ving a copy of the surface in the original position. Second, and more frustrating, not all of the surfaces orient properly. A few lay flat but then rotate 90 degrees horizontally.
Any help or insights would be greatly appreciated!
Images and files are below.
grasshopper screenshot 1gh%20problem%20part%201.png
grasshopper screenshot 2gh%20problem%20part%202.png
grasshopper file slat%20wall%20C2.gh…
Grasshopper. So, I once made an attempt to bind ms sqlServer in order to get frozen definitions at some states, to avoid managing baked objects in Rhino and also be able to retain whole results without using the GH state manager that rebuilds everything.
But at that time GH's VB.Net component didn't properly read referenced dlls and I forgot it since then.
At first, I was surprised by Slingshot's extensive interface : I was still having in mind my own old project, a tool that would have acted at the Rhino's geometry object level, and auto creating the needed tables.
The bd would have consisted of a main table, owning the objects ID and name, and related tables containing the necessary information relative to the main objects.
For example, a Brep is made of so and so underlying objects, passed to respective tables, according to GH objects definition layout (just the way they are written in the xml schema).
Then, on a db, query an object by name, and retrieve the whole object or underlying objects (e.g. at the bounding curves level, or points level for a Brep).
With Slingshot, I made a few attempts to cheat GH with BLOB data fields, but no way to get a whole object. It seems that GH simply provides an object.toString ... and GH is definitely not conceived to produce persistence outside of Rhino. If I have some spare time, I will try to extract
About points and colors, I am now simply using a single field with CHAR(asLargeAsNeeded...), as GH parses String to every Point (or Vector or Color) entry of any component.
I do so because it need less to display on the canvas...
Whatever I wrote before, I really like your conception, as opened to relational interactions between ...whatever you need or dream of !
One last thing : GH can't open the definition file "Genome_DB_Template.gh" that I've downloaded from your site : http://slingshot-dev.wikidot.com/database-genome. I was expecting to learn a lot from your very smart stuff ! (I am running GH 08.00.13 and Slingshot 0.7.2.0)
Slingshot is running great, opened to any use...Thanks again.
Best,
Stan
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ey provide all the means to what I try to achieve.
What I need is to get a fast (as possible) evaluation of passive heat/solar gain from a certain facade. I know my building can cool to a certain degree (lets say 80 W/m2 - now lets forget other internal gains) and I want to be sure my facade is not letting excessive amounts of heat into the room/building. Normally I would make a full blown simulation to count my overheating hours and thereby evaluate my facade. To speed up the process, the idea is just to evaluate overheating hours in a faster way. So what I am thinking is that excessive amounts may estimated by counting high intensity irradiation patches in a critical sky-component or whatever such thing would be called that surpasses my sensible cooling load. My hope is that any facade visible to the sky-patches would very similar to the number of overheating hours if properly calibrated to a simulated model. However I have no idea right now, if this can be done.
Why do this? Speed, convenience, whole building thermal analyses.
@Chris and @Abraham The critical sky-component is made with LBs radiance component radiation and filtering the beam-components with highest effects from a yearly epw-file.
@Chris Conductive heat gains are also important especially if the facade is badly insulated, so the next step is to filter the outdoor temperature parallel with that critical sky-component and then do a static heat transfer analysis and combine that with the effect from direct sun influence. Again, no idea if it works.
Hope it makes sense. I a little embarrassed I drew you into this little experiment. This was not at all the point of the discussion. But now we are into it I like to know what you think. If it works its kinda neat, at least i think it is.
/K…
they may not always give you a clear picture of their precise functionality. I thought this may be an issue with many users so I decided to use this opportunity to list all the parameters with my quick take at describing their functionality. Here it goes:
DEFAULT VERTICAL SHIFT -- Number - Shifts panels vertically creating a custom-sized panel with height of the specified dimension at first row of skin.
DEFAULT HORIZONTAL SHIFT -- Number - Shifts panels horizontally creating a custom-sized panel with width of the specified dimension at first column of skin.
DEFAULT SKIN CHAMFERED CORNER--True/False - If "True" wraps panels around surface corners. If '"False" creates a custom-sized panel if necessary to complete the skin surface at the shared edge, defining this way a sharp corner.
RESET BAY AT POINTS-- True/False - When using Panel Bays (Group of Panels) this option restarts the panel bay at a surface corner.
FLOOR HEIGHT-- Number - The Floor To Floor value of the Skin generated. If Panels are shorter than this value, a leftover 'gap' will be seen at top of panels.
MINIMUM PANEL WIDTH -- Number - If the width of a panel (standard or customized) created during the skin generation is less than this value, the panel won't be created and the placement will be skipped.
MINIMUM PANEL HEIGHT -- Number - If the height of a panel (standard or customized) created during the skin generation is less than this value, the panel won't be created and the placement will be skipped.
MINIMUM PANEL AREA-- Number - If the area of a panel (standard or customized) created during the skin generation is less than this value, the panel won't be created and the placement will be skipped.
PANEL PROFILE TOLERANCE-- Number - If a resulting panel shape is within the specified tolerance value to any already created panel, this panel is used instead of creating a new panel shape. The tolerance specifically tracks the distance between each corner of the new panel and the corresponding corners of the existing panels. This parameter is mostly used in "SURFACE PANEL MODE'', where a large number of custom-shaped panels can be generated, to reduce the number of unique panels created.
GENERATE PANEL TYPES ONLY-- True/False - This parameter allows the Skin Generator to discard the creation of scene geometry but still have the grasshopper panel data being generated. The skin panels can be retrieved as grasshopper geometry using SkinDesinger's Display components.
RESET DF BETWEEN SURFACES-- True/False - When "True", the Design Controllers (Design Functions in v.01) resets to its initial values each time it starts a new skin surface. Used for instance to restart a layout pattern at every new surface.
SURFACE PANEL MODE-- True/False - The "SURFACE PANEL MODE" is used to generate panels matching the shape of the surfaces included in the "skinSurfaceList" input.
SURFACE PANEL ORIENTATION -- Orientation Type - When activating the "SURFACE PANEL MODE'', this parameter defines the orientation of the panel generated relative to the normal of the surface that defines its shape. The acceptable values (found in the "Surface-Panel Mode Orientations" dropdown) are:RESETFLIPROTATE 90ROTATE 90 FLIPROTATE 180ROTATE 180 FLIPROTATE 270ROTATE 270 FLIP
I hope this helps but feel free to reach out if you have any questions!
Santiago
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cnicas y estrategias para resolver problemas que hoy se presentan en el diseño y fabricación digital de formas complejas y euclidianas. Se podrá entender mejor la diferencia entre el estilo Modernista y el Parametricismo que vivimos desde el 2000.
Tomando como plataforma básica Rhino, se explora y optimiza el diseño y fabricación de topologías complejas bajo los entornos de Rhino, Grasshopper y RhinoNest.
Instructores:
Andrés Gonzalez, McNeel Miami.
Director de RhinoFabLab.
MSc. María Mena Deferme, Directora de Arquitectura.
Tecnológico de Monterrey campus León, Mexico.
NOTA 1: Tendremos el patrocinio de LaserCUT.mx y podremos usar un Láser Industrial durante todo el taller, mas el laboratorio del iTesm.
NOTA 2: Estudiantes y docentes podrán adquirir Rhino 4.0 con un descuento del 50% sobre el precio de lista en USA.
Descarga el Outline del workshop PDF
http://www.screencast.com/t/M2FjOTBi…
at the same time just seems logical to me that a force would always seek the path of least resistance, so rather than making a 90 degree turn follow a more similar direction. The thought of separating stresslines into groups of tension and compression ist interesting from a design perspective. I wondered how tension and compression forces relate to the S1 and S2 lines, so what I did is pluging the outputs of P1 and P2 into the respective vector display for S1 and S2 and coloring the vectors blue for compression (negative values) and red for tension (positive values). So when you look at the upper side of the surface S1 (SC_02), Tensors along S1 show compression towards the middle and towards the supports Tension. However the Principal Stress Display of the Mesh Visualisation Component for the upper side shows it the other way round, again Red/ Tension and Cyan/ Compression as it says in your manual. Did I miss out on something ? When I look at the lower side (SC_03) I find it more or less matching up (I am just decerning between negative and positive values) so that might make the difference in the size of the compression area. So, does this mean that the S1 and S2 lines are related to the upper and lower side of the surface ? One beeing predominantely in compression(upper side) and one being stressed(lower side) ? That would also explain to me why S1 and S2 swap when you change the side of the surface. I am sorry, many questions... If you have time to explain, would be great. Also, maybe you have a book or article in mind which would explain those things more in depth....
Many thanks,
Philipp…
returned to GSA, it is solving. You might have to reset result scales using the GSA button.
Cheers,
Jon
Checking Input Data - this may take some time.
________________________________________
Data checks commenced at 23/08/2017 4:59:18 PM.
Checking input data for static analysis by GSS.
Shortest element (element 9) is 5 m long.Longest element (element 1) is 6 m long.
Data checks completed at 23/08/2017 4:59:18 PM. No errors or warnings found.
Analysis commenced at 23/08/2017 4:59:18 PM.
Analysis by Gss Static analysis
Initialising results modulesSolving for displacementsSolution statisticsSparse Parallel Direct 12 active nodes 14 active elements 2 analysis cases 24 degrees of freedom Minimum degree ordering 90 terms in stiffness matrix Maximum stiffness is 4.804e+009 at node 4 in direction z Minimum stiffness is 3.132e+008 at node 2 in direction yy Condition number of the stiffness matrix is ~ 5328. Maximum relative error in displacements will be 2.4e-10 percent. Factorization in 109 msSolving for element forces and reactionsCalculation completeAnalysis completed with no errors
Analysis completed at 23/08/2017 4:59:18 PM.Analysis time: 0.172 seconds
…
ted a picture of in your post. The reason is that sound has larger wavelengths than light.
With a light rendering model, energy can be said to reflect specularly, relative to their geometry, because the wavelength of light is inifinitesimally small relative to any object you might have modelled. With sound, energy may travel and reflect diffusely, or move around objects, depending on the scale of those objects. Think of the fundamental equation of frequency to wavelength - speed of sound = frequency X wavelength. Using that, you can see that a wave in the 125 hz octave is about as tall as a human being (or maybe a little taller) and would easily move around your body, not being reflected at all. A wave in the 1000 Hz. octave band is as big as your forearm, and might reflect specularly from your torso. A wave in the 4000 hz. octave band is about as long as your index finger, and might reflect off of your torso, or even your head.
Similarly, if you were to model the seats explicitly, it might be relatively accurate at very high frequencies (say 4000 hz. and above) but that is a very small part of the answer. Consensus in the field is that the most accurate way to model the seats is with a flat plane, raised to about shoulder height, and then with scattering coefficients applied to represent the varying effects of geometry on sound. I tend to use low coefficents below 250 hz. (say around 30%) and high coefficents above 250 Hz.(90%).
Absorption depends on the seat which was chosen. This is often a good area to use for a model calibration based on measured reverberation time.
Arthur…
ces are distorted (second). What is going on?
Surfaces in the second are a rhino cage edit of the surfaces in the first image. They were originally all closed polysrfs exploded just to input into grasshopper.
In the definition attached, each surface is compared to an original (its the small box in the far left of the top image) The point there is the ability to select for more than just the 6 faces of a cube, but find the closest match to more complicated inputs. In the second image, distorted surfaces are being compared to a distorted original.
If I have my math right, two parallel unitized normal vectors should have a dot product of 1, and the further away from 1 their dot product the further away from parallel, no? Why does it fail when I leave the comfy land of 90 degrees?…
Added by Peter Stone at 2:39pm on January 28, 2015
e to constrains, I HAVE to do it like this (I can't 3D print everything or opposite).
First
I have no idea how to make the panels, without so many duplicate Edges, Faces etc.
Second
I can't figure out how to align the triangle panels to fit in the construction, so it can be assembled ideally without glue. This problem is both conceptual (I can't figure out how to do it fiscally) and grasshoper-wise - I don't know how to organize data list and produce a global movement, so that the triangle parts do not intersect with each other, BUT intersect the 3d printed construction part (where they fit fix in or just fit and can be glued).
Triangles will be milled out from 3mm Plexiglas, BUT I will not have an option to mill at an angle, so only 90° edges.
3D printed parts will be executed by a high level production powder printer, so it should hold good.
Any ideas?
best,
cuki
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