0 5.0
-1 0 5 --- 0 0 5 (-1 -1 5)
6 0 5 --- 5 0 5 (6 0 6)
Slider = 0:2:6 --- Even numbers: 0, 2, 4, 6.
Slider = 1:2:7 --- Odd numbers: 1, 3, 5, 7.
0:2:5 --- 0:2:4 (or 0:2:6)
3:2:8 --- 3:2:7 (or 3:2:9)
3 1:2:7 --- 1 3 5 7 (value 3)
Bang! = 7 --- 7 outputs
Merge = 5 --- 5 inputs
What's your opinion about Bang! = 7? As it's setting number of inputs, should it use different format? Bang! 7? Bang! (7)? Bang! i7?
+ * - / \ % ^ & | ! = > --- Addition, Multiplication, Subtraction, Division, Integer Division, Modulus, Power, AND, OR, NOT, Larger than, &c.
= could be a problem.
\ Integer division or Set difference?
! could be NOT but also Factorial.
| could mean intersection.
& could mean concatenate.
1+ --- Addition: input A = 1
2* --- Multiplication: input A = 2
+{0,1,1} --- Addition: input B = {0,1,1}
0-, 1/, 2^, 10^, e^ have their own components
Flatten = {7} or Flatten = 7 --- Input P = {7} (off-topic: Why can’t P be a list?)
Pt = {1, 2, 3} --- Point XYZ, X = 1, Y = 2, Z = 3.
Swatch = 129,239,231 (102)
Swatch = 129 139 231 102
F2 = "x^2+y"
"List Length" and "List Insert" don't work properly: "Value List" is choosen. Why? What's the reason to this choice? Well, I'd like to know how the whole thing (search by keywords) works, David.
Name and nickname can be now used as keywords. "Larger" works for ">" but "greater" doesn't. Could it be improved? Could synonyms be used? Could a short description even be used (I know this could be a bit weird)?
more than --- >
more or less --- Similarity
more less --- Similarity
red green --- Sets.List components should be showed
lightning --- Split Tree
What about use Curve.Analysis or Math.Boolean to display those Tab.Panel components? Param, Math, Sets, Vector? Primitive, Special, Util? Tab, Panel, and Tab.Panel as keywords.
At the moment that I write this, I check that ignoring accents in keywords has almost been included (0.8.0009): p`anel, pañel, pánel --- panel (almost)
Shouldn’t 'Dom2' work for Dom²?
What about nested search? You type some keywords (say 'Params' or 'Params.Geometry', or 'red green', or 'lst') and then you make a fine-tunning search over previous results/keywords. Tab.Panel and/or nested geometry could be useful when search by plug-in is desired or when you want to search among .ghuser components (first 'ghuser' or 'Extra.MyPlugIn' or 'lst' keyword and then fine-tunning, specific, search).
Is 'list length' performing this nested search right now ('lst' > 'length')? Anyway, I am thinking about UI (graphical) changes; successive searches.
As I said, description (and even words from the help info) could be used to search. What about "some kind of tags"? I mean that if 'list l' to finally choose List Length has been used for a while, that could be learned. Eventually, an XML file could store these tags, so you could even edit them. That could implement description, name, nickname, help info, Tab.Panel, .ghuser, synonyms (lots of them), tags/shortcuts or wathever.
How could flatten/graft/reverse be used? Initialize graft+Simplify or graft+Bang! could be really useful.
What about expressions? I don't how could it be done properly: would Slider = x^2 (expression) work? I mean, aren't expressions parsed when initializing?
Is Panel somehow doing this? 'panel = wathever' always suppose that wathever is a string, so you can't use 'panel = <pi>'. Sets.Strings components also do this.
I've been about to write several paragraphs about height/width (resizable components: Panel, Graph Mapper, Slider, &c.), input/output names (Scripts, F components; or any component with editable input/output names), orientation (Scribble), type hint and access option, nickname, &c. but, to sum up: being able to set any property when initializing would be really useful. I'd like to know the best choice of syntax but I'm sure that, David, you're closer to the answer. What do you think about this?
Slider: 3 0 5 "MySlider" "Slider^2"
Panel: "This is the content" "This is the title"
VB: "N" List Integer 7 "r" Item Double
Addition: A 1 B 2
I guess that any unified syntax would be elegant and useful, but additional ad hoc syntax (per component) could be even better (cleaner).
What about use lists of values? I'm not sure about format: panel = ("Hello", "Bonjour", "Hola")? If any valid format/syntax is found, maybe more sophisticated fetaures could be achieved: panel = {0;0} ("A", "B", "C") {0;1} ("1", "2", "3") How would you like this to be implemented?
There is a much simpler and interesting feature that would be useful, in my opinion: being able to initialize more than one component. I mean say 7xSlider = 10.0 and get 7 sliders and I also mean multiline (multi-component) initialization: Ctrl+Intro when you want to start a new line and Intro (or even some Accept/Cancel buttons when you activate multiline mode) to initialize (every line/component), for example. I mean:
3 x Slider = 1
Panel
Mass addition
Panel
And the whole bunch of components that were in mind (pre-thinked definition) is initialized. It speeds up the workflow, making more dynamic to add components that are only available via the drop-down panels.
Should this multiplier be something like a text box adjacent to search field more than '7x'?
These are some of my thoughts about intitializing. Please let me know your opinion :]
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ther math and logic. i can usually conceptualise what i want to do and cobble some semi working thing together but don't know which components to use and how to patch it. so i'm super happy to have someone who knows what he's doing to find this interesting.
and i'm glad you mention the fanned frets again, there is one input parameter that's still missing for the multiscale frets to be fully parametric, it's the angle of the nut or which fret should be straight. it depends a bit on personal preferences and playing posture what is more comfortable. so being able to adjust this easily would be cool. again i have no idea how the maths for that work or if you can just rotate each fret the same amount around it's middle point. The input either as fret number (for the straight fret) or as a simple slider from bridge to nut should do as input setting.
Here are the two extremes and the middle ground:
i've been thinkin today while analysing your patches and cleaning up my mess what exactly the monster should do.
Here are the input parameters needed, i think it's the complete list
scale length low E string
scale length high e string
fret angle/straight fret
string width at nut
string width at bridge
number of frets
fretboard overhang at nut (distance from string to fretboard bounds)
fretboard overhang at last fret
string gauges
string tensions
fretboard radius at nut (for compound radius fretboard radius at bridge is calculated with the stewmac formula)
fretwire crown width
fretwire crown height
action height at nut (distance between bottom of string and fretwire crown top)
action height at last fret
pickup 1 neck position
pickup 2 middle position
pickup 3 bridge position
nut width
the pickup positions should be used to draw circles for the magnet poles on each string so they are perfectly aligned and can be used for the pickup flatwork construction. ideally they would need a rotation control aligning the center line of the pickup so it's somewher between the last fret angle and bridge angle. personally i do this visually depending on the design i'm looking for, some people have huge theories on pickup positioning but personally i don't believe in it.
that should result in everything needed to quickly generate all the necessary construction curves or geometry for nut/fingerboard/frets/pickups. this is the core of what makes a guitar work, the more precise this dynamic system is the better the guitar plays and sounds.
i posted another thread trying to understand how i could use datasets form spreadsheets,databse, csv to organize the input parameters. What would make sense for the strings for example is hook into a spreadsheet with the different string sets, i attached one for the d'Addario NYXL string line which basically covers all combos that make sense.
The string tension is an interesting one, and implmenting it would sure be overkill albeit super interesting to try. it should be possible to extrapolate from the scale length of each string what the tension for a given string gauge of that string would be so that you could say 'i want a fully balanced set' or 'heavy top light bottom) and it would calculate which SKU from d'addario would best match the required tension. All the strings listed in the spreadsheet are available as single strings to buy.
i'm trying to reorganize everything which helps me understand it. i just discovered the 'hidden wires' feature which is great since once i understood what a certain block does or have finished one of my own, i can get the wires out of the way to carry on undistracted. a bit risky to hide so many wires but it makes it so much easier not to get completely lost :-)
btw, the 'fanned fret' term is trademarked, some guy tried to patent it in the 80's which is a bit silly since it has been done for centuries. there is a level of sophistication above this as well, check out http://www.truetemperament.com/ and that really is something else. it really is astounding how superior the tuning is on those wigglefrets, the problem is that it's rather awkward for string bending and also you can't easily recrown or level the frets when they are used. …