ers and researchers, programmers and artists, professionals and academics who come together for 4 days of intense collaboration, development, and design.
The sg2012 Workshop will be organised around Clusters. Clusters are hubs of expertise. They comprise of people, knowledge, tools, materials and machines. The Clusters provide a focus for workshop participants working together within a common framework.
Clusters provide a forum for the exchange of ideas, processes and techniques and act as a catalyst for design resolution. The Workshop is made up of ten Clusters that respond in diverse ways to the sg2012 Challenge Material Intensities.
Applicants to the sg2012 Workshop will select their preferred cluster from the following:
Beyond Mechanics
Micro Synergetics
Composite Territories
Ceramics 2.0
Material Conflicts
Transgranular Perspiration
Reactive Acoustic Environments
Form Follows Flow
Bioresponsive Building Envelopes
Gridshell Digital Tectonics
More information about the Workshop and Clusters can be found here:
http://smartgeometry.org/index.php?option=com_content&view=article&id=116&Itemid=131
The application process will close on January 15th, 2012.
Full Fee $1500
Reduced Fee $750
Scholarship Fee $350
Fees include attendance to both the workshop and conference from March 19th-24th.
Reduced Fee and Scholarships are available only for Academics, Students and Young Practitioners, and are awarded during a competitive peer review process.
sg2012 takes place from 19-24 March 2012 at EMPAC (http://empac.rpi.edu/) and is hosted by Rensselaer Polytechnic Institute in Troy, upstate New York USA. The Workshop and Conference will be a gathering of the global community of innovators and pioneers in the fields of architecture, design and engineering.
The event will be in two parts: a four day Workshop 19-22 March, and a public conference beginning with Talkshop 23 March, followed by a Symposium 24 March. The event follows the format of the highly successful preceding events sg2010 Barcelona and sg2011 Copenhagen.
sg2012 Challenge Material Intensities
Simulation, Energy, Environment
Imagine the design space of architecture was no longer at the scale of rooms, walls and atria, but that of cells, grains and vapour droplets. Rather than the flow of people, services, or construction schedules, the focus becomes the flow of light, vapour, molecular vibrations and growth schedules: design from the inside out.
The sg2012 challenge, Material Intensities, is intended to dissolve our notion of the built environment as inert constructions enclosing physically sealed spaces. Spaces and boundaries are abundant with vibration, fluctuating intensities, shifting gradients and flows. The materials that define them are in a continual state of becoming: a dance of energy and information. Material potential is defined by multiple properties: acoustical, chemical, electrical, environmental, magnetic, manufacturing, mechanical, optical, radiological, sensorial, and thermal. The challenge for sg2012 Material Intensities is to consider material economy when creating environments, micro-climates and contexts congenial for social interaction, activities and organisation. This challenge calls for design innovation and dialogue between disciplines and responsibilities. sg2010 Working Prototypes strove to emancipate digital design from the hard drive by moving from the virtual to the actual in wrestling with the tangible world of physical fabrication. sg2011 Building the Invisible focused on informing digital design with real world data. sg2012 Material Intensities strives to energise our digital prototypes and infuse them with material behaviour. They have the potential to become rich simulations informed by the material dynamics, chemical composition, energy flows, force fields and environmental conditions that feed back into the design process.
More information can be found at http://www.smartgeometry.org
Follow us on Twitter at http://twitter.com/smartgeometry…
Added by Shane Burger at 12:29pm on December 13, 2011
rection: there's no visible demand. Explanation: a lot of AEC oriented people (Smart Geo daydreamers) they think - potentially - about GH but they are rejecting it for more than obvious reasons: our job is 1% about the smart thing and 99% about the structured aspect of the smart (or stupid thing).
Back to that "hangar" : The primary role of this GH definition provided herein (and hopefully some future updates) is NOT to outline some academic solution (via some abstract collection of pipes/lines/points/surfaces) ...but to place in 3d space - properly structured - all the real-life (hmm, he he) bits that can compose the actual project. Of course if the bits could be parametrically driven assemblies ...well...you get the gist of the message.
All in all: I think that Engineers who are GH skeptics could see GH with a totally new perspective if, say, a collection of similar examples/test cases could be available for demo/evaluation/whatever > Ah! at last : this appears to be a real thing > what software did it? > say it again - Grass Components you said? > what sort of name is this? ... etc etc etc.
But since a similar development is quite expensive (and requires a team of several gurus), maybe this is rather a future potential task for the GH/Rhino people if they think that the AEC market segment could be beneficial for their products. Combine a similar capability with tools like yours and/or Evolute (planar quads are "a-la-mode" these days).
PS: forget trivial stuff > what about Stefanie? (plan B : better something than nothing)…
e case pictured already: don't bother how this truss is made and never mind that the def attached looks like an "add-on" (no components) - because it could be (so don't get stuck on that, it's irrelevant). In fact since the critical part (the 99% of the whole) if only doable with code ... it makes sense to do the rest with code as well (but that's my personal preference anyway, he he). Note: Balls are excluded from the demo.
You can toggle what "class" of struts is gonna being made with these booleans:
You can vary the sliders and if the code thinks that you make a valid input ... it obeys, he he.
But the big questions are:
1. Can you work with this in some interactive way? I mean vary any slider and ... wait ... for some change. Although the MERO components here are created ONCE and then placed around (minus obviously the tubes) ... they are placed as copies of the "donor" object (not instance definitions) creating a vast "pool" of "unnecessary" data.
2. What happens if you bake these little thingies? What file size you get? Is it OK?
But the bad news are that as I said ... this is ... NOT a task for a novice ... nor you can handle this get-a-truss-and-make-a-MERO-thing goal with half-measures: either you should do it properly ... or abandon ship.
NOTE: Load R file first (nothing is internalized).
Moral: even if this was made with components ... it wouldn't serve much.
best, Peter…
akes the linear regression of the Schroeder integral over 30 dB worth of decay. Whether it is T-15 or T-30, they all seek to estimate the RT, which is always always the time it takes for sound to decay 60 decibels.
The website has benchmarks, for your reference. You can find them under the 'Pachyderm' drop down menu, under 'Benchmarks'.
Your model may well require millions of rays to be accurate. It sounds like a very large space. I'm sorry if that is an unpleasant answer. Sometimes it does help to have a computer with more cores to help with this. I have gotten up to 90% processor usage on a 12 core machine before.
Arthur…
hat differ in shapes, sizes and height the facade would be a mess. Some spaces need some light while other can't have any. I would like to have full freedom of creation inside the building, to make it as functional as possible. Thats why i decided the parametric "skin" solution would be best. Since the location has industrial past (factories made of brick) i decided that brick would give interesting result.
I tried creating the definition on my own but since i lack skill in GH i got some problems (especially multiplication of bricks and the diffrence between each "level" (half a brick on y axis) caused problems for me.
I post my simple sketch explaining the idea of definition i would like to create (sorry about quality):
1 - Brep - I would like to use 25x12x6cm (classic brick) but as well experiment with diffrent shapes - like the one on the right with hole inside - that would give more light. Thats why i think the best solution would be using brep for this definition.
2- Multiplication - biggest problem for me - I don't know how tall the wall would be, what will be the final shape of Brep (brick) and that's why i would like to manipulate this with sliders as well. All the walls are flat (maybe it would be easier to use surface?). As i managed to multiply the bricks easy way i don't know how to gain control over height of the wall - for example that it is 30 bricks high, but has each second row moved on x axis by the distance of 1/2 brick. I tried using Series but with no success. Could you help me with that please?
3 - Rotation - i would like to use image sampler for that so i can "paint" where i want more sun and where i dont need it at all (black and white). The rotation has to be limited to 180 degrees as well. Obviously i didn't get here yet, but i never used image sampler so if you could give me some advice how to use component and how to create such images i would be really grateful.
4 - More of a concept thing - since the connection angles differ from 90 degrees i will have to figure out how to connect the parts of the wall at sides ;).
I would like to ask you for help with the defintion, since i am totally stuck at step 2. I post what i came up with so far. Thank you for your time and help!
PS. I post an image that is pretty similar to one of options i would like to check for my building.
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f my list.I don't understand why, but I guess I must be too young user ^^In the original list, i have a path {0;0;0;4} with two index and after the random node, {0;0;0;4} has 88 index.Items are not correct?I would have a comparable structure has the right list on my jpg (photomontage...)How I can do that?Thank you in advance
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hino Mc Neel, autore di "Architettura Parametrica - Introduzione a Grasshopper", il primo manuale su Grasshopper. I corsi PLUG IT nascono dalla volontà di promuovere le nuove tecnologie digitali di supporto alla progettazione e condividere il know-how maturato attraverso ricerca, collaborazione con i più importanti studi di architettura e pubblicazioni internazionali. Verranno introdotte le nozioni base di Grasshopper approfondendo le metodologie della progettazione parametrica e le tecniche di modellazione algoritmica per la generazione di forme complesse. Il corso è rivolto a studenti e professionisti con esperienza minima nella modellazione 3D e si articolerà in lezioni teoriche ed esercitazioni. Argomenti trattati: - Introduzione alla progettazione parametrica: teoria, esempi, casi studio - Grasshopper: concetti base, logica algoritmica, interfaccia grafica - Nozioni fondamentali: componenti, connessioni, data flow - Funzioni matematiche e logiche, serie, gestione dei dati - Analisi e definizione di curve e superfici - Definizione di griglie e pattern complessi - Trasformazioni geometriche, paneling - Attrattori, image sampler - Data tree: gestione di dati complessi - Digital fabrication: teoria ed esempi - Nesting: scomposizione di oggetti tridimensionali in sezioni piane per macchine CNC Verrà rilasciato un attestato finale. INFO E PRENOTAZIONI: http://www.arturotedeschi.com/wordpress/?p=2914…
st sampled into data trees (if not we must "add" them "manually" == code: get this item from Rhino and put it there) into collections.
2. Then we must perform some kind of selection(s) on a per individual item basis and THAT is in 99% of cases "manual" (== code) or on a per "global basis" (hard or soft clusters et all == code). If clusters are hierarchical and some kind of dendrogram is required ... this obviously means ... er ... more code.
3. Doing the 2 we use some kind of input by means of sliders (say pairs of 2: for branches and items) and therefor MAY their values cause slider control issues (== code). For instance IF this slider yields a x event > do this and that to some other sliders.
4. Then perform the "histogram" required and obviously treat this as just a variant (i.e. a possible solution out of a given collection witch is variable) meaning ways to "store" this into parameter(s) (as persistent data). This also requires code.
In a nutshell (and oversimplified): given a collection of "shapes" pick some make the histogram, store the result (or do something with that and store the outcome as well) recall some other for any reason, modify it, stored it ... and then repeat until the end of time (or worst: until you are out of espresso).
As I said: NOT a task for a novice AND NOT a task for someone not familiar with code matters (But I guess that you qualify in both areas, he he).
I do this type of things day in day out (but for real-life AEC purposes) therefor I could make a "simple demo" (add some "" more) but ... well ... you are warned, he he
But in case that you take the wrong decision (you are warned) we must use Skype a bit.…
ou will see all of the available components on a ribbon at once so there is no need to keep clicking drop down menus.
It's all about discoverability with GH. What if you're a beginner and don't know about the Create Facility (dbl click canvas) how can you find Extr?
Even if you hover over every component or use the drop down lists you will not see the name Extr appear anywhere.
Sure it makes sense that Extr is short for Extrude but it's also the Nick Name of Extrude to Point component
So you can easily miss the fact that one has a Distance Input verses a Point Input.
I think I made the move to Icons around about the move from version 0.5 to 0.6, possibly before. I initially thought that I would go back to text because I loved the mono chromatic look of the text but I soon realised that Icons were the way forward. The greatest benefit is speed. You don't need to digest and decipher every component (which is written 90 degrees to the norm).
I'm not saying you should move to Icons forthwith but at least consider that once you have a better knowledge and understanding of GH, Icons will set you free.
My top ten tips that I would highly recommend to anyone wanting to better themselves with GH.
1) Turn on Draw Icons
2) Turn on Draw Fancy Wires
3) Turn on Obscure Components
4) Use the Create Facility like a Command Line eg "Slider=-1<0.75<2" or "Shiftlist=-1"
5) Use Component Aliases to customise your use of the Create Facility eg giving the Point XYZ component an alias of XYZ will bring it up as the first option on the Create Facility as opposed to the other possibilities.
6) Try to answer other people's questions even if it's not relevant to your own area. By looking into solving a problem outside of your comfort zone and then posting your results it is very rewarding but it also lets you see the other approaches that get posted in a new light.
7) Take the time to understand Data/Path structures.
8) Buy a second monitor - There is nothing that can compare to real estate when working in Grasshopper.
9) Read Rajaa Issa's Essential Mathematics
10) Pick a panel in a tab on the ribbon and get to know every component inside and out and then move on. Start with the Sets Tab > List Panel…